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  1. Charles Barber (2011). Mark Guscin, The Image of Edessa. (The Medieval Mediterranean: Peoples, Economies and Cultures, 400–1500, 82.) Leiden and Boston: Brill, 2009. Pp. Xi, 226 Plus Black-and-White Frontispiece and 15 Black-and-White Plates. €99. [REVIEW] Speculum 86 (2):501-502.
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  2. Charles Barber (2009). Eustratios of Nicaea on the Separation of Art and Theology. In Charles Barber & David Jenkins (eds.), Medieval Greek Commentaries on the Nicomachean Ethics. Brill. 101--131.
  3. Charles Barber & David Jenkins (eds.) (2009). Medieval Greek Commentaries on the Nicomachean Ethics. Brill.
    The papers gathered in this volume offer precise investigations of the historical and philosophical grounds for the first medieval commentaries on the ...
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  4. Charles Barber (2007). Martin Büchsel, Die Entstehung des Christusporträts: Bildarchäologie statt Bildhypnose. Mainz am Rhein: Philipp von Zabern, 2003. Pp. i, 196 plus 16 color plates; 64 black-and-white figures. €65. [REVIEW] Speculum 82 (1):169-170.
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  5. Charles Barber (2003). Leslie Brubaker and John Haldon, with Robert Ousterhout, Byzantium in the Iconoclast Era (Ca 680–850): The Sources. An Annotated Survey. (Birmingham Byzantine and Ottoman Monographs, 7.) Aldershot, Eng., and Burlington, Vt.: Ashgate, 2001. Pp. Xxxi, 325 Plus 82 Black-and-White Figures; 3 Tables. $99.95. [REVIEW] Speculum 78 (2):470-471.
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  6. Charles Barber (1997). The Truth in Painting: Iconoclasm and Identity in Early-Medieval Art. Speculum 72 (4):1019-1036.
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