It might seem as if the Weltbild emanating from Aeschylus's plays in general—and the Oresteia in particular, as that shall be my main focus in what follows—exhibits an almost dreamlike incoherence. Building on the works of James J. Helm, I argue that, contrary to this reading, it is fruitful and plausible to read the trilogy as expounding a coherent moral outlook.

I argue that given a plausible reading of John Williams’s Stoner (2012 [1965]) the novel throws light on the demands and costs of pursuing a strategy for self-realisation along Platonic lines which seeks unification through the adoption of a single exclusive end in a manner that emulates the Socratic maieutic teacher. The novel does not explicitly argue either for or against such a strategy but rather vividly depicts its difficulties, appeal, and limitations, thus leaving the ultimate evaluation up to the (...) reader. (shrink)