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  1. Nietzsche and Romanticism: Goethe, Hölderlin, and Wagner.Adrian Del Caro - 2013 - In Ken Gemes & John Richardson (eds.), The Oxford Handbook of Nietzsche. Oxford: Oxford University Press. pp. 108-133.
     
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  2.  22
    Dionysian Classicism, or Nietzsche’s Appropriation of an Aesthetic Norm.Adrian Del Caro - 1989 - Journal of the History of Ideas 50 (4):589.
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  3. Ethical Aesthetics: Schiller and Nietzsche as Critics of the Eighteenth Century.Adrian Del Caro - 1980 - The Germanic Review 55 (2):53-63.
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  4.  11
    Dionysian Aesthetics: The Role of Destruction in Creation as Reflected in the Life and Works of Friedrich Nietzsche.Adrian Del Caro - 1981 - Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften.
    Under the symbol of Dionysus, god of annihilation, metamorphosis, tragedy, Nietzsche succeeded in fusing elements of the mythological with a new philosophical world view culminating in an anti-ethic «beyond good and evil». «Dionysian Aesthetics» delves into the three periods of Nietzsche's productivity, systematically analyzing the relationships between major works and adhering closely to Nietzsche's «Werdegang». The focus for an understanding of the aesthetic is shifted from «Die Geburt der Tragödie» to the late works of the philo- sophical-Dionysus period.
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  5. Hölderlin's Ontology of the Open.Adrian Del Caro - 1993 - Philosophy Today 37 (4):383-391.
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  6. In Agon with Goethe : Parerga and Paralipomena 2.Adrian Del Caro - 2023 - In David Bather Woods & Timothy Stoll (eds.), The Schopenhauerian mind. New York, NY: Routledge.
     
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    Nietzschean Considerations on the Environment.Adrian Del Caro - 2004 - Environmental Ethics 26 (3):307-321.
    The superhuman (Übermensch) is a human being attuned to his or her environment in such a way that human and environment function as a whole, in keeping with Zarathustra’s prophecy that the superhuman is the meaning of the Earth. Nietzsche’s rhetorical embrace of the Earth in Thus Spoke Zarathustra is actually grounded in the works of the 1870s, in particular Human, All Too Human, whichdoes not receive its due in critical engagement but which requires serious critical revisitation if the ecological (...)
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  8.  23
    Zarathustra Is Dead, Long Live Zarathustra!Adrian Del Caro - 2011 - Journal of Nietzsche Studies 41 (1):83-93.
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  9.  1
    Nietzsche’s Philosophy of Art. [REVIEW]Adrian del Caro - 1995 - International Studies in Philosophy 27 (2):146-147.
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  10.  9
    Umwertung aller Werte? [REVIEW]Adrian Del Caro - 1991 - International Studies in Philosophy 23 (2):141-142.
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