In this paper Marie-Jose N'zengou-Tayo draws on a variety of sources, both historical and contemporary, to describe the journey of Haitian women from nineteenth-century post-War of Independence, to present-day Haitian society. The paper is divided in two sections. In the first, the author traces a brief social history of women, quoting anthropological and sociological studies from the 1930s to the 1970s. She begins with rural peasant women noting their significant involvement in farming, marketing and in the internal food trade sector. (...) The development of polygamy and common law unions as the most common form of conjugal union is seen as a practical response to survival in rural Haiti. The author notes the major impact on women's lives of continued political upheavals, violent repression, rural degradation and migration to the cities. Opportunities for employment in a deprived urban setting, and women's initiatives in income generating are also described under the Duvalier regimes. A brief overview of the lives of the middle class is included, although there is a paucity of research in this area available to the author. Violence against women is a regular threat facing domestic workers, and a means of repression used by the state against women across classes. In the second section N'Zengou-Tayo addresses the literary representation of Haitian women by both female and male Haitian writers. The paper examines how female writers have developed subversive narrative strategies to shape a female identity in order to break away from the stereotypes portrayed in men's writing. N'Zengou-Tayo concludes that the tremendous contribution of Haitian women to their society has neither been recognized nor documented. Despite this, the resilience of Haitian women, whether in their daily lives or in their writing, has enabled them to make strides towards improving their lives. (shrink)

La première édition, accompagnée d’une traduction française annotée, du témoignage des Communia logice sur l’abstraction, en fait la double abstraction, et la séparation - un thème philosophique dans la mouvance de Métaphysique, E, 1 notoirement présent, on l’a vu, à la même époque chez Thomas d’Aquin - est ici précédée d’une étude d’histoire littéraire et doctrinale de cette compilation exégétique de questions sur la logique contenue dans un manuscrit ayant appartenu à Pierre de Limoges, maître à la Faculté des arts (...) de l’Université de Paris au plus tard en 1260-1261 et peut-être responsable de l’insertion inattendue ainsi que de la structuration par amalgame dudit témoignage, en forme de débat sur le sujet des sciences mathématiques, dans le commentaire sur le prédicament de la quantité dans les Catégories. (shrink)

Résumé Sans négliger les autres documents pertinents dans un tour d’horizon final et comparatif, cette étude s’efforce de dépeindre l’enseignement universitaire de la philosophie tel qu’il se reflète dans le miroir des textes didascaliques artiens de Paris jusqu’au mitan du xiiie siècle, tout en fournissant en annexe un premier répertoire, encore partiel, de ce corpus, avec ses éditions et ses traductions. Malgré son caractère généralement pratique et institutionnel, certains de ses éléments théoriques — comme la mise en relief de (...) la liaison intime, trame sapientielle de ces écrits de maîtres ès arts, entre théologie cosmique et éthique philosophique — permettent d’espérer que cet article apporte une véritable contribution à l’Histoire de la philosophie.Without neglecting the other relevant documents in a final comparative survey, this study tries to depict the university teaching of philosophy as reflected in the mirror of the Parisian didascalical texts of the Arts Faculty during the first half of the thirteenth century, while giving in appendix a first repertory, still partial, of this corpus, with its editions and translations. Notwithstanding its generally practical and institutional character, some of its theoretical elements — such as the highlighting of the close relationship between cosmical theology and ethical philosophy, a sapiential thread in those arts masters writings — it is hoped that this article may prove a genuine contribution to the History of philosophy. (shrink)