The notion of intersemiosis suggests the game relationships between the multiple interacting signifying spheres of culture, but the term can also be fitly applied to the study of certain extraordinary artistic texts. This study makes use of one such book, Julio Cortazar's Around the Day in Eighty Worlds, to show how the sui generis interplay of the book's semantic spheres simultaneously models and renews the complex cultural processes of the production of meaning. This often reprinted and hard-tocategorize book that for (...) years has remained at the outskirts of Latin American culture is also an ideal example to explore the dynamics between the center and periphery of culture as well as the writer's role in the creative renewal of cultural repertoires. By drawing a bridge over the apparent gap between the semiotics of culture and the semiotics of the artistic text, the present study attempts to approximate the critical-creative spirit of the late great theoretician Yurij Lutman. (shrink)

The notion of intersemiosis suggests the game relationships between the multiple interacting signifying spheres of culture, but the term can also be fitly applied to the study of certain extraordinary artistic texts. This study makes use of one such book, Julio Cortazar's Around the Day in Eighty Worlds, to show how the sui generis interplay of the book's semantic spheres simultaneously models and renews the complex cultural processes of the production of meaning. This often reprinted and hard-tocategorize book that for (...) years has remained at the outskirts of Latin American culture is also an ideal example to explore the dynamics between the center and periphery of culture as well as the writer's role in the creative renewal of cultural repertoires. By drawing a bridge over the apparent gap between the semiotics of culture and the semiotics of the artistic text, the present study attempts to approximate the critical-creative spirit of the late great theoretician Yurij Lutman. (shrink)

埋もれていた、もう一つの「うひ山ぶみ」。 知られざる近世の和学手引き書『和学知辺草(わがくしるべぐさ)』、初の翻刻・注釈・現代語訳! 漢学では徂徠学が急速な衰えを見せ、朱子学が盛り返し、異学の禁が発令され、国学では真淵の学風を受け継いだ宣長の学問が完成期を迎えていた、寛政年間(一七八九〜一八〇一)。 和学の手引き書が、佐賀の地で作られていた。 著者は「幽林舎散人」。寛政三年秋に官職を解かれ、該書成立の時はすでに六十歳を迎えようとしていことが、自叙から知られるのみ。該博な学識を満載した本著作から、ひとかどの知識人と推察されるが、年代を考えると 、おそらく鍋島直嵩(一七五三~八三)の主導する歌壇および文芸サロンに身を置いた人物であろう。 果たして江戸や松坂の新知識はどう伝えられていたのか。 近世思想史、文学史を知るための必読の書。 執筆は、中尾友香梨、白石良夫、進藤康子、大久保順子、亀井森、土屋育子、中尾健一郎、沼尻利通、日高愛子、村上義明、二宮愛理、脇山真衣、(翻字)三ツ松誠、田中圭子、中山成一。.

Impossible Presence brings together new work in film studies, critical theory, art history, and anthropology for a multifaceted exploration of the continuing proliferation of visual images in the modern era. It also asks what this proliferation—and the changing technologies that support it—mean for the ways in which images are read today and how they communicate with viewers and spectators. Framed by Terry Smith's introduction, the essays focus on two kinds of strangeness involved in experiencing visual images in the modern era. (...) The first, explored in the book's first half, involves the appearance of oddities or phantasmagoria in early photographs and cinema. The second type of strangeness involves art from marginalized groups and indigenous peoples, and the communicative formations that result from the trafficking of images between people from vastly different cultures. With a stellar list of contributors, Impossible Presence offers a wide-ranging look at the fate of the visual image in modernity, modern art, and popular culture. Contributors: Jean Baudrillard Marshall Berman Jeremy Gilbert-Rolfe Elizabeth Grosz Tom Gunning Peter Hutchings Fred R. Myers Javier Sanjines Richard Shiff Hugh J. Silverman Terry Smith. (shrink)