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Christopher S. Wood [4]Christine V. Wood [2]Chris Wood [1]Christopher Wood [1]
  1.  27
    The Science of Art: Optical Themes in Western Art from Brunelleschi to SeuratPerspective as Symbolic Form.Patrick Maynard, Martin Kemp, Erwin Panofsky & Christopher S. Wood - 1994 - Journal of Aesthetics and Art Criticism 52 (2):243.
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  2.  62
    Unpacking the warburg library.Anthony Grafton, Jeffrey F. Hamburger, Peter Mack, Michael Baxandall, Elizabeth Sears, Georges Didi-Huberman, Carlo Ginzburg, Joseph Leo Koerner, Christopher S. Wood & Jill Kraye - 2012 - Common Knowledge 18 (1):117-127.
    Against the backdrop of Walter Benjamin's famous essay, “Unpacking My Library”, this article, by the Librarian of the Warburg Institute, tells the story of the many times that the Warburg Library has been packed and unpacked. First it was the private collection of Aby Warburg, later a public institution, originally in Hamburg and then in London from 1933 to the present. This essay also explores the various ways in which books have been — and continue to be — acquired by (...)
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  3.  35
    Dromenon.Christopher S. Wood - 2012 - Common Knowledge 18 (1):106-116.
    “Dromenon” was and is the rubric governing the fourth and final floor of Aby Warburg's Library. The word means “the thing done,” “the action,” and in the context of the Greek Mysteries referred to rites, as opposed to words and images. In the Warburg Library in London, dromenon covers law, social institutions, folklore, and customs, among which Warburg located politics. This essay is in large part a reflection on what Warburg understood by politics and its inherent conflict with libraries. For (...)
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  4. Finding the Father: A Psychoanalytic Study of Rebel without a Cause.Chris Wood - 2000 - Senses of Cinema.
  5.  25
    STS and Social Inequality: Editor's Introduction.Christine V. Wood & Simon N. Williams - 2016 - Spontaneous Generations 8 (1):1-2.
  6. John Rowlands, with the assistance of Giulia Bartrum, The Age of Dürer and Holbein: German Drawings, 1400–1550. Cambridge, Eng.; New York; and New Rochelle, NY: Cambridge University Press, 1988. Pp. 260; 242 black-and-white plates, 40 color plates. $54.50. [REVIEW]Christopher S. Wood - 1991 - Speculum 66 (2):471-474.
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