Che ne è del pensiero quando si insegna in un’istituzione universitaria? A partire dall’esperienza di insegnamento e da alcuni scritti di Roland Barthes, in particolare _Lezione_, discorso inaugurale al Collège de France, il saggio si interroga sul seminario, definito come “un’istituzione tracciata sul modello utopico”, che ha accompagnato, dagli anni settanta in poi, la scrittura e i corsi del semiologo francese.

The main theme of this article is the phenomenality. Jan Patočka’s asubjective phenomenology distinguishes itself by the description of the plan of phenomenality, where beings can appear and that is independent from everything which appears in it. Only by an universalization of the phenomenological epoché, it is possible to turn our eyes towards the phenomenality itself and to understand its independence. To put the theme of the world and the consciousness between brackets means to discover the structure of the phenomenality, (...) which is constituted by what appears, to which something appears and the way of appearance. The world is the transcendental field of appearance. Everything appears in the world. It is the whole, always given and opened to the human being. The subjectivity is a moment of phenomenality that presupposes the relation with the world. It has a role that makes it an “existence”. It is that to which something appears. Finally the way of appearance: the characters of the phenomenality are “objective mediators”. Mediators because they show the strings that build up the field of appearance, objective because wordly. What they show, even if in the darkness of the absence, is the relation with the world. (shrink)

The main theme of this article is the phenomenality. Jan Patočka’s asubjective phenomenology distinguishes itself by the description of the plan of phenomenality, where beings can appear and that is independent from everything which appears in it. Only by an universalization of the phenomenological epoché, it is possible to turn our eyes towards the phenomenality itself and to understand its independence. To put the theme of the world and the consciousness between brackets means to discover the structure of the phenomenality, (...) which is constituted by what appears, to which something appears and the way of appearance. The world is the transcendental field of appearance. Everything appears in the world. It is the whole, always given and opened to the human being. The subjectivity is a moment of phenomenality that presupposes the relation with the world. It has a role that makes it an “existence”. It is that to which something appears. Finally the way of appearance: the characters of the phenomenality are “objective mediators”. Mediators because they show the strings that build up the field of appearance, objective because wordly. What they show, even if in the darkness of the absence, is the relation with the world. (shrink)

The main theme of this article is the phenomenality. Jan Patočka’s asubjective phenomenology distinguishes itself by the description of the plan of phenomenality, where beings can appear and that is independent from everything which appears in it. Only by an universalization of the phenomenological epoché, it is possible to turn our eyes towards the phenomenality itself and to understand its independence. To put the theme of the world and the consciousness between brackets means to discover the structure of the phenomenality, (...) which is constituted by what appears, to which something appears and the way of appearance. The world is the transcendental field of appearance. Everything appears in the world. It is the whole, always given and opened to the human being. The subjectivity is a moment of phenomenality that presupposes the relation with the world. It has a role that makes it an “existence”. It is that to which something appears. Finally the way of appearance: the characters of the phenomenality are “objective mediators”. Mediators because they show the strings that build up the field of appearance, objective because wordly. What they show, even if in the darkness of the absence, is the relation with the world. (shrink)