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  1. Ambiguity and the Fixing of Identity in Early Renaissance Florence.Luca Gatti - 1997 - Diogenes 45 (177):17-35.
    A citizen of Early Renaissance Florence that stepped out into the streets and entered the spaces of his civic world joined a concert of creative formal behaviors in which he was at once an actor and a spectator. His problem here was to interpret the complex web of overlapping, conflicting and simultaneous meanings he would have read in the actions and images by which the community directed him and represented itself, and find his own place and set his standing. On (...)
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  2. Il mito di Marte a Firenze e la'Pietra scema'.Luca Gatti - 1995 - Rinascimento 35:201.
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    Introduction.Luca Gatti - 1997 - Diogenes 45 (177):1-2.
    A citizen of Early Renaissance Florence that stepped out into the streets and entered the spaces of his civic world joined a concert of creative formal behaviors in which he was at once an actor and a spectator. His problem here was to interpret the complex web of overlapping, conflicting and simultaneous meanings he would have read in the actions and images by which the community directed him and represented itself, and find his own place and set his standing. On (...)
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