So far am I from rejecting the use of what has been well stated by others, that I would wish that everyone said the same things about the same things and, as Socrates puts it, in the same words, and then there would be no undisputed quarrelling among men about the matters at hand.

So far am I from rejecting the use of what has been well stated by others, that I would wish that everyone said the same things about the same things and, as Socrates puts it, in the same words, and then there would be no undisputed quarrelling among men about the matters at hand.

Thinking about sensory experiences and evaluating human artifacts is an important part of Western European cultural and intellectual history. This book investigates from different perspectives the origins of this practice and the rich discourse of aesthetic value in classical antiquity.

It has long been noted that there are links between the Homeric portrayals of Odysseus' companions and the suitors. These two largely anonymous groups of Ithacans are connected not only by their ἀτασθαλίαι but also by the fact that by the end of theOdysseyboth groups will be dead. Clearly, these fatalities are – in their different ways – crucial to the story. Nagler regards the death of the suitors as a ‘grim inversion’ of the death of Odysseus' crew. Odysseus himself (...) is depicted both by the primary narrator and in his own narrative inOd.9–12 as making every effort to save his crew, all in vain. By contrast, he is the prime and highly effective instigator of the death of the suitors. (shrink)

"The fourth in a series that explores cultural and ethical values in Classical Antiquity, this volume examines the negative foils, the anti-values, against ...

Thirty years ago, H. Flashar discussed the introduction to an anonymous commentary on the Aphorisms of Hippocrates. The text contains an interesting picture of Hippocrates as a culture hero, who saved suffering humanity by the introduction of systematic medicine. The first section of this introduction offers some complicated problems. It ends with an extremely long and difficult sentence, which, has not yet been explained quite satisfactorily, and it contains a curious use of the verb σαρκόω, combined with τν ύσιν, which (...) has led Flashar to suspect Christian influence. These two points are the subject of the first part of this paper. (shrink)