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  1. added 2020-05-06
    The Darkling Thrush : On General Discussion.Rituparna Ray Chaudhuri - manuscript
    The poem, has also highlighted the theme of isolation. The Darkling Thrush is the symbol of perseverance. Men at times is all by himself. There is none around. The frail, gaunt, aged , weather-beaten bird has stood against all odds. There is an air of self doubt and the poet is in a dilemma how to welcome the advent of a new era. It has endured all the odds of time and is happy today singing its joyful song.
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  2. added 2020-03-27
    Psychoanalytic Aesthetics: An Introduction to the British School: Book Reviews. [REVIEW]Roger Squier - 2010 - British Journal of Aesthetics 50 (2):212-215.
    (No abstract is available for this citation).
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  3. added 2020-03-18
    A Physicalist Theory for Managing Impediments to Democracy and Peace Building in the Balkans.Rory J. Conces - 2019 - Eidos - Časopis Za Filozofiju I Društveno - Humanistička Istraživanja 3 (3):107-36.
    The post-conflict societies of Bosnia and Kosovo continue to be plagued by the deleterious effects of ethno-nationalism and ethnic enclaves. Unfortunately, this mix impedes both democracy and peace building within these Balkan countries. One way to promote such building is for these enclaves to collapse, thereby allowing multiethnic societies to develop. This essay proposes that enclaves be dealt with physically by ridding them of those evocative objects that help to create and maintain enclaves. By getting physical in this way, however, (...)
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  4. added 2020-03-18
    Philosophers and the Politics of Neighborhoods: Park East and Bosniak Mahala (2).Rory J. Conces - 2018 - Serbia Daily (483):9-10.
  5. added 2020-02-21
    Estado Ng Edukasyong Pansining BIswal Sa Mga Piling Pamantasan Sa PIlipinas.Joseph Reylan Viray, Jun Badie, Crislie Unabia & Lailanie Gutierrez - unknown
    Ang kolektibong sanaysay na ito ay nagtatasa sa kalagayan at estado ng edukasyong pansining biswal sa mga piling pamantasan sa Pilipinas. Sakop ng papel ang mga sumusunod na paaralan: Politeknikong Unibersidad ng Pilipinas, De La Salle-Lipa, Mindanao State UniversityIligan Institute of Technology, at Notre Dame of Marbel University. Dalawang tanong ang tinangkang sagutin ng papel: Una, ano ang estado ng edukasyong pansining biswal sa mga piling pamantasan sa Pilipinas? Pangalawa, ano-ano ang mga posibleng solusyon sa mga suliranin na nakahahadlang sa (...)
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  6. added 2020-02-20
    A Change of Face: Using Graffiti to Re-Imagine Spaces.Luba Pirgova-Morgan - 2017 - Mabini Review 6:38-54.
    In much of the literature graffiti is connected to notions of defacing, devaluing, vandalising, participating in an illegal activity or exhibiting ‘anti-social behaviour.’ The aim of this paper is to show the change of perceptions toward graffiti as less of an act of vandalism or a criminal activity and more of a solution to many social and political concerns. The paper offers a way to reframe graffiti as the solution rather then the problem based on a study of graffiti crews (...)
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  7. added 2020-01-19
    视觉的历史.Bence Nanay - 2018 - Zhongguo Meixue Yanjiu 10:311-331.
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  8. added 2020-01-18
    Art Made for Pictures.John Kulvicki & Bence Nanay - 2018 - Phenomenology and Mind 14:120-134.
    Over the last fifteen years, communication has become pictorial in a manner that it never was before. Billions of people have smart phones that enable them to take, edit, and share pictures easily whenever they choose to do so. This has created expressive niches within which new activities, with their own norms, continue to develop. Ready availability of these pictorial modes of communication, we claim, not only constitutes a change in the range of our communicative practices, but also changes the (...)
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  9. added 2019-12-16
    Geleneksel El Sanatları Bağlamında Kültür Ürünleri Olarak Türk Cam Sanatı: Surname-I Hümayun Analiz.Tamer Aslan - 2015 - Journal of Turkish Studies 10 (Volume 10 Issue 5):13-13.
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  10. added 2019-12-03
    HBO's 'The Price of Everything' (2018): A Documentary by Nathaniel Kahn.Jakob Zaaiman - 2019
    Detailed review of the 2018 film. This article is concerned to define contemporary art such that the machinations of the current art market - as portrayed in the film - make sense. The central idea is that the best of contemporary art is narrative rather than merely aesthetic; and a failure to understand this leads to the confusion that currently characterizes judgements about modern artworks.
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  11. added 2019-11-27
    An Eco-Poetic Approach to Architecture Across Boundaries.Claudia Westermann - 2019 - In Teresa Hoskyns (ed.), International Conference: Architecture Across Boundaries. Dubai, UAE: pp. 281–291.
    As highlighted by the post-Cartesian discourse across philosophical schools, Western thought had been struggling for a long time with conceiving interconnectedness. The problematic of Western dualism is most apparent with the so-called mind-body problem, but the issue does not only relate to the separation of body and mind but also the separation of living beings from their environments. Asian philosophy, on the other hand, has had a long history of thinking relations. The paper argues that an architectural philosophy that is (...)
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  12. added 2019-11-24
    Le film Solaris, réalisé par Andrei Tarkovski.Nicolae Sfetcu - manuscript
    Le film est un drame psychologique se déroulant à bord d'une station spatiale en orbite autour de la planète Solaris. Les trois membres de l'équipage ont des problèmes psychologiques. Le psychologue Kris Kelvin est envoyé là pour évaluer la situation, mais il fait face aux mêmes phénomènes mystérieux que les autres. Pour Tarkovsky, le conflit existentiel exposé par Lem n'était que le point de départ du développement de la vie intérieure des personnages. DOI: 10.13140/RG.2.2.11405.49129.
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  13. added 2019-11-16
    La producción de textos en la enseñanza artística: situación actual y herramientas didácticas.Mariela Alonso - manuscript
    Durante el siglo XX, la didáctica de la lengua y la literatura ha recibido valiosos aportes de la gramática, la lingüística y la psicolingüística. Dentro del enfoque textualista a nivel nacional, en la década del noventa Cortés y Bollini (1996) promovieron la enseñanza de la lengua y la literatura recuperando conceptos teóricos de van Dijk y estrategias didácticas propias de los talleres de escritura. El textualismo, o lingüística textual, busca solucionar problemas no contemplados por corrientes como el estructuralismo y el (...)
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  14. added 2019-10-29
    Biornametics. What is the Architect Doing in the Jungle?Barbara Imhof & Petra Gruber (eds.) - 2013 - Springer.
    The separation of disciplines in science seemingly increases exponentially in direct ratio to the number of discoveries made and the equivalent branches of specialization created. Evolution embraces complex ecosystems resulting from continuous process and change, whereas scientific disciplines tend to create a series of fixed ‘realities.’ These ‘discrete realities,’ which I would call ‘imaginary paradigms,’ suppress the intermediate states to simplify classification; or put it differently, to bring back order into chaos. Recent art-science collaborations challenge the communication of process that (...)
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  15. added 2019-10-29
    Biocentrism and Modernism. [REVIEW]Dominika Glogowski - 2013 - Germanoslavica 24:67-70.
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  16. added 2019-10-12
    Velázquez’s Democritus: Global Disillusion and the Critical Hermeneutics of a Smile.Javier Berzal de Dios - 2016 - Renaissance and Reformation 39 (1):35-62.
    Velázquez’s Democritus (ca. 1630) presents a unique encounter: not only are there few depictions in which the Greek philosopher appears with a sphere that shows an actual map, but Velázquez used a court jester as a model for Democritus, thus placing the philosopher within a courtly space. When we study the painting in relation to the literary interests of the Spanish Golden Age and its socio-political circumstances, we can see the figure of Democritus as far from just another instantiation of (...)
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  17. added 2019-10-12
    Conjuring the Concept of Rome: Alterity and Synecdoche in Peruzzi’s Design for La Calandria.Javier Berzal de Dios - 2014 - Sixteenth Century Journal 45 (1):25 - 50.
    This essay sets forth a nuanced interpretation of Baldassare Peruzzi’s stage design for La Calandria (1514) that addresses the spatial disassociations found in the drawing in relation to active modes of visual engagement.
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  18. added 2019-10-05
    What, After All, Is Art?Alexandra Mouriki, Antonis Vaos & Alexandra Mouriki-Zervou - 2010 - International Journal of the Arts in Society: Annual Review 5 (2):129-138.
    Art education literature has not given great deal of attention to that which constitutes the very content of art education, i.e. art. This reluctance to deal with art seems justified, given that there exists no overall accepted definition or interpretation of what art actually is. In this paper, we argue that, despite the difficulty, it is absolutely necessary to try to understand and reflect on the multidimensional and polyvalent phenomenon of art. We claim that without a deep understanding of the (...)
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  19. added 2019-09-29
    Du Bois, Foucault, and Self-Torsion: Criterion of Imprisoned Art.Joshua M. Hall - 2014 - In Joshua M. Hall & Sarah Tyson (eds.), Philosophy Imprisoned: The Love of Wisdom in the Age of Mass Incarceration. Lanham, MD 20706, USA: pp. 105-124.
    [First paragraphs: This essay takes its practical orientation from my experiences as a member of a philosophy reading group on death row at Riverbend Maximum Security Penitentiary in Nashville, Tennessee. Its theoretical orientation comes from W. E. B. Du Bois’ lecture-turned-essay, “Criteria of Negro Art,” which argues that the realm of aesthetics is vitally important in the war against racial discrimination in the United States. And since, according to Michele Alexander’s critically-acclaimed The New Jim Crow: Mass Incarceration in the Age (...)
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  20. added 2019-09-25
    Beyond the Imagery: The Encounters of Kierkegaard and Dostoevsky with an Image of the Dead Christ.Wojciech Kaftanski - 2014 - Dostoevsky Journal. An Independent Review 14 (1): 110–129.
    Through an analysis of Kierkegaard’s and Dostoevsky’s approaches to the theme of the death of Christ – one of the major leitmotifs in the debate of their contemporaries conveyed through theological and philosophical considerations, but also expressed in novels and in art – I show how the thinkers comprehended and articulated in their works the religious challenges awaiting the modern man.
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  21. added 2019-09-12
    Merleau-Ponty and Nishida: "Interexpression" as Motor-Perceptual Faith.Adam Loughnane - 2017 - Philosophy East and West 67 (3):710-737.
    This essay places Nishida Kitarō in dialogue with Maurice Merleau-Ponty regarding motor-perceptual aspects underlying their theories of artistic expression. The analysis begins by comparing their interpretations of negation as articulated in their later works and seeks to understand their poetic renderings of artistic practice as proposing a mutual and reciprocal form of negation. By analyzing their conceptions of negation as implicit to their depictions of artistic expression, this essay looks to expand their concepts of negation from a perceptual to a (...)
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  22. added 2019-07-29
    Antinomies of Representation: Anthropology as an Ekphrastic Process.David Zeitlyn - 2014 - HAU: Journal of Ethnographic Theory 4:341–362.
    This article addresses a profound anthropological issue: how do representation and the represented relate? What motivates or warrants the inevitable disconnection? It is a mistake to dismiss representation as misguided, oppressive, or misleading. Representation is part of cognition generally and natural language in particular. As such it is inescapable and part of how we think and talk about the world. Moving between visual and linguistic anthropology I suggest that photographs and portraits provide a rich basis for thinking about the particular (...)
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  23. added 2019-07-25
    Close Looking and Conviction.Sam Rose - 2017 - Art History 40:156-77.
    This article analyses the processes involved in description and ‘close looking’ in relation to works of art. Aspects discussed include the often-unspoken appeal to a limited form of artistic intention, the use of ‘context’, and the way that pictorial features are manipulated in the service of interpretation. Ultimately the article shows how great a role the writers’ overarching assumptions (such as about the history of modernism) are likely to play in apparently object-focused analysis, and as such why we should be (...)
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  24. added 2019-07-07
    Louvre Museum - Paintings.Nicolae Sfetcu - 2018 - Drobeta Turnu Severin: MultiMedia Publishing.
    The Louvre Museum is the largest of the world's art museums by its exhibition surface. These represent the Western art of the Middle Ages in 1848, those of the ancient civilizations that preceded and influenced it (Oriental, Egyptian, Greek, Etruscan and Roman), and the arts of early Christians and Islam. At the origin of the Louvre existed a castle, built by King Philip Augustus in 1190, and occupying the southwest quarter of the current Cour Carrée. In 1594, Henri IV decided (...)
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  25. added 2019-06-14
    Структура музеєзнавства: актуальні проблеми розвитку науки.Bondarets Oksana - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:72-78.
    У статті автор досліджує сучасні проблеми музеології (музеєзнавства) як науки, зокрема структуру. Якщо включення до загальної музеології таких підрозділів, як історична музеологія, теоретична музеологія, прикладна музеологія, та деякі інші положення сьогодні не викликають дискусій серед значного кола науковців, то щодо місця в структурі, зокрема, музейного джерелознавства, музейної педагогіки, музейної інформатики, музейної соціології, музейної психології висловлюють різні думки. Зміна ролі музею в сучасному світі призводить до трансформації функцій музею, що, своєю чергою, визначає появу нових напрямів музейної діяльності та розвиток науки.
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  26. added 2019-06-14
    Аналіз композиції «світове дерево» на рушнику: як статистично визначити зміст зображення.Samara Oksana - 2017 - NaUKMA Research Papers. History and Theory of Culture 191:63-67.
    У статті обговорено принципи кількісного дослідження в культурології, а саме можливості статистики та структурно-семіотичного методу в аналізі явищ традиційної культури. Метод застосовано до композиції українського рушника. Структурно-семіотичний аналіз композиції на рушнику може допомогти відрізнити обов’язкові елементи зображення від декоративних і встановити зв’язок між частинами. Нині вважають, що всі контури композиції мають однакову семантику. Але проведений аналіз показав, що однакову семантику мають орнаментальна смуга і рослинний орнамент. Інші елементи потрібні для того, щоб відділити їх від верхнього поля зображення і світового дерева. (...)
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  27. added 2019-06-13
    Білий куб: формування галерейного простору.Boris Sorokin - 2018 - NaUKMA Research Papers. History and Theory of Culture 1:24-28.
    У статті розглянуто концепцію «білого куба», специфічного галерейного та музейного простору для демонстрації і споглядання мистецтва. Проаналізовано, як тривалі експерименти з формою демонстрації робіт у музейних приміщеннях були зумовлені потребою створити особливий простір, де кожний експонат був би максимально ізольованим і самодостатнім. Так виник «білий куб», який фактично був легітимізований Альфредом Барром, першим директором музею сучасного мистецтва в Нью-Йорку. Починаючи з Брайана О’Догерті, дослідники вказують, що галерейний простір, яке нібито є максимально нейтральним, насправді є глибоко ідеологізованим. Уваго було приділено і (...)
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  28. added 2019-06-13
    Про музеологічну освіту та деякі особливості викладання музеологічних дисциплін.Oksana Bondarets - 2018 - NaUKMA Research Papers. History and Theory of Culture 1:69-75.
    У рамках підвищення кваліфікації (стажування) автор ознайомилась зі специфікою викладання музеологічних дисциплін у низці закладів вищої освіти України та наголошує як на важливості музеологічної освіти для наукових працівників музею, так і на необхідності удосконалення змісту, форм і методів цієї освіти. Розробка методики викладання музеологічних дисциплін є на сьогодні вкрай необхідною.
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  29. added 2019-06-07
    ´The Better Form´ - Josef Albers´s Idealistic Concept of Art Reveals its Socio-Cultural Function.Martina Sauer - 2019 - Art Style: Art and Culture International Magazine 2 (2):30-55.
    With the aim of teaching and practicing art for the good or moreover the better, Josef Albers proves to be an idealist. At the same time, he confirms with this conviction that art can also arouse the opposite. This conviction is already evident in the grammatical form of the term, which proves that art is functional or a technique for socio-cultural applications, whether good or bad. In the presentation of the political and philosophical background of this idea as well as (...)
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  30. added 2019-06-06
    Visualität und Geschichte. Bilder als historische Akteure im Anschluss an Verkörperungstheorien.Martina Sauer - 2015 - In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation. V&R uni press. pp. 39-60.
    Do have pictures an impact on future? Yes, say theories of embodiment by making perceptual foundations in place of representational arrangements responsible for it. -/- Wirken sich Bildern auf die Zukunft aus? Ja sagen Verkörperungstheorien und machen dafür weniger Repräsentationsmodelle als Wahrnehmungsweisen verantwortlich.
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  31. added 2019-06-06
    When Windmills Turn Into Giants: The Conundrum of Virtual Places.Erik Champion - 2007 - Techné: Research in Philosophy and Technology 10 (3):1-16.
    While many papers may claim that virtual environments have much to gain from architectural and urban planning theory, few seem to specify in any verifiable or falsifiable way, how notions of place and interaction are best combined and developed for specific needs. The following is an attempt to summarize a theory of place for virtual environments and explain both the shortcomings and the advantages of this theory.
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  32. added 2019-06-05
    Laclos and the Dark Side of the Enlightenment.Derek Allan - manuscript
    The conventional view that all Enlightenment thinkers believed that the fruits of Reason could only be beneficial is not necessarily accurate. Laclos, whose celebrated novel "Les Liaisons dangereueses" was published in 1782, provides a perspective on the world of Reason that does not square with that view. Working at the level of individual psychology, Reason in Laclos's novel divides the world into the strong and the weak – more specifically, the astute and the naive. It defines human worth in terms (...)
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  33. added 2019-06-01
    Attentional Engines: A Perceptual Theory of the Arts.William P. Seeley - 2020 - New York, NY, USA: Oxford University Press.
    What is it about art that can be so captivating? How is it that we find value in the often odd and abstract objects and events we call artworks? William P. Seeley proposes that artworks are attentional engines. They are artifacts that have been intentionally designed to direct attention to critical stylistic features that reveal their point, purpose, or meaning. In developing this view, Seeley argues that there is a lot we can learn about the value of art from interdisciplinary (...)
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  34. added 2019-05-03
    Cultural Revolution: Mykhail Semenko, Ukrainian Futurism and the “National” Category.Oleh S. Ilnytzkyj - 2017 - Kyiv-Mohyla Humanities Journal 4:45-52.
    This paper examines Mykhail Semenko’s Futurist manifestos that developed an opposition between “national” and “international” art, and specifically called “national” art provincial and retrograde. In promoting the international European avant-garde, Semenko’s essays demonstrate how consistently he championed a contemporary and modern Ukrainian culture in the face of home-grown conservatism.
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  35. added 2019-04-24
    Ambivalation of the Author’s role in a photographic image.Yuliia Petruk - 2018 - Наукові Записки Наукма. Філософія Та Релігієзнавство 2:17-25.
    This article questions the role of the author in the photographical image. Undoubtedly, the invention of photography has changed our attitude towards ourselves, towards the world. The impact of photography on one’s life is growing with the development of technology, mainly the photo-technology. One cannot but trust technological tools more than oneself, because any technological device nowadays is considered to be smarter, faster, and more precise than any human being. The technology plays a special role in photography, and that is (...)
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  36. added 2019-03-29
    The Space of Reception: Framing Autonomy and Collaboration.Jennifer A. McMahon & Carol A. Gilchrist - 2017 - In Brad Buckley & John Conomos (eds.), Who Runs the Artworld: Money, Power and Ethics. Faringdon, UK: Libri Publishing. pp. 201-212.
    In this paper we analyse the ideas implicit in the style of exhibition favoured by contemporary galleries and museums, and argue that unless the audience is empowered to ascribe meaning and significance to artwork through critical dialogue, the power not only of the audience is undermined but also of art. We argue that galleries and museums preside over an experience economy devoid of art, unless (i) indeterminacy is understood, (ii) the critical rather than coercive nature of art is facilitated, and (...)
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  37. added 2019-03-18
    Sinnbildung und Widerstreit zwischen mimesis und methexis bei Gilles Deleuze: Zu einer Umkehrung des Platonismus in den Gemälden von Francis Bacon.Irene Breuer - 2017 - In Katharina D. Martin & Ann-Cathrin Drews (eds.), Innen - Außen - Anders: Körper Im Werk von Gilles Deleuze Und Michel Foucault. Bielefeld: Transcript Verlag. pp. 51-68.
    In dem Beitrag wird der Frage nachgegangen, wie der Widerstreit zwischen mimesis und methexis eine – so die These – ›atopische Differenz‹ hervorbringt, die den Sinn des Gegenstandes zu einer fortwährenden Bildung zwingt, einen Sinn, der sich weder vollständig erhellen noch in bestehenden Begrifflichkeiten erfassen lässt, sondern sich eher in sinnlichen Erfahrung ausdrückt. Der Begriff der Atopie bedeutet nach Franco Rella , außerhalb unseres Platzes bzw. der Grenzen unserer wahrnehmungsmäßigen und kognitiven Gewohnheiten zu sein. Die hier vorgeschlagene atopische Differenz – (...)
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  38. added 2019-03-04
    Azul pintado de azul. Leyendas de artistas sin obras.Filippo Fimiani - 2017 - Boletín de Arte (38):35-44.
    En el verano de 1947, Yves Klein, Claude Pascal, Armand Fernández, sentados en la playa de Niza: contemplan el mar y el cielo azul, no hacen nada, y hacen declaraciones sobre el arte que llegará, sobre el Arte y el Gran Estilo del Futuro. A partir de ese momento, y de esas palabras, cada una de sus vidas cambia radicalmente: se convertirá en una vida nueva, una vida de artista sin obras, hecha solo de palabras, narraciones, gestos. En ese episodio, (...)
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  39. added 2019-02-04
    Lignes théoriques et iconiques.Gaëtane Lamarche-Vadel - 2018 - Multitudes 70 (1):170-175.
    Theorical lines,iconic lines, poetic and political lines. Theorists write right even when they think crooked, despite the zigzags of the search. Artists and poets are tempted by passing and moving lines, for they experience plasticity more than others, even when these lines are straight. The plastic and semantic richness of lines becomes the breeding ground for artistic and political actions.
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  40. added 2019-01-28
    Philosophy of Digital Art as Collaboration.Andrew J. Corsa - 2019 - Hyperrhiz: New Media Cultures 19.
    How can artists create works of computer art or Internet art in which audience members become genuine artists and collaborate with the original artists on the self-same work that they began? To answer this question, this essay will reflect on the work of philosophers who focus on questions concerning art completion and the ontology of computer art. This essay will also reflect on the artistic work of the trio LaBeouf, Rönkkö & Turner, whose artwork can serve as a model for (...)
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  41. added 2019-01-25
    Stanislaw Lem Vs. Andrei Tarkovsky.Nicolae Sfetcu - manuscript
    Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea, because he was interested in the problems of inner life, spiritual problems, so to speak, and Lem was interested in the collision between man and Cosmos. In an ontological sense of the word, in the sense of the problem of knowing and the limits of this knowledge - it is about that. Lem even said that mankind was in danger, that there was a crisis of knowledge (...)
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  42. added 2019-01-23
    Art and the Unknown.Dan J. Bruiger - manuscript
    Abstract: The purpose of this essay is to explore the nature and role of art as a human phenomenon from a broadly cognitive perspective. Like science and religion, art serves to mediate the unknown, at once to embrace and to defend against the fundamental mystery of existence. Thus, it may challenge the status quo while generally serving to maintain it. Art tracks the individuation of subjectivity, serving the pleasure principle, yet is appropriated by the collective’s commitment to the reality principle. (...)
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  43. added 2018-10-08
    Un manifesto dell'inumano. Carmelo Bene a quindici anni dalla morte.Fabio Vergine - 2017 - Kasparhauser 1.
    Articolo in occasione del quindicesimo anniversario della morte di Carmelo Bene.
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  44. added 2018-10-02
    Josef Albers, "So ist Kunst ... Erlebnis", Weimarer Verlagsgesellschaft: Wiesbaden 2018.Martina Sauer - 2018 - Wiesbaden, Germany: Weimarer Verlagsgesellschaft.
    This is the first coherent monography about the life and work of the important Bauhaus master Josef Albers. It aims to discover Albers as a teacher and an artist anew. Thus, 40 years after his death an artist shall be honored, who has had till now not enough attention within the Bauhaus masters. It fall too short to introduce him solely as the teacher and idea provider of the basic course at the Bauhaus. After his emigration to the US he (...)
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  45. added 2018-09-20
    Phasmagraphy: A Potential Future for Artistic Imaging.Elke Reinhuber - 2017 - Technoetic Arts 15 (3):261-273.
    In recent years, a rising interest in scientific imaging has become apparent, in art production and in thematic exhibitions, as well as in popular media and advertising. Images captured by, and supposedly read through, machines open up a new era – not only for an as-yet-undefined aesthetic journey, but also to reveal insight into a normally invisible layer of reality. A wide range of techniques is already well established – not only in science, but also in an artistic context. Based (...)
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  46. added 2018-09-03
    Wegzeichen : Japanische Kult- Und Pilgerbilder : Die Sammlung Wilfried Spinner : Japanese Devotional and Pilgrimage Images : The Wilfried Spinner Collection = Tokens of the Path.Tomoë I. M. Steineck, Martina Wernsdörfer & Raji C. Steineck - 2014 - Arnoldsche Art Publishers.
  47. added 2018-07-27
    Dvakrát nový Arthur Danto. [REVIEW]Tomas Hribek - 1996 - Umění/Art 44:572-577.
    A Czech-language review of two of Arthur Danto's collections of art criticism -- BEYOND THE BRILLO BOX and EMBODIED MEANINGS.
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  48. added 2018-07-25
    Magritte Meets Kripkenstein.Tomas Hribek - 1997 - Umění/Art 45 (3-4):240-258.
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  49. added 2018-07-25
    Auf/Bau/Haus: Tracking the Continuities Between Logical Positivism and Avant-Garde Art.Tomas Hribek - 1996 - Umění/Art 44 (1):53-73.
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  50. added 2018-07-24
    Piotr Piotrowski, Art and Democracy in Post-Communist Europe. [REVIEW]Tomas Hribek - 2014 - Umění/Art 62:87-89.
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