The Experience of Human Communication approaches everyday communication as a philosophical and psychological matter. Using insights from Merleau-Ponty, Heidegger, and Foucault, Frank Macke stresses that human communication—and with it, the human body—is, first and foremost, a relational phenomenon involving friends and family.

This essay pursues the psychological and communicological problematic of “lying” from the standpoint of Nietzsche, Bataille, and the psychoanalytic study of family systems. For purposes of this essay, “lying” will be defined as a conscious misrepresentation of one’s own experiential memory. The essential argument of the essay, closely following Bataille’s concept of eroticism and communication, will be that the transformation of selfhood from childhood to adolescent sexual embodiment necessitates the performance of the lie as a necessary “crime” against the home-world (...) of the family system. Herman Hesse’s novel, Demian, serves as a critical source of illustration for the existential bargain of adolescence. (shrink)

This essay pursues the psychological and communicological problematic of “lying” from the standpoint of Nietzsche, Bataille, and the psychoanalytic study of family systems. For purposes of this essay, “lying” will be defined as a conscious misrepresentation of one’s own experiential memory. The essential argument of the essay, closely following Bataille’s concept of eroticism and communication, will be that the transformation of selfhood from childhood to adolescent sexual embodiment necessitates the performance of the lie as a necessary “crime” against the home-world (...) of the family system. Herman Hesse’s novel, Demian, serves as a critical source of illustration for the existential bargain of adolescence. (shrink)

In the three published volumes of his History of Sexuality Foucault reflects on themes of anxiety situated in the Christian doctrine of the flesh that led to a pastoral ministry establishing the rules of a general social economy—rules that enabled, over time, a discourse on the flesh that took thrift, prudence, modesty, and suspicion as essential ethical premises in the emerging “art of the self.” Rather than sensing flesh as a charged, motile potentiality of attachment and intimacy, it came to (...) be seen as skin—as the limit of a sovereign body, embedding guilt and shame into the texture of its expression. This essay pursues the psychological and communication problematic of intimacy as a critical and developmental experience of the flesh. Foucault's concept of self-care and parrhesia, Merleau-Ponty's concept of flesh and embodiment, and Bataille's concept of glory and eroticism contribute to a phenomenology of human development that seeks to articulate an idea of a self diffierentiated from the unspoken binds of familial anxiety and emotionality. (shrink)

Merleau-Ponty, in his well-known essay, "Eye and Mind," startlingly comments: "A Cartesian does not see himself in the mirror; he sees a dummy, an 'outside,' which, he has every reason to believe, other people see in the very same way but which, no more for himself than for others, is not a body in the flesh." This essay opens up a discourse on this very problem: the question of what one sees when looks at oneself in the mirror. As well, (...) the now-common assumption that we have arrived at a postmodern condition of experience, knowledge, and interpretation comes into question when we consider the possibility that the human sciences have not sufficiently embraced a post-Cartesian perspective on mind, body, self, and vision. The essay closes with a reflection on the contact of the self and the other in vision. The self and the other are not "signs" that are "read" in the context of a perceptual field. Rather, the interpersonal world embodied through the vital flesh of self in communion with other is reflected to the eye only if the observer cares to take note, to imaginatively flesh-out the world embodied in the moment of a thoughtful glance. (shrink)