This is a critique of the idea of universality in art and science that considers the examples of Georgia O'Keeffe's work as an artist and Barbara McClintock's work as a scientist. A consideration of their lives and work brings out their differences in the inherently male fields of art and science. Their underlying commonality is found in a shared view of nature involving fluidity, concern for detail, and caring and feeling, traits often characterized as "female". This enables each of them (...) to assert her own identity in her work and contributes to its remarkable success. (shrink)

Music Criticism in Vienna records a culture in which musical criticism had achieved the status of a minor art form. The period covered - October 1896 to December 1897 - was an eventful time in Vienna. Bruckner died, then Brahms; Mahler arrived; premieres of works by Czech composers coincidedwith increasing tension in the Empire between Czechs and Germans; Puccini's La Boheme reached Vienna on its sensational progress around the world; and the great programme music debate continued. These events and issues (...) were recorded and debated by some two dozen critics ranging from Eduard Hanslick,widely credited with (and blamed for) raising music criticism to an art, to Heinrich Schenker. The focus of Sandra McColl's monograph is unashamedly on the critics themselves, and her reconstruction of the climate of debate about whatever music or musicians came to their notice. She illuminates theintellectual climate in which the music was created, performed and received, and provides a foundation for the study of musical criticism in the post-Hanslick generation. (shrink)