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Sally Bradshaw [6]S. Bradshaw [3]Sarah Bradshaw [1]
  1.  5
    Utopia: Land of Cocaigne and Golden Age.Alexandre Cioranescu & Sally Bradshaw - 1971 - Diogenes 19 (75):85-121.
  2.  9
    The Rights of Science After Death.Sally Bradshaw & Paul - Julien Doll - 1971 - Diogenes 19 (75):122-141.
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  3.  7
    Sociological Aspects of Industrial Aesthetics: Industrial Design as a Popular Art-Form in a Technological Civilisation.Gillo Dorfles & Sally Bradshaw - 1971 - Diogenes 19 (74):111-122.
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  4.  4
    The Childhood of Mankind.Judith E. Schlanger & Sally Bradshaw - 1971 - Diogenes 19 (73):39-69.
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  5.  7
    Market, Fair and Festival.Michel Pierssens & Sally Bradshaw - 1972 - Diogenes 20 (78):1-17.
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  6.  45
    Allegory and Symbolism in Italian Renaissance Painting.Mikhail Vladimirovitch Alpatov & Sally Bradshaw - 1971 - Diogenes 19 (76):1-25.
  7.  3
    The Rights of Science After Death.P. J. Doll & S. Bradshaw - 1971 - Diogenes 19 (75):122-141.
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  8.  6
    It’s gender Jim, but not as we know it … A critical review of constructions of gendered knowledge of the Global South.Erin Sanders-McDonagh, Brian Linneker & Sarah Bradshaw - 2020 - European Journal of Women's Studies 27 (2):128-144.
    This article explores how research helps construct a certain type of ‘gender’ knowledge that arises from, informs and reinforces ‘instrumentalist’ gendered policy perspectives on development of the Global South. It uses a case study of research funded under the ESRC-DFID Joint Fund for Poverty Alleviation which awarded 122 grants amounting to £66.2 million between 2005 and 2015. From a systematic review of the awards a typology of gender inclusion and exclusion was constructed that found 60% of all awards mentioned gender (...)
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  9.  1
    Glacle Aspersvs Macvlis: Juvenal 5. 104.A. T. Von & S. Bradshaw - 1965 - Classical Quarterly 15 (01):121-.
    The reader of Juvenal's fifth satire, making his way through the new Oxford text edited by W. V. Clausen, finds the sweep of the poet's indignant rhetoric interrupted by the obeli of 104. Reference to Clausen's paper which he quotes in support of his proposed reading glaucis sparsus reveals that he proceeds from the assumption that the line is corrupt, and evidence that this is the case must be sought elsewhere.
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