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John Alford [15]John R. Alford [3]John A. Alford [2]
  1.  41
    Differences in negativity bias underlie variations in political ideology.John R. Hibbing, Kevin B. Smith & John R. Alford - 2014 - Behavioral and Brain Sciences 37 (3):297-307.
    Disputes between those holding differing political views are ubiquitous and deep-seated, and they often follow common, recognizable lines. The supporters of tradition and stability, sometimes referred to as conservatives, do battle with the supporters of innovation and reform, sometimes referred to as liberals. Understanding the correlates of those distinct political orientations is probably a prerequisite for managing political disputes, which are a source of social conflict that can lead to frustration and even bloodshed. A rapidly growing body of empirical evidence (...)
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  2.  23
    Liberals and conservatives: Non-convertible currencies.John R. Hibbing, Kevin B. Smith & John R. Alford - 2015 - Behavioral and Brain Sciences 38.
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  3.  9
    Icon and Idea: The Function of Art in the Development of Human Consciousness.John Alford - 1955 - Journal of Aesthetics and Art Criticism 15 (2):258-260.
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  4. Creativity and intelligibility in le corbusier's chapel at ronchamp.John Alford - 1958 - Journal of Aesthetics and Art Criticism 16 (3):293-305.
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  5.  19
    Greek Culture and the EgoMichelangelo: A Study in the Nature of Art.John Alford & Adrian Stokes - 1960 - Journal of Aesthetics and Art Criticism 18 (4):528.
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  6.  16
    Icon and IdeaThe Grass Roots of Art.John Alford & Herbert Read - 1956 - Journal of Aesthetics and Art Criticism 15 (2):258.
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  7. John Norton-Smith, William Langland.(Medieval and Renaissance Authors, 6.) Leiden: EJ Brill, 1983. Pp. x, 144. Hfl 48.John A. Alford - 1986 - Speculum 61 (1):192-195.
     
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  8.  32
    Letters pro and con.John Alford, Benjamin Karp & George Boas - 1947 - Journal of Aesthetics and Art Criticism 6 (2):193-194.
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  9.  19
    Letters to the editor.John Alford, Calvin S. Brown & Walter Sutton - 1959 - Journal of Aesthetics and Art Criticism 17 (4):523-524.
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  10.  30
    Problems of a humanistic art in a mechanistic culture.John Alford - 1961 - Journal of Aesthetics and Art Criticism 20 (1):37-47.
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  11.  2
    Painting towards Architecture.John Alford & Henry-Russel Hitchcock - 1950 - Journal of Aesthetics and Art Criticism 8 (3):203.
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  12.  3
    Rolles English Psalter and Lectio Divina.John A. Alford - 1995 - Bulletin of the John Rylands Library 77 (3):47-60.
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  13.  40
    The New Landscape in Art and ScienceThe Anatomy of Nature.John Alford, Gyorgy Kepes & Andreas Feininger - 1958 - Journal of Aesthetics and Art Criticism 17 (1):126.
  14.  30
    Letters pro and con.Charles de Tolnay, Creighton Gilbert, Martin Steinmann, Monroe C. Beardsley & John Alford - 1956 - Journal of Aesthetics and Art Criticism 15 (1):122-126.
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  15.  23
    Negativity bias and political preferences: A response to commentators.John R. Hibbing, Kevin B. Smith & John R. Alford - 2014 - Behavioral and Brain Sciences 37 (3):333-350.
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  16.  27
    Letters Pro and Con.Charles De Tolnay, Creighton Gilbert, Martin Steinmann, Monroe C. Beardsley & John Alford - 1956 - Journal of Aesthetics and Art Criticism 15 (1):122 - 126.
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