Abstract

Tim Maudlin’s Truth and Paradox offers a theory of truth that arises from a foundationalist picture of language. The picture is attractive, and Maudlin builds on it courageously. From the formal point of view, the theory of truth that emerges is, as Maudlin observes, nothing other than the least-fixed-point theory of Saul Kripke. From the philosophical point of view, however, the differences between Maudlin’s and Kripke’s theories are large. It is these differences that lead Maudlin to claim advantages that Kripke did not claim for his own theory. Maudlin says that his theory demands no object-language/metalanguage distinction, that he has “developed a theory of truth for a language that can serve as its own metalanguage.” He promises early on that his theory will be “more adequate to our actual practice of reasoning about truth [than revision and other fixed-point theories].” And he claims that the language he has constructed is expressively complete.