In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter. pp. 512-519 (2001)
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| Abstract |
It might at first seem that the senses (the five traditionally recognized conduits of outer sense) would have very little to contribute to an investigation of Kant's aesthetics. Is not Kant's aesthetic theory based on a relation of the higher cognitive faculties? Much however can be revealed by asking to what degree sight is essential to aesthetic judgment (of beauty and the sublime) as Kant describes it in the 'Critique of Judgment.' Here the sublime receives particular attention.
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| Keywords | aesthetics aesthetic esthetic esthetics Kant senses sensation sublime sublimity blindness |
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| DOI | 10.1515/9783110874129.1762 |
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References found in this work BETA
Critique of Judgment.Immanuel Kant & Werner S. Pluhar - 1941 - Indianapolis, Indiana: Hackett Publishing Company.
Anthropology From a Pragmatic Point of View.Victor Lyle Dowdell & Hans H. Rudnick (eds.) - 1978 - Southern Illinois University Press.
Review: The Lives of Kant. [REVIEW]Rolf George - 1987 - Philosophy and Phenomenological Research 47 (3):485 - 500.
Diderot, Herder, and the Dichotomy of Touch and Sight.Raynold Immerwahr - 1978 - Seminar: A Journal of Germanic Studies 14 (2):85-96.
Citations of this work BETA
Crowther and the Kantian Sublime in Art.C. E. Emmer - 2008 - In Valerio Rohden, Ricardo R. Terra & Guido A. de Almeida (eds.), Recht und Frieden in der Philosophie Kants, Akten des X. Internationalen Kant-Kongresses. Walter de Gruyter.
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