There is growing acknowledgement of a moral obligation to curb our personal carbon emissions. However, while much has been said regarding certain kinds of carbon- ntensive behaviours, the philosophical literature has – until only very recently – been largely silent regarding one of the worst things that a person can choose to do from a climate perspective: namely, have a child. I contend that procreation is an inessential high-emission activity – one that results in inordinately greater emissions than other activities (...) like joyguzzling or flying. Given this, I argue that if we believe that individuals bear moral responsibility for their personal carbon emissions, then we have strong moral reasons to refrain from choosing to procreate, reasons which – for many – amount to a moral obligation to refrain from choosing to have children. I also consider whether our climate duties might also be discharged by offsetting the climate burden of any children we do choose to have and providing a concrete quantification of what that offsetting might look like. (shrink)

A number of attempts have been made to construct a plausible ontology of rock music. Each of these ontologies identifies a single type of ontological entity as the “work” in rock music. Yet, all the suggestions advanced to date fail to capture some important considerations about how we engage with music of this tradition. This prompted Lee Brown to advocate a healthy skepticism of higher-order musical ontologies. I argue here that we should instead embrace a pluralist ontology of rock, an (...) ontology that recognizes more than one kind of entity as “the work” in rock music. I contend that this approach has a number of advantages over other ontologies of rock, including that of allowing us to make some comparisons across ontological kinds. (shrink)