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  1. To love the tallith more than God.Timothy K. Beal & Tod Linafelt - 2005 - In Yvonne Sherwood & Kevin Hart (eds.), Derrida and religion: other testaments. New York: Routledge.
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    Narrative and Poetic Art in the Book of Ruth.Tod Linafelt - 2010 - Interpretation: A Journal of Bible and Theology 64 (2):117-129.
    Although the Book of Ruth is in many respects a classic example of biblical Hebrew narrative, with its stripped-down style and the opaqueness of its character's inner lives and motivations, there are two examples of formal poetry in the book (1:16–17 and 1:20–21). Biblical poetry works with a very different set of literary conventions than narrative, and by taking note of those conventions, we can see the distinctive contributions made by these poems to the book as a whole.
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  3. Surviving Lamentations: Catastrophe, Lament, and Protest in the Afterlife of a Biblical Book.Tod Linafelt - 2000
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    The Arithmetic of Eros.Tod Linafelt - 2005 - Interpretation: A Journal of Bible and Theology 59 (3):244-258.
    Love, according to the poets, is something like a math problem. Whether it is two striving to become one or the triangulating effect of three, we find a venerable history of number-crunching in the literature of love, not least in ancient Israel's great poetic presentation of desire, the Song of Songs.
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  5. The Impossibility of Mourning: Lamentations After the Holocaust.Tod Linafelt - 1998 - In T. Linafelt & T. K. Beal (eds.), God in the Fray. Fortress Press. pp. 279--89.
     
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  6. Ruth.Katharine Doob Sakenfeld, Tod Linafelt & Timothy K. Beal - 1999
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  7. Book Review: Song of Songs. [REVIEW]Tod Linafelt - 2007 - Interpretation: A Journal of Bible and Theology 61 (1):80-82.
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