Dans le contexte pénitentiaire actuel de la lutte contre la désocialisation, des associations offrent un soutien psychologique et social aux familles des prisonniers. La recherche-action « Regards d’enfants sur l’incarcération » dont rend compte cet article, menée en collaboration avec deux de ces associations, consiste à créer des groupes de soutien pour les enfants qui ont un parent ou un proche en prison. L’objectif de cette recherche-action est d’évaluer les conditions, moyens et outils qui permettraient d’offrir une possibilité d’échange aux (...) enfants pour leur rendre possible de partager leurs expériences et d’exprimer ce qui ne peut être dit à des parents, des proches et à leur environnement social (amis, école, voisins...). Les résultats confirment le besoin manifeste de renforcer les pratiques professionnelles autour des familles, et notamment des enfants, grands absents dans nos dispositifs d’accompagnement français. (shrink)

Este artículo fundamentado en el pensamiento rizomático de Deleuze y Guattari analiza diversas concepciones sobre cuerpos y territorios desde el período presocrático, incluyendo estudios de neurociencia y la propuesta epistémica de los feminismos decoloniales y comunitarios. Así, desarrollamos una reflexión teórica que critica las definiciones de cuerpo y territorio como «objetos dados» que se configuran como «cuerpos sin órganos» apropiados por el capitalismo y el pensamiento occidental. Nuestro objetivo es evidenciar al conocimiento como un agenciamiento relacional entre cuerpos y territorios (...) que puede ser desarrollado por segmentaciones interseccionales alternativas. Por ello, la epistemología de los cuerpos y territorios asume que sin cuerpos no hay territorios, sin territorios no hay cuerpos y sin ambos no hay conocimiento. (shrink)

Some ancient Greek coins from the island state of Aegina depict peculiar geometric designs. Hitherto they have been interpreted as anticipations of some Euclidean propositions. But this paper proposes geometrical constructions which establish connections to pre-Euclidean treatments of incommensurability. The earlier Aeginetan coin design from about 500 bc onwards appears as an attempt not only to deal with incommensurability but also to conceal it. It might be related to Plato’s dialogue Timaeus. The newer design from 404 bc onwards reveals incommensurability, (...) namely in the context of ‘doubling the square’. It thereby covers the same topic but a different geometry as passages in Plato’s dialogue Meno (385 bc). This coin design incorporates important elements of ancient Greek geometrical analysis of the fifth century bc like the gnomon, Hippocrates’ squaring of the lunule (ca. 430 bc), and a geometrical version of monetary equivalence. Through this venue, the design’s conceptual lineage might be traced as far back as Heraclitus’ cosmology of about 500 bc. (shrink)

Resumo No Manifesto surrealista, de 1924, Breton explicita o produto da atividade surrealista como uma “luz de imagem”, gerado pela aproximação involuntária de duas realidades distantes. Essa estrutura dupla da imagem surrealista tem um caráter disruptivo, que rompe com a nossa percepção da realidade cotidiana. Com isso, abre-se a possibilidade de um espaço para a crítica social e histórica, bem como para uma intervenção estético-política justamente em uma sociedade na qual as formas tradicionais de crítica parecem estar neutralizadas. Essa experiência (...) surrealista e esse espaço aberto por ela Walter Benjamin caracteriza respectivamente com a fórmula “iluminação profana” e “espaço de imagem”. Ambos apresentam uma grande semelhança com alguns pontos e consequências, em seus conceitos, tanto de “imagem do pensamento”, como de “imagem dialética”, sobretudo na medida em que esses conceitos também são formulados em meio à crise cultural da sociedade europeia, nos 1920, e buscam uma saída revolucionária para a mesma. Trata-se de investigar aqui, por meio de uma análise comparativa dessas concepções de imagem, até onde vai a influência e a relevância do surrealismo para o pensamento figurativo-dialético de Benjamin e para sua compreensão da história.In the Surrealistic manifest from 1924, Andre Breton explains the product of surrealistic action as a “light of image” resulting from an arbitrary approach of two distant realities. This double structure of surrealistic image has a disrupting character that breaks our common perception of reality. Thus can open a space for social and historical criticism as well as for an aesthetical-political intervention in a society where traditional forms of criticism seem to be neutralized. Walter Benjamin defines this surrealistic experience and its opened space respectively with the expressions “profane illumination” and “image space”. Both have similarities with Benjamin’s ideas of “thought image” and “dialectical image”, especially because they were elaborated amidst the cultural european crisis in the 1920ies looking to find a revolutionary way out of it. Through a comparative analysis of these notions of image, this paper proposes to investigate the influence and the relevance of surrealism for Benjamin’s dialectical-figural way of thinking and his comprehension of history. (shrink)

A vanguarda surrealista, em suas manifestações literárias e artísticas dos anos 1920, explorava as imagens de caráter disruptivo como uma forma de transformar a arte e a vida cotidiana. Influenciado pelos surrealistas, Walter Benjamin, em seu livro Rua de mão única, publicado em 1928, elaborou um diagnóstico crítico de seu presente histórico e apontou o caminho para uma possível transformação do mesmo, explorando uma forma filosófico-literária que denominou imagem de pensamento. Pressupondo a fundamental influência do surrealismo nesta e em toda (...) a obra posterior de Benjamin, o presente artigo, não obstante, tem como objetivo apresentar brevemente algumas diferenças importantes entre estas posturas, a saber: que as imagens de pensamento benjaminianas abordam de modo mais radical o vínculo das experiências disruptivas subjetivas com uma dimensão coletiva, histórica e social. A diferenciação destes dois casos de revalorização filosófica da imagem traz elementos importantes para se pensar o papel da imagem na educação e em que medida a própria imagem pode abrir espaço a uma crítica da sociedade do espetáculo e das mídias de massa em que vivemos. (shrink)

Colonization has traditionally been studied as a monological and definitive period. This article seeks to problematize its analysis by means of the so-called ‘philosophy of desire’ and ‘rhizomatic thinking’, enriching them, in methodological terms, by the Actor-Network-Theory. In this vein, an alternative explanation of the colonial regime is offered by emphasizing how it assembled several worlds—Indigenous and Europeans—guided by a desiring-production that put originary accumulation before anything else; a standpoint that also enables a discussion about the network of colonial education (...) deployed in the Audiencia de Quito, which can be evidenced by a revision of some actions of the Augustinian order during the sixteenth century. In conclusion, education was deeply related to colonial assemblage that was continuously deterritorializing the ‘New World’ and the indigenous cultures that inhabited it. (shrink)

A graph’s entropy is a functional one, based on both the graph itself and the distribution of probability on its vertex set. In the theory of information, graph entropy has its origins. Hex-derived networks have a variety of important applications in medication store, hardware, and system administration. In this article, we discuss hex-derived network of type 1 and 2, written as HDN 1 n and HDN 2 n, respectively of order n. We also compute some degree-based entropies such as Randić, (...) ABC, and G A entropy of HDN 1 n and HDN 2 n. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Whoa! JOHN SHOPTAW ONE A young man with gold hair in a coal-black robe and slippers was off to confront the Sun. But as he paced the hotel corridors, Ray could feel his step losing its jaunt. At this rate, he’d make it to nowhere in nothing flat. Just then, he noticed his old wall map thumbtacked over some double doors. How’d his Boys’ Life get out here? He (...) looked it over, the big fat world, cut open and stretched flat, like an elephant hide. The properties were green, purple and red, and the waters whitish blue. The Mercator-projected bottom was jagged with ice. The whole place was crawling with letters, like ants on a cake. The best part was the creatures: a long-armed squid suctioning a whale, sea lions sunning themselves. No. Seals. He bunched his brows. No. Hills. And game big as states, as nations: hippos in Africa’s watering holes, a beauty of a cheetah, its sights trained. Untacking and folding the map, Ray tucked it into his pocket and slid open the doors. He found himself in a dim cavern facing a motionless escalator. Its stairs were gold-plated, its balustrades brushed aluminum and its handrails hand-rubbed ostrich skin. He could see no end of stairs. It must be arion 27.1 spring/summer 2019 one unbroken flight to the Sun’s penthouse. But where was the down escalator? Beats him. He planted his slippers and clasped the rails. With a little lurch the escalator began its quickening glide. Now this was first-class. No huffing required. Simply the assumption of an attitude. Up ahead, the horizon gleamed ivory. 2 whoa! TWO The stairway teeth clamped shut and Ray was thrown into a hard glare. Sunblock and goggles— they’ll let you look into things—on your right, came a voice positively sunny. Ray slathered and goggled himself, and beheld by a high stone robed in emerald moss a trim figure in a sea-snail-purple sweatsuit and a broad-brimmed straw hat puttering about a humid sundial of wide-waking annuals and perennials— snowdrops, crocuses, daisies and daylilies, rice in flower and maize in silk, woozy jasmine and heady grapevines, a temperamental winter daphne, and tall in the motley midst the polar gnomon, an Indian turnsole or heliotrope, sweeping its shaft of shadow from one to the next minute marigold dot as the ambling photosynthesizer passed the fragrant hours of the zodiac. Batting away hummingbirds and honeybees, Ray waded through the flower bed toward Sol. Am I your heir? Can I have what I want? Sure, kid, name it. Ray glanced toward the honey-scented manure. A joyride? Sol sighed. It’s your funeral. Taking his time, he led Ray out to the dayport. What a letdown! Ray’d expected a futuristic heliumpowered sports coupe, or at least a souped-up solar Mustang. Not this gold-rimmed, pyrite-axled backward half-bucket with footpads! John Shoptaw 3 Dawn, meanwhile, with her practiced blush arched her horizon, and her pomegranate interiors yawned wide. The stars dispersed. Venus, her shell-blue and egg-white gauzes aswirl, gave Dawn a last long look above her handmirror’s crescent rim. Sol was watching moonshine evanesce from his glowing barndoors, which cracked in a spewing welding arc and then opened wide to reveal a dozen prompt and close-cropped Hours, coaxing a team of four mammoth pegasi yoked neck and neck and neck and neck, stoked with thick ambrosial plasma and snorting flame. As the nymphs hitched the tack to the chariot pole, the Sun, shaking his head, untied his flaring sunhat and knotted it under Ray’s chin. Lay off the whip and draw rein with a firm hand. They’ll fly by themselves with no help from you. But they’ll answer to Clover, Crocus, Peony, Sage. Steer clear of the straightaway. Bank the rig into a circumbendibus. But don’t, whatever you do... But Ray’s attention had drifted. The rampant quadrupeds hooved trails of sparks down the dayport door, their heavy fog blankets slid off, and they shook out their shoulder-wings. A pliant breeze sprang up from the East... (shrink)

The context shows that the intention of the lines was to bring out the surpassing beauty of a certain girl and its value to the chorus as a whole. When the Pleiades rise up the sky, they are followed by a star that far outshines them all: Sirius. In Alcman's image, then, the Pleiades should correspond to the chorus and Sirius to the girl. The point of opdpiaiis that the comparison is not chosen at random, but suggested by something to (...) be seen during the current ceremonies: the Pleiades rise up the sky before dawn when we carry the plough, with Sirius down below them, and they seem like a rival group. There is no reference to Ortheia, and no rival chorus. We may translate: ‘For the Pleiades range themselves against us, before dawn, as we bear the plough through the ambrosial night, bringing Sirius up with them as they do.’. (shrink)

Network similarity measures have proven essential in the field of network analysis. Also, topological indices have been used to quantify the topology of networks and have been well studied. In this paper, we employ a new topological index which we call the Ediz eccentric connectivity index. We use this quantity to define network similarity measures as well. First, we determine the extremal value of the Ediz eccentric connectivity index on some network classes. Second, we compare the network similarity measure based (...) on the Ediz eccentric connectivity index with other well-known topological indices such as Wiener index, graph energy, Randić index, the largest eigenvalue, the largest Laplacian eigenvalue, and connectivity eccentric index. Numerical results underpin the usefulness of the chosen measures. They show that our new measure outperforms all others, except the one based on Wiener index. This means that the measure based on Wiener index is still the best, but the new one has certain advantage to some extent. (shrink)