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Tris Hedges [6]Tristan Hedges [1]
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Tris Hedges
University of Copenhagen
  1. Reclaiming misandry from misogynistic rhetoric.Tris Hedges - 2024 - Feminist Review 136 (1):84-99.
    In recent years, misogyny has become a central concept in philosophy as well as an established concept in public discourse and political policy. But where is misogyny’s supposed counterpart, namely, misandry? In this paper I argue for an ameliorative analysis of "misandry", arguing that it can be reformulated in an effort to reclaim it from its misogynistic weaponisation. The term "misandry" is used almost exclusively as a misogynistic rhetorical device for attributing unjust anger, hatred, or other similar emotions to a (...)
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  2. The Abnormality of Discrimination: A Phenomenological Perspective.Tristan Hedges - 2022 - Genealogy+Critique 8 (1):1-22.
    Over the years, phenomenology has provided illuminating descriptions of discrimination, with its mechanisms and effects being thematised at the most basic levels of embodiment, (dis)orientation, selfhood, and belonging. What remains somewhat understudied is the lived experience of the discriminator. In this paper I draw on Husserl's phenomenological account of normality to reflect on the ways in which we discriminate at the prereflective levels of perceptual experience and bodily being. By critically reflecting on the intentional structures undergirding discriminatory practices, I argue (...)
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  3. Expectation and judgment: towards a phenomenology of discrimination.Tris Hedges - 2024 - Continental Philosophy Review:1-23.
    In this paper, my aim is to develop a phenomenological understanding of discrimination from the perspective of the discriminator. Since early existential phenomenology, the phenomenon of discrimination has received a great deal of attention. While much of this work has focused on the experience of the discriminatee, recent scholarship has begun to reflect on the intentional structures on the side of the discriminator. In a contribution to this trend, I argue that our sense of what is (ab)normal plays a constitutively (...)
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  4. We and us: The power of the Third for the first-person plural.Tris Hedges - 2023 - European Journal of Philosophy:1-14.
    Phenomenological discussions of sociality have long been concerned with the relations between the I, the You, and the We. Recently, dialogue between phenomenology and analytic philosophical work on collective intentionality has given rise to a corpus of literature oriented around the first-person plural 'we'. In this paper, I demonstrate how these dominant accounts of the 'we' are not exhaustive of first-person plural experiences as such. I achieve these aims by arguing for a phenomenological distinction between an experience of being part (...)
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  5.  11
    Critical Phenomenology: An Introduction.Tris Hedges - 2023 - Journal of the British Society for Phenomenology 55 (1):129-131.
    Fans of arthouse cinema may lament that über-indie idol Greta Gerwig sold out to mainstream cinema with her foray into Barbie. Yet for every film snob who refuses to watch Barbie, innumerable other...
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  6. Critical Phenomenology: An Introduction Critical Phenomenology: An Introduction, by Elisa Magrì & Paddy McQueen, Cambridge, Polity Press, 2022, 240 pp., €62.20 (hardback), ISBN: 9781509541119, €21.90 (paperback), ISBN: 9781509541126. [REVIEW]Tris Hedges - 2023 - Journal of the British Society for Phenomenology 55 (1):129-131.
    Fans of arthouse cinema may lament that über-indie idol Greta Gerwig sold out to mainstream cinema with her foray into Barbie. Yet for every film snob who refuses to watch Barbie, innumerable other...
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    Critical Phenomenology: An Introduction: by Elisa Magrì & Paddy McQueen, Cambridge, Polity Press, 2022, 240 pp., €62.20 (hardback), ISBN: 9781509541119, €21.90 (paperback), ISBN: 9781509541126. [REVIEW]Tris Hedges - 2023 - Journal of the British Society for Phenomenology 55 (1):129-131.
    Fans of arthouse cinema may lament that über-indie idol Greta Gerwig sold out to mainstream cinema with her foray into Barbie. Yet for every film snob who refuses to watch Barbie, innumerable other...
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