This essay gives an extensive treatment of Heidegger's confrontation (Auseinander-setzung) with Nietzsche' thought. It argues that Heidegger's confrontation entails situating what Heidegger calls Nietzsche's "transformed" understanding of the sensuous outside the metaphysics of both Plato and Platonism. The essay establishes, by the end of the second section, that Heidegger's confrontation with Nietzsche's thought culminates with the insight that for Nietzsche sensuousness is metaphysical. The third section of the essay takes as its point of departure Heidegger's intimation at the conclusion of (...) The Will to Power as Art, where he advances the inference that Nietzsche's new grounding of the metaphysical in sensuousness brings along with it "readiness for the gods." The essay offers explicit support for Heidegger's intimation through an analysis of three essential steps, outlined by Nietzsche in The Birth of Tragedy, in which sensuousness proves to be indicative of a way of access to the gods, the dual gods, Apollo and Dionysus, at the origin of Greek tragedy. (shrink)