Results for 'Sixten Ringbom'

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11 found
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  1.  76
    Plato on Images.Sixten Ringbom - 1965 - Theoria 31 (2):86-109.
  2. Art in 'the epoch of the great spiritual': Occult elements in the early theory of abstract painting.Sixten Ringbom - 1966 - Journal of the Warburg and Courtauld Institutes 29 (1):386-418.
  3.  46
    Action and report: The problem of indirect narration in the academic theory of painting.Sixten Ringbom - 1989 - Journal of the Warburg and Courtauld Institutes 52 (1):34-51.
  4.  10
    Education in a post‐comprehensive ERA.Sixten Marklund - 1981 - British Journal of Educational Studies 29 (3):199-208.
  5.  7
    De goda och de onda.Mårten Ringbom - 1974 - [Helsingfors]: Söderström & Co.
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  6. Towards an Ecumenical Theory of Normative Reasons.Caj Sixten Strandberg - 2018 - Dialectica 72 (1):69-100.
    A theory of normative reasons for action faces the fundamental challenge of accounting for the dual nature of reasons. On the one hand, some reasons appear to depend on, and vary with, desires. On the other hand, some reasons appear categorical in the sense of being desire‐independent. However, it has turned out to be difficult to provide a theory that accommodates both these aspects. Internalism is able to account for the former aspect, but has difficulties to account for the latter, (...)
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  7.  1
    Über die Deutbarkeit der Tonkunst.Nils-Eric Ringbom - 1955 - Helsinki: Fazer.
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  8.  3
    Man as a moral agent in Aristotle.Mårten Ringbom - 2002 - Helsinki: Societas Philosophica Fennica.
  9.  57
    Maria in sole and the virgin of the rosary.S. Ringbom - 1962 - Journal of the Warburg and Courtauld Institutes 25 (3/4):326-330.
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  10.  34
    Rescher's Determination of a Social Preference Ranking.MÅrten Ringbom - 1972 - Theory and Decision 3 (2):170.
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  11.  4
    ¿Existen Los Fantasmas? Sobre Imagen y Conocimiento En El Sofista de Platón.Ignacio Miguel Anchepe - 2017 - Praxis Filosófica 44:37-58.
    En Sofista, Platón revé algunos puntos clave de su teoría del conocimiento, tales como la teoría de las Formas y la noción de imagen (eídolon). Según algunos intérpretes (Ringbom, Palumbo, Deleuze, Audouard), este diálogo contendría la decisiva novedad de que entre conocimiento verdadero y conocimiento falso hay una notable paridad: ambos recurren a imágenes, el verdadero al eikón y el falso al eídolon (según diálogos anteriores, la imagen está reservada a las formas inferiores de conocimiento, lindantes con lo apariencial (...)
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