11 found
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  1.  78
    Inventing the Hetaira: Sex, Politics, and Discursive Conflict in Archaic Greece.Leslie Kurke - 1997 - Classical Antiquity 16 (1):106-150.
    According to Xenophon, the hetaira "gratified" her patron as a philos, participating in an aristocratic network of gift exchange , while the pornê, as her name signified, trafficked in sex as a commodity. Recent writers on Greek prostitution have acknowledged that hetaira vs. pornê may be as much a discursive opposition as a real difference in status, but still, very little attention has been paid to the period of the "invention" of this binary. Hetaira meaning "courtesan" first occurs in Herodotus (...)
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  2.  20
    The Politics of Ἁβϱοσύνη in Archaic Greece.Leslie Kurke - 1992 - Classical Antiquity 11 (1):91-120.
  3.  2
    The Politics of Habrosune in Archaic Greece.Leslie Kurke - 1992 - Classical Antiquity 11 (1):91-120.
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  4.  10
    Choral Lyric as “Ritualization”: Poetic Sacrifice and PoeticEgoin Pindar's Sixth Paian.Leslie Kurke - 2005 - Classical Antiquity 24 (1):81-130.
    The ego or speaking subject of Pindar's Sixth Paian is anomalous, as has been acknowledged by many scholars. In a genre whose ego is predominantly choral, the speaking subject at the beginning of Paian 6 differentiates himself from the chorus and confidently analogizes his poetic authority to the prophetic power of Delphi by his self-description as αοίδιμον Πιερίδων προfάταν. I would like to correlate Pindar's exceptional ego in this poem with what has recently emerged as the poem's exceptional performance context. (...)
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  5.  18
    A Dedicated Theory Class for Graduate Students.Leslie Kurke - 2015 - Classical World: A Quarterly Journal on Antiquity 108 (2):183-194.
  6.  7
    Kaphleia and Deceit: Theognis 59-60.Leslie Kurke - 1989 - American Journal of Philology 110 (4).
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  7.  8
    The “Rough Stones” of Aegina: Pindar, Pausanias, and the Topography of Aeginetan Justice.Leslie Kurke - 2017 - Classical Antiquity 36 (2):236-287.
    This paper considers Pindar's diverse appropriations of elements of the sacred topography of Aegina for different purposes in epinikia composed for Aeginetan victors. It focuses on poems likely performed in the vicinity of the Aiakeion for their different mobilizations of a monument that we know from Pausanias stood beside the Aiakeion—the tomb of Phokos, an earth mound topped with the “rough stone” that killed him. The more speculative final part of the paper suggests that it may also be possible to (...)
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  8.  15
    “Counterfeit Oracles” and “Legal Tender”: The Politics of Oracular Consultation in Herodotus.Leslie Kurke - 2009 - Classical World: A Quarterly Journal on Antiquity 102 (4):417-438.
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  9.  6
    Fathers and Sons: A Note on Pindaric Ambiguity.Leslie Kurke - 1991 - American Journal of Philology 112 (3).
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  10. 1. Cover Cover (Pp. C1-C4) Free Content.Alex Dressler, Miguel Herrero De Jäuregui, Deborah Kamen, Leslie Kurke, Michael Mordine & Craig A. Williams - 2013 - Classical Antiquity 32 (1).
  11. 1. Helen Epigrammatopoios Helen Epigrammatopoios (Pp. 1-39).David F. Elmer, Catherine M. Keesling, Leslie Kurke & Gottfried Mader - 2005 - Classical Antiquity 24 (1).