7 found
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  1. Burckhardt and the Ideology of the Past.Michael Ann Holly - 1988 - History of the Human Sciences 1 (1):47-73.
  2.  15
    Recollections of Rembrandt's Jeremiah.Ivan Gaskell, Michael Ann Holly & Keith Moxey - 2002 - In Michael Ann Holly & Keith P. F. Moxey (eds.), Art History, Aesthetics, Visual Studies. Sterling and Francine Clark Art Institute.
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  3.  20
    Past Looking.Michael Ann Holly - 1990 - Critical Inquiry 16 (2):371-396.
    The rest of this essay will contribute to the subversion of that distinction in the history of art, with the awareness that this would no longer be a timely issue in any other historical discipline. I engage in this task because of my sense that critical attention to the formal or rhetorical resonances between objects and the histories of art that inscribe them might provide an answer for the kind of historiographic experimentation that Burke and White have obliquely urged upon (...)
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    Panofsky and the Foundations of Art History.Stephen Bann & Michael Ann Holly - 1986 - History and Theory 25 (2):199.
  5.  36
    Schapiro Style.Michael Ann Holly - 1997 - Journal of Aesthetics and Art Criticism 55 (1):6-10.
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  6. Art History, Aesthetics, Visual Studies.Michael Ann Holly & Keith P. F. Moxey (eds.) - 2002 - Sterling and Francine Clark Art Institute.
     
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  7. Stones of Solace.Michael Ann Holly - 2009 - In Francis Halsall, Julia Jansen & Tony O'Connor (eds.), Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice. Stanford University Press.
     
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