David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Frontiers of Philosophy in China 1 (3):455-476 (2006)
It is often suggested that artists from one culture (outsiders) cannot successfully employ styles, stories, motifs and other artistic content developed in the context of another culture. I call this suggestion the aesthetic handicap thesis and argue against it. Cultural appropriation can result in works of high aesthetic value
|Keywords||cultural appropriation aesthetics art authenticity culture|
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References found in this work BETA
Nelson Goodman (1968). Languages of Art. Bobbs-Merrill.
Peter Kivy (1995). Authenticities: Philosophical Reflections on Musical Performance. Cornell University Press.
Noël Carroll (2003). Art, Creativity, and Tradition. In Berys Nigel Gaut & Paisley Livingston (eds.), The Creation of Art: New Essays in Philosophical Aesthetics. Cambridge University Press 208--34.
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