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A. Duval [17]André Duval [2]Alexandre Duval [2]Alain Duval [2]
Alain R. Duval [1]Amaury Duval [1]Adrien Duval [1]
  1. The Motivation Problem of Epistemic Expressivists.Alexandre Duval & Charles Côté-Bouchard - 2023 - Ergo: An Open Access Journal of Philosophy 10.
    Many philosophers have adopted epistemic expressivism in recent years. The core commitment of epistemic expressivism is that epistemic claims express conative states. This paper assesses the plausibility of this commitment. First, we raise a new type of problem for epistemic expressivism, the epistemic motivation problem. The problem arises because epistemic expressivists must provide an account of the motivational force of epistemic judgment (the mental state expressed by an epistemic claim), yet various features of our mental economy seem to show that (...)
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    The representation selection problem: Why we should favor the geometric-module framework of spatial reorientation over the view-matching framework.Alexandre Duval - 2019 - Cognition 192 (C):103985.
    Many species rely on the three-dimensional surface layout of an environment to find a desired goal following disorientation. They generally do so to the exclusion of other important spatial cues. Two influential frameworks for explaining that phenomenon are provided by geometric-module theories and view-matching theories of reorientation respectively. The former posit a module that operates only on representations of the global geo- metry of three-dimensional surfaces to guide behavior. The latter place snapshots, stored representations of the subject’s two-dimensional retinal stimulation (...)
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  3. Aux origines de la Revue des Sciences philosophiques et théologiques.André Duval - 1994 - Revue des Sciences Philosophiques Et Théologiques 78 (1):31-44.
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  4. Les enduits de préparation des tableaux de Nicolas Poussin.Alain R. Duval - 1994 - Techne 1:35-41.
  5. Une famille de pigments verts mal connue.Elisabeth Martin, Alain Duval & Myriam Eveno - 1995 - Techne 2:76-79.
  6. Matériaux et techniques des peintures de Nathalie S. Gontcharova et de Michel F. larionov du Musée national d'art moderne.Jean-Paul Rioux, Geneviève Aitken & Alain Duval - 1998 - Techne 8:16-32.