In this article the aesthetical practical theological notion of fragment, as introduced by the German Practical Theologian Henning Luther, was brought into dialogue with the African understanding of fullness, as articulated for instance in the concept Ubunye [we are one]. In the light of this, some basic tensions of worshipping in Africa were profiled, id est the dynamic interaction between individuality and communality, between the already and the not yet (present and future), between identity as being and identity as becoming, (...) et cetera. The article concluded with some suggestions concerning worship in Africa as a space of paradox. (shrink)

Although many classical works on preaching, especially within the reformed tradition, would take as point of departure the question of understanding, that is, how to do exegesis of a biblical text in such a manner that it makes sense to present-day listeners of sermons, this article opts for an aesthetical approach, which does not exclude the question of intelligibility, but places it within aesthetical frameworks, such as our multi-sensing of space and time. Preaching, in my opinion, entails more than just (...) speaking, hearing and understanding. It calls, inter alia, for a multi-sensory discovery of space and time, within space and time. This article reflects specifically on the spatial dimension of preaching pertaining to experiences of being, or coming, home and, conversely, leaving home, that is, experiencing liminality, as not-being-at-home. (shrink)