The first ever English translation of a key text in the history of art and aesthetics.

The series, founded in 1970, publishes works which either combine studies in the history of philosophy with a systematic approach or bring together systematic studies with reconstructions from the history of philosophy. Monographs are published in English as well as in German. The founding editors are Erhard Scheibe (editor until 1991), Günther Patzig (until 1999) and Wolfgang Wieland (until 2003). From 1990 to 2007, the series had been co-edited by Jürgen Mittelstraß.

TRANSLATOR’S PREFACE: From 1808 to 1816, Hegel served as professor of philosophy and headmaster of a gymnasium in Nuremberg. He lectured on a wide variety of subjects - from logic and ethics to phenomenology and metaphysics - and prepared a series of notebooks which he used as the basis of his lectures. Students made their individual transcriptions of his oral dictations, and Hegel would revise these, in a steady stream of redactive work over the years. In 1838, seven years after (...) Hegel’s death, the notebooks-cum-transcriptions were found by Karl Rosenkranz, who edited and put them together for publication as Hegel’s Philosophische Propaedeutik. This became Volume 18 of Hegel’s Werke. Rosenkranz wrote a lively foreword to the volume, discussing Hegel’s approach to teaching and his views on the role of philosophy in secondary-school education. To this, Rosenkranz added his own views on the function of philosophy in culture as a whole - and one cannot help feeling that the biting piquancy of his language on these issues carries echoes of numerous talks with Hegel. This translation of the Rosenkranz essay will be incorporated into the text of the first English translation of Hegel’s Philosophical Propaedeutic, now completed and under consideration by a university press. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)