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  1.  69
    The Paradox of Public Art: Democratic Space, the Avant-Garde, and Richard Serra's "Tilted Arc".Caroline Levine - 2002 - Philosophy and Geography 5 (1):51 – 68.
    This essay interprets the controversy over Richard Serra's monumental sculpture, Tilted Arc , which was designed for a public plaza in downtown Manhattan in 1979 and then torn down five years later after intense public outcry. Levine reads this controversy as characteristic of contemporary debates over the arts, which continue the tradition of the nineteenth century avant-garde, pitting art against a wider public, and insisting that art must deliberately resist mainstream tastes and values in favor of marginality and innovation. This (...)
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  2.  19
    Seductive Reflexivity: Ruskin's Dreaded Trompe L'Oeil.Caroline Levine - 1998 - Journal of Aesthetics and Art Criticism 56 (4):366-375.
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  3.  17
    Critical Response I Still Polemicizing After All These Years.Caroline Levine - 2017 - Critical Inquiry 44 (1):129-135.
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  4. Seductive Reflexivity: Ruskin's Dreaded Trompe L’Oeil.Caroline Levine - 1998 - Journal of Aesthetics and Art Criticism 56 (4):367-376.
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