Chartist historiography is inevitably inflected by the political desires of its authors. This desire, combined with the contingent nature of history, imparts a fictive dimension to Chartist historiography. In support of these claims, this article applies the literary concepts of plot and character to Mark Hovell’s The Chartist Movement. It argues that Hovell’s political desire leads him to construct a tragic and entropic plot for Chartism, which is often contradicted by his own assessment of the movement’s vitality. Similarly, Hovell’s plotting (...) is also driven by his reading of Chartism as a conflict between two characters, a flawed hero and a villain. The article closes with a close reading of Hovell’s characterisation of O’Connor, which demonstrates the skill with which he interweaves fact and interpretation. (shrink)

The British Cooperative movement offers a curious case of utopianism in which Robert Owen's program for total social and economic transformation finds its most durable, practical expression in a small shop founded by the "Rochdale Pioneers." The success of the Rochdale model created a national, then international, movement that improved the lives of many working-class people, in multiple ways, in the period between 1860 and 1950. However, despite its undeniable success, the British Cooperative movement increasingly adapted to, rather than transformed, (...) the social and economic order within which it operated: a case of utopia stalled or... (shrink)