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Sarah Jansen [8]Sarah R. Jansen [1]Sarah Ruth Jansen [1]
  1.  51
    Plato’s Phaedo as a Pedagogical Drama.Sarah Jansen - 2013 - Ancient Philosophy 33 (2):333-352.
  2.  7
    Den Heringen einen Paß ausstellen: Formalisierung und Genauigkeit in den Anfängen der Populationsökologie um 1900†.Sarah Jansen - 2002 - Berichte Zur Wissenschaftsgeschichte 25 (3):153-169.
    In fisheries biology of the late 19th century, the challenges posed to taxonomy by Darwinian theory intersected with attempts to increase the productivity of marine populations. Addressing both discourses, the influential German zoologist Friedrich Heincke developed a set of methods to determine exactly the differences between varieties or races of herring. In taxonomy, his methods contributed to the development of a biological species concept; in fisheries biology, they allowed tracing the herrings' migrations, which ultimately aided in divising schemes for sustainable (...)
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  3.  51
    Audience Psychology and Censorship in Plato’s Republic.Sarah Jansen - 2015 - Epoché: A Journal for the History of Philosophy 19 (2):205-215.
    In Republic X, the “problem of the irrational part” is this: Greek tragedy interacts with non-reasoning elements of the soul, affecting audiences in ways that undermine their reasoned views about virtue and value. I suggest that the common construal of Socrates’s critique of Greek tragedy is inadequate, in that it belies key elements of Plato’s audience psychology; specifically, the crucial role of the spirited part and the audience’s cognitive contribution to spectatorship. I argue that Socrates’s emphasis on the audience’s cognitive (...)
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  4.  2
    Den Heringen einen Paß ausstellen: Formalisierung und Genauigkeit in den Anfängen der Populationsökologie um 1900.Sarah Jansen - 2002 - Berichte Zur Wissenschafts-Geschichte 25 (3):153-169.
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  5.  19
    Eloge: Lily E. Kay, 1947–2000.Michael Fischer, Sarah Jansen & Charles Weiner - 2003 - Isis 94 (3):493-495.
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  6.  20
    An American Insect in Imperial Germany: Visibility and Control in Making the Phylloxera in Germany, 1870–1914.Sarah Jansen - 2000 - Science in Context 13 (1):31-70.
    The ArgumentThe vine lousePhylloxera vastatrixbecame a “pest” as it was transferred from North America and from France to Germany during the 1870s. Embodying the “invading alien,” it assumed a cultural position that increasingly gained importance in Imperial Germany. In this process, the minute insect, living invisibly underground, was made visible and became constitutive of the scientific-technological object, “pest,” pertaining to a scientific discipline, modern economic entomology. The “pest” phylloxera emerged by being made visible in a way that enabled control measures (...)
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  7.  10
    Denham, Alison, ed. Plato on Art and Beauty. New York: Palgrave Macmillan, 2012, xxii + 238 pp., $85.00 cloth. [REVIEW]Sarah Jansen - 2014 - Journal of Aesthetics and Art Criticism 72 (1):104-106.
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  8.  18
    KONSTAN, DAVID. Beauty: The Fortunes of an Ancient Greek Idea. Oxford University Press, 2015, x + 262 pp., $29.95 cloth. [REVIEW]Sarah R. Jansen - 2017 - Journal of Aesthetics and Art Criticism 75 (1):86-88.
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  9.  40
    Chemicals in the Field - Edmund Russell, War and Nature: Fighting Humans and Insects with Chemicals from World War I to Silent Spring. [REVIEW]Paolo Palladino, Gregg Mitman & Sarah Jansen - 2003 - Metascience 12 (1):3-23.
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