This paper provides an analysis of the paradoxical definition of art as the silence of the world, as presented in Maurice Blanchot’s The Space of Literature. The definition is analysed phenomenologically, by treating the world as the universal horizon of all experiences. The paper presents two possible interpretations of Blanchot’s statement. First, a possibility is considered that, according to Blanchot, in genuine artistic experience the mundane everyday life falls silent, and an autonomous fictional world opens up. The paper argues that (...) while Blanchot does oppose art to everyday life, this interpretation is insufficient. Firstly, because on the basis of the phenomenological premise, all possible worlds fall within the universal world-horizon, and secondly, the function Blanchot attributes to art is considerably more radical, as when he speaks about the directedness of art outside of all possible worlds. While such an aim may seem impossible from the viewpoint of the phenomenological premise, the second part of the paper demonstrates that it can indeed be meaningfully interpreted on the basis of Martin Heidegger’s transcendent approach to the world. According to this interpretation, while the phenomenological premise prevents all discussion of places and experiences outside the world, a liminal experience can nevertheless be discussed. If this is true, it is not an entity within the world which opens up, but rather the world-horizon itself in the form of an anxious silence. (shrink)

Articulated in the twenties, the doctrines of the exiled Russian Evrazijstvo movement are undergoing a renaissance in Russia today. As the Evrazijstvo movement counted among the most original ideological currents of the Russian diaspora, association with its doctrines could well add to the reputation of a given group or groups. This is the case with the journal Elementy which considers itself as the inheritor of classical Evrazijstvo. Is this claim justified? The article is addressed to this question.

Articulated in the twenties, the doctrines of the exiled Russian ‘Evrazijstvo’ movement are undergoing a renaissance in Russia today. As the ‘Evrazijstvo movement counted among the most original ideological currents of the Russian diaspora, association with its doctrines could well add to the reputation of a given group or groups. This is the case with the journal Elementy which considers itself as the inheritor of ‘classical’ ‘Evrazijstvo’. Is this claim justified? The article is addressed to this question.

Artiklis käsitletakse nihilistliku kirjandusloome võimalusi eesti luule näitel. Nihilismi ei mõisteta artiklis väärtusprobleemina, vaid ontoloogilise probleemina. Nihilistlikku kirjandusloomet käsitletakse taotlusena tuua sõnasse teine, eimiski. Artikli teoreetiline raamistik toetub põhiliselt Gianni Vattimo languse ontoloogia kontseptsioonile, aga ka Friedrich Nietzsche, Martin Heideggeri ja Maurice Blanchot' töödele. Samuti analüüsitakse artikli teoreetilises osas eimiski väljendamise võimalusi eesti keeles, tuginedes Uku Masingu ning Jaan Kaplinski mõttekäikudele. Luuletajatest käsitletakse artiklis enim Jaan Oksa ja Juhan Liivi. Analüüsi käigus tuuakse esile järgmised eimiskiga seotud poeetilised figuurid: ootus ja (...) luhtumus, langus ja loojak, hullus, surm. Analüüsi tulemusena selgub, et nihilistlik loome on eesti luules tugevalt esindatud, kuid ei filosoofias ega luules pole võimalik saavutada otsest juurdepääsu eimiskile, tuleb piirduda aimamisega, vihjamisega. The paper discusses the possibilities for creating nihilistic literary works, using Estonian poetry as an example. The paper regards nihilism as an ontological problem, and not as a problem of values. Nihilistic literary creativity will be treated as an attempt to introduce nothingness. The theoretical framework is provided by Gianni Vattimo's ontology of decline, as well as by the works of Friedrich Nietzsche, Martin Heidegger and Maurice Blanchot. The paper also analyzes, relying on the ideas put forward by Uku Masing and Jaan Kaplinski, the possibilities of expressing nothingness in the Estonian language. As to Estonian poets, the paper will focus on the works of Juhan Liiv and Jaan Oks. The analysis of their works highlights the following poetic figures related to nothingness: anticipation and failure, decay and decline, madness, death. The analysis will demonstrate that nihilism is strongly present in Estonian poetry. However, since neither philosophy nor poetry has direct access to nothingness, one must remain content with presentiments and allusions. (shrink)

Since 1997, FORUM has been an integral part of the landscape of European studies. In addition to contemporary history, it offers insights into the history of ideas and reviews books on Central and Eastern European history. It offers more than just history--for instance, interdisciplinary discussions by political scientists, literary, legal, and economic scholars, and philosophers. FORUM sees itself as a bridge between East and West. Through the translation and publication of texts and contributions from Russian, Polish, and Czech researchers, it (...) offers the Western reader access to the scholarly discourse of Eastern Europe. The 'short' 20th century is one of the best-documented eras in history. Nevertheless, it holds more mysteries than many periods of antiquity or the Middle Ages of which we have only sparse relics. One of the biggest mysteries is the question of the causes of the collapse of civilization in the first half of the century. In Germany as well as in Russia, regimes came to power invoking the implementation of utopias that had been dreamt up during the 'long' 19th century yet which had been considered unrealizable. Now, it turned out, even the most radical utopian blueprint could be put into place. This development, intertwined with an extraordinarily deep crisis of European democracy, did not happen overnight. It had been looming for a long time. There had even been several prescient voices heralding the upcoming crisis--trailing away without being noticed. Volume 19, Issue 1 of FORUM recognizes some of these unheard prophets and scrutinizes their writings. (shrink)

Articulated in the twenties, the doctrines of the exiled Russian ‘Evrazijstvo’ movement are undergoing a renaissance in Russia today. As the ‘Evrazijstvo movement counted among the most original ideological currents of the Russian diaspora, association with its doctrines could well add to the reputation of a given group or groups. This is the case with the journal Elementy which considers itself as the inheritor of ‘classical’ ‘Evrazijstvo’. Is this claim justified? The article is addressed to this question.

Since 1997, FORUM is an integral part of the journal landscape of European Studies. In addition to facts of contemporary history, it offers deep insights into the history of ideas, reflects current discussions, and provides reviews of books on Central and Eastern European history. Especially on the history of ideas and contemporary history it offers more than ›just‹ history--e.g. interdisciplinary discussions by political scientists, literary, legal, and economic scholars and philosophers. FORUM sees itself as a bridge between East and West. (...) Through the translation and publication of documents and contributions from Russian, Polish, and Czech researchers it offers the Western reader insight into the scientific discourse within Eastern Europe.In his classic book on the history of Russian philosophy, Vasilij Zenkovskij singled out Simon Frank as the most influential Russian philosopher of all times. Frank's oeuvre is informed by two main sources: Russian-Orthodox spirituality on the one hand and Western, mainly German, philosophical traditions on the other.To honor Frank's impact and significance, the Institute for Central and Eastern European Studies decided to translate his most important writings into German in 1996. 17 years later, an edition of eight volumes had been completed, which served as the occasion for a symposium on Frank's work. This issue of Forum collects the research presented during that symposium. (shrink)