The paper focusses on various methods of preparing chemical compounds and on laboratory techniques used in that. It is based on different texts ascribed to „Basil Valentine”, an important author of alchemical writings whose real identity is not yet established beyond any doubt. Basil was a leading alchemical experimentator of his time and devised a number of preparation-processes for new substances, some of which are discussed here. The paper sheds also new light on some hitherto established notions of priority which (...) were attributed to Basil Valentine or other alchemists. (shrink)

Die Sebastian Franck-Forschung hat sich bisher recht ausführlich mit den Themen "Sebastian Franck als Historiker" oder "Sebastian Franck als Kritiker der Theologie" beschäftigt. Weniger Aufmerksamkeit bekam bisher der Gnostizismus im Denken des radikalen Reformers. Seit der Jahrtausendwende ist allerdings ein stärkeres Interesse an einer bestimmten Strömung des Gnostizismus zu erkennen, nämlich der Hermetik. Es gab einige Arbeiten, die den Einfluss von Hermes Trismegistos bzw. der hermetischen Schriften auf Franck aufzeigen konnten. Dieser Aufsatz geht der Frage des Einflusses des christlichen Gnostizismus (...) auf die Metaphysik von Franck nach. Die Ergebnisse zeigen, dass speziell Basilides und Valentinus einen starken Einfluss auf Franck hatten, der bisher nicht gesehen wurde. Eine große Bedeutung kommt dabei der gnostischen Soteriologie zu. Genauso wie Basilides und Valentinus nimmt Franck die platonische Dreiteilung der Seele in Geist, Seele und Körper an. Der Geist ist göttlich und ist weder entstanden noch kann er vergehen. Diesen Geist oder Christus findet man im Inneren von allen Kreaturen. Durch die Erkenntnis des Geistes oder Christus im Menschen, (=Gnosis) kann sich der Mensch von der Welt befreien. Ebenfalls christlich-gnostisch inspiriert ist der Gottesbegriff und die Lehre von Christus. Franck´s Christologie ist stark von der Nous-Christologie von Basilides beeinflußt, wobei er nicht exakt dem gleichen Doketismus folgt wie Basilides. Dass die Welt vom Demiurgen und nicht von Gott erschaffen wurde, wie Valentinus glaubt, sagt Franck nicht explizit. Franck glaubt aber der Teufel (Demiurg oder böser Engel) habe den Tod und damit die Seele erschaffen, während der unsterbliche Geist des Menschen nicht erschaffen wurde. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:René Girard LOVE DELIGHTS IN PRAISES: A READING OF THE TWO GENTLEMEN OF VERONA Valentine and Proteus have been friends since their earliest childhood in Verona, and their two fathers want to send them to Milan for their education. Because of his love for a girl named Julia, Proteus refuses to leave Verona; Valentine goes to Milan alone. In spite ofJulia, however, Proteus misses Valentine greatly and, after a (...) while, he, too, goes to Milan. The two friends are reunited in the ducal palace; the duke's daughter, Silvia, is present and Valentine briefly introduces Proteus. After she departs, Valentine announces that he loves her and his hyperbolical passion irritates Proteus. Once alone, however, Proteus has his own announcement to make: he no longer loves Julia; he, too, has fallen in love with Silvia: Even as one heat another heat expels, Or as one nail by strength drives out another, So the remembrance of my former love Is by a newer object quite forgotten.1 If there ever was a "love at first sight," this must be it, we think, but Proteus is not so sure: in three crucial lines, he suggests a different explanation: Is it mine eye, or Valentinus' praise, Her true perfection or my false transgression, That makes me reasonless, to reason thus? (Il.iv. 196-98) 231 232Philosophy and Literature The entire comedy massively confirms the crucial role of Valentine in the genesis of Proteus's sudden passion for Silvia. According to our romantic and individualistic ideology, a borrowed sentiment such as this one is not genuine enough to be really intense. This is not true in Shakespeare; Proteus's desire is so furious that he would actually rape Silvia if Valentine did not rescue her in extremis. When Shakespeare wrote his plays, the second-hand desire he portrays had no name, no official existence, but this is no longer true. We call it mimetic or mediated desire. Valentine is the model or mediator of this desire. Proteus is its mediated subject and Silvia is their common object. Mimetic desire can strike with the speed of lightning because it does not really depend upon the visual impact made by the object; it only seems to. Proteus desires Silvia not because their brief encounter made a decisive impression on him but because he is predisposed in favor of whatever Valentine desires. Mimetic desire is not some modern idea that I would force upon an unwilling writer; it is Shakespeare's own idea and we can see this again in Proteus's soliloquy, which keeps minimizing the role of perception in the genesis of his desire for Silvia: She is fair; and so is Julia that I love, That I did love,... (Il.iv. 199-200) IfSilvia is no more desirable objectively thanJulia, her only advantage is that Valentine already desires her. Shakespeare undermines the predominance of sight in the expression love at first sight. In A Midsummer Night's Dream as well, the two girls are said to be equally beautiful, also for the purpose of reinforcing the case for mimetic desire. II The dramatic context of this first mimetic desire, and of many others in Shakespeare, is the close and ancient friendship of the two protagonists. When Proteus is about to arrive in Milan, Valentine describes this friendship to Silvia and her father: I knew him as myself; for from our infancy We have convers'd and spent our hours together. (II.iv.62-63) René Girard233 When two young men grow up together, they learn the same lessons, they read the same books, they play the same games, and they agree on just about everything. They also tend to desire the same objects. This perpetual convergence is not incidental but essential to the friendship ; it occurs so regularly and inevitably that it seems preordained by some supernatural fate; it really depends on a mutual imitation so spontaneous and constant that it remains unconscious. When we think of imitation, we imagine two people copying each other's manners, habits, accents, and even their likes and dislikes in the still childish and innocent manner of two childish friends. We never think of what Proteus's desire for... (shrink)

This groundbreaking monograph on Bardaisan, his relation to Origen, and his Middle Platonic framework has argued, through a painstaking analysis of all evidence, that Bardaisan was a Christian Middle Platonist, a philosophical theologian who built a Logos Christology, possibly the first supporter of apokatastasis, and there is a close relation between Origen, Bardaisan, their thought, and their traditions [further proofs in an edition with essays: Mohr Siebeck, forthcoming]. This monograph (and a related HTR essay) was received far beyond the field (...) of patristics, among others by P. Crone (Princeton IAS). * Dedication Page (page 5) * Table of Contents (page 7) * Preface (page 11) * 1 By way of Introductory Essay: Methodological Guidelines (page 17) * 2 Critical and Comparative Analysis of the Sources (page 45) o 1 The Very First Possible Witness: Clement (page 45) o 2 Two Early Witnesses Close to Origen and Very Appreciative of Bardaisan: Africanus and Didymus (page 46) + 2.1 Julius Africanus’ Acquaintance with both Bardaisan and Origen (page 46) + 2.2 The Origenian Didymus the Blind: The Most Appreciative Source on Bardaisan (page 56) o 3 Hippolytus (page 62) o 4 The Liber Legum Regionum (page 70) o 5 Porphyry and the Utmost Importance of His Fragments from Bardaisan: The Cosmic Christ, Middle Platonism, and a Christian Reading of the Timaeus (page 107) + 5.1 The Fragments from Bardaisan’s De India in Porphyry’s De Styge (page 107) + 5.2 Bardaisan’s Work in Porphyry’s De Abstinentia (page 124) o 6 Achilles Tatius and the Knowledge of Bardaisan in Late-Second-Century Alexandria (page 126) o 7 The Acts of Thomas (page 127) o 8 A Very Positive Witness: the Origenian Eusebius (page 131) o 9 The Origenian Gregory of Nyssa and His Own Work Against Fate (page 138) o 10 Diodore of Tarsus and His Closeness to Origens Eschatology and Refutation of Fate (page 142) o 11 Bardaisan’s Fight Against Marcionism (page 161) o 12 Jerome’s Parallel Turn: From Admirer to Criticizer of both Origen and Bardaisan (page 164) o 13 The Dialogue of Adamantius and the Portrait of a Bardaisanite (page 168) o 14 Ephrem between Documentation and Misunderstandings (page 172) o 15 Transition: The Transformation and Worsening of Bardaisan’s Image (page 254) o 16 Epiphanius’ Information: A ‘Mixed Bag’ (page 255) o 17 Two Heresiological Accounts Deriving from Epiphanius’ (page 261) o 18 Sozomen (page 262) o 19 Theodoret’s Account (page 266) o 20 Interesting Clues in a Very Appreciative Armenian Witness: Moses of Chorene (page 269) o 21 Philoxenus of Mabbug, an Anonymous, Isho’dad, and the Assimilation of Bardaisan to Valentinus or Mani (page 303) o 22 Rabbula and Theodoret (page 307) o 23 Appreciation of Bardaisan in a Local Source: the Chronicon of Edessa (page 312) o 24 The So-Called Cosmological Traditions: Importance and Methodological Guidelines. Barhadbshabba ‘Arbaya, Plus Comparisons with (Ps.) Maruta and Jacob of Edessa (page 314) o 25 Theodore Bar Konai (page 328) o 26 Theodore Abû Qurra (page 338) o 27 Moses Bar Kepha (page 339) o 28 (Ps.) John of Dara (page 347) o 29 Agapius and the So-Called Third Cosmological Tradition (page 352) o 30 Michael the Syrian’s Cosmological Testimony (page 353) o 31 Barhebraeus’ Cosmological Account (page 354) o 32 Mutaman ad-Dawla (page 355) o 33 From the “Cosmological Traditions'' to Other Doxographies and the Biographical Accounts. Masudi’s Biographical Information (page 355) o 34 The Fihrist and Arabic Sources on Bardaisan’s Anti-Dualism (page 358) o 35 Michael the Syrian’s Biographical Account (page 366) o 36 Barhebraeus (page 374) o 3 Conclusions and Contribution to Research (page 379) o Essential Bibliographical References on Bardaisan (page 381) o Index (page 389) . (shrink)