The philosophy of Gilles Deleuze is increasingly gaining the prestige that its inventiveness calls for in the Anglo-American theoretical context. His wide-ranging works on the history of philosophy, cinema, painting, literature, and politics are being taken up and put to work across disciplinary divides, and in interesting and surprising ways. However, the backbone of Deleuze's philosophy – the many and varied sources from which he draws the material for his conceptual innovation – has until now remained relatively obscure and unexplored. (...) This book takes as its goal the examination of this rich theoretical background. Presenting essays by a range of Deleuze scholars and theorists of his work, it is composed of in-depth analyses of the key figures in Deleuze's lineage, whose significance – as a result of either their obscurity or the complexity of their place in the Deleuzean text – has not previously been well understood. Included are essays on Deleuze's relationship with figures as varied as Marx, Simondon, Wronski, Hegel, Hume, Maimon, Ruyer, Kant, Heidegger, Husserl, Reimann, Leibniz, Bergson, and Freud. (shrink)

This book, a sequel to the first volume of Deleuze's Philosophical Lineage (2009), presents studies of 16 key figures drawn on by Deleuze, ranging from Lucretius to Schelling through to Foucault. Each chapter introduces the work of the thinker in question, explains the context in which Deleuze draws on this work and discusses the contribution that it makes to the development of Deleuze's own ideas.

This collection presents, for the first time in English, Jean-Francois Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mise-en-scene', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard's film-philosophy, an overview of Lyotard's practical (...) film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-Francois Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard's reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy. (shrink)

This book aims to provide various clear points of entry into the labyrinth of Gilles Deleuze's thought, but without sacrificing any of its philosophical complexity or integrity in doing so. It discusses Deleuze's own intermittent descriptions of his work and provides characterisations of Deleuze's philosophy. The chapter also explores the similarities and differences between Deleuze's thoughts and philosophy and those of other philosophers including Plato, John Duns Scotus, and David Hume.