The first full philological edition in English of the Roman philosopher Seneca's De Clementia. It includes the Latin text with apparatus criticus, a new English translation, a substantial introduction, and a commentary on matters of textual and literary criticism and issues of socio-political, historical, cultural, and philosophical significance.

In Satire 3, Umbricius states his intention to leave Rome and delivers a long explanation of his decision, an explanation which develops into an invective against life in Rome. In the lines quoted above, Umbricius lists the ‘skills’ which are essential for success at Rome, ‘skills’ which he does not possess. The list comprises various mendacious, nefarious and criminal activities; Umbricius' stated inability to undertake such activities reinforces his claim to be a simple, honourable man . In this list is (...) his claim ‘I have never examined frogs’ entrails'. TLL glosses this passage ‘’ , the view taken by Friedländer too . Courtney takes a different view: ‘Presumably not for poisoning, which inspicere would hardly suit, but of divination … of an oriental type.’. (shrink)

Juvenal opens his eighth Satire with the question stemmata quid faciunt?, supplies an answer in line 20, nobilitas sola est atque unica virtus, and devotes the rest of the poem to exhorting his addressee to virtuous activity, both by negative exempla drawn from the degenerate nobility and by positive exempla drawn from the plebs, novi homines and the like. In lines 39–70 he addresses one particularly self-important noble and attempts to deflate his bombastic pride: in 56–67 he adduces an extended (...) illustration from the animal world, apparently such as was common in the schools of rhetoric. (shrink)

primo pallentis hiatuhaeret adhuc Orci, licet has exaudiat herbas,ad manes uentura semel.Erichtho the Thessalian witch is conducting a necromancy: she has selected a corpse, applied her potions to it and invoked the powers of the Underworld to release its soul to deliver the prophecy. She specifies that this is a recent corpse whose soul has hardly entered the Underworld; hence she describes it as ‘still hesitating at the entrance to pallid Orcus’ chasm’ and as “a soul which will join the (...) dead only once’. However, as Francken says, ‘“exaudire herbas” est absurda iunctura’. The problem lies in either noun or verb. The phrase must refer to Erichtho's magic; the choice is between spells and potion, herbas in the sense ‘Incantation’ is apparently unparalleled, but herbas as a reference to Erichtho's brew is perfectly acceptable, especially given the long description of her concoction of the revivifying potion and of her application of it to the corpse in the preceding lines, 6.667–84. Moreover, only a few lines later Lucan draws a contrast between uerba and herbae, spells and potion. If herbas is sound, suspicion falls on exaudiat; the occurrence less than ten lines earlier of the uncontroversial exaudite preces, 6.706, which suggests scribal repetition, strengthens the suspicion. (shrink)

primo pallentis hiatuhaeret adhuc Orci, licet has exaudiat herbas,ad manes uentura semel.Erichtho the Thessalian witch is conducting a necromancy: she has selected a corpse, applied her potions to it and invoked the powers of the Underworld to release its soul to deliver the prophecy. She specifies that this is a recent corpse whose soul has hardly entered the Underworld; hence she describes it as ‘still hesitating at the entrance to pallid Orcus’ chasm’ and as “a soul which will join the (...) dead only once’. However, as Francken says, ‘“exaudire herbas” est absurda iunctura’. The problem lies in either noun or verb. The phrase must refer to Erichtho's magic; the choice is between spells and potion, herbas in the sense ‘Incantation’ is apparently unparalleled, but herbas as a reference to Erichtho's brew is perfectly acceptable, especially given the long description of her concoction of the revivifying potion and of her application of it to the corpse in the preceding lines, 6.667–84. Moreover, only a few lines later Lucan draws a contrast between uerba and herbae, spells and potion. If herbas is sound, suspicion falls on exaudiat; the occurrence less than ten lines earlier of the uncontroversial exaudite preces, 6.706, which suggests scribal repetition, strengthens the suspicion. (shrink)

Essays by an international team of scholars in Latin literature and ancient philosophy explore the understanding of emotions (or 'passions') in Roman thought and literature. Building on work on Hellenistic theories of emotion and on philosophy as therapy, they look closely at the interface between ancient philosophy (especially Stoic and Epicurean), rhetorical theory, conventional Roman thinking and literary portrayal. There are searching studies of the emotional thought-world of a range of writers including Catullus, Cicero, Virgil, Seneca, Statius, Tacitus and Juvenal. (...) Issues of debate such as the ethical colour of Aeneas's angry killing of Turnus at the end of the Aeneid are placed in a broad and illuminating perspective. Written in clear and non-technical language, with Greek and Latin translated, the volume opens up a fascinating area on the borders of philosophy and literature. (shrink)

In Satire 3, Umbricius states his intention to leave Rome and delivers a long explanation of his decision, an explanation which develops into an invective against life in Rome. In the lines quoted above, Umbricius lists the ‘skills’ which (he implies) are essential for success at Rome, ‘skills’ which he does not possess. The list comprises various mendacious, nefarious and criminal activities; Umbricius' stated inability to undertake such activities reinforces his claim to be a simple, honourable man (e.g. lines 21–2). (...) In this list is his claim ‘I have never examined frogs’ entrails'.TLLglosses this passage ‘(sc. ueneni indagandi gratia)’ (TLL inspicio1951.70), the view taken by Friedländer too (‘zur Bereitung von Gift’). Courtney takes a different view: ‘Presumably not for poisoning, whichinspicerewould hardly suit, but of divination … of an oriental type.’. (shrink)