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  1. Lars Aagaard-Mogensen (1982). Arts and Ends. Journal of Aesthetics and Art Criticism 41 (2):215-217.
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  2. Anxo Abuín González (2006). Escenarios Del Caos: Entre la Hipertextualidad y la Performance En la Era Electrónica. Tirant Lo Blanch.
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  3. Sabrina Achilles (2012). Literature, Ethics, and Aesthetics: Applied Deleuze and Guattari. Palgrave Macmillan.
    Introduction: the literary function -- Being constructivist -- Rethinking the performative in pragmatics -- The literary function and the cartographic turn: performative philosophy -- The literary function and society, I: affirmation of immanent aesthetics -- The literary function and society, II: community and subjectification -- The reader and the event of fiction -- Conclusion: degrees of freedom.
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  4. Walter Adamson (1993). The Adventure of Difference: Philosophy After Nietzsche and Heidegger (Review). Philosophy and Literature 17 (2):353-354.
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  5. Helen Adolf (1951). The Essence and Origin of Tragedy. Journal of Aesthetics and Art Criticism 10 (2):112-125.
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  6. O. Adʹi͡aa (ed.) (2005). Dai͡aarshil Khiĭgėėd Mongol Khėlbichgiĭn Asuudal: Iltgėliĭn Ėmkhėtgėl. Mongol Ulsyn Shinzhlėkh Ukhaany Akademi Niĭgmiĭn.
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  7. Jesús Aguilar (2010). Philosophy and Literature. In Susana Nuccetelli, Ofelia Schutte & Otávio Bueno (eds.), A Companion to Latin American Philosophy. Wiley-Blackwell.
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  8. Samuel Ajzenstat (1997). The Ubiquity of Contract in the Merchant of Venice. Philosophy and Literature 21 (2):262-278.
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  9. Richard J. Alapack (1988). Pöggeler, Otto. Martin Heidegger's Path of Thinking. D. Magurshak & S. Barber (Trans). Atlantic Highlands, NJ: Humanities Press International, Inc., 1987. Pp. Vii-293. $45.00. [REVIEW] Journal of Phenomenological Psychology 19 (2):197-203.
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  10. Ernest Albee (1918). Philosophy and Literature. Philosophical Review 27 (4):343-355.
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  11. Jason Aleksander (2011). The Problem of Theophany in Paradiso 33. Essays in Medieval Studies 27:61-78.
  12. Henry Alexander (2009). Reflections on Benjamin Button. Philosophy and Literature 33 (1):pp. 1-17.
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  13. Samuel Alexander (1939/1970). Philosophical and Literary Pieces. Westport, Conn.,Greenwood Press.
  14. Luc-Olivier D' Algange (2011). Lectures Pour Frédéric Ii: Essai. Alexipharmaque.
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  15. James Allan (2000). A Tale of Two Scepticisms or Relying on What Comes Naturally or the Problem with Deriving an Epistemology From Literary Theory. Journal of Applied Philosophy 17 (2):181–194.
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  16. Ian Almond (2004). Experimenting with Islam: Nietzschean Reflections on Bowles's Araplaina. Philosophy and Literature 28 (2):309-323.
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  17. Van Meter Ames (1965). Aesthetics in Recent Japanese Novels. Journal of Aesthetics and Art Criticism 24 (1):27 - 36.
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  18. Vincenzo Ampolo (2004). Voci Dell'anima: Scrittura Narrazione E Pratica Analitica. Besa.
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  19. Luciano Anceschi (1956). A Debate on "Literary Types". Journal of Aesthetics and Art Criticism 14 (3):324-332.
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  20. Julia Annas (1984). Personal Love and Kantian Ethics in Effi Briest. Philosophy and Literature 8 (1):15-31.
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  21. Julia Annas (1977). Action And Character In Dostoyevsky'S Notes From Underground. Philosophy and Literature 1 (3):257-275.
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  22. Dadang S. Anshori, Sumiyadi & S. Hidayat (eds.) (2009). Bahasa Dan Sastra Dalam Perspektif Pendidikan. Jurusan Pendidikan Bahasa Dan Sastra Indonesia, Fpbs Upi.
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  23. Antczak, J. Frederick & Ed (1996). Book Review: Rhetoric and Pluralism. [REVIEW] Philosophy and Literature 20 (1).
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  24. J. A. Appleyard (1965). Coleridge's Philosophy of Literature. Cambridge, Harvard University Press.
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  25. Neil Arditi (2001). Skeptical Music: Essays on Modern Poetry (Review). Philosophy and Literature 25 (2):368-370.
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  26. Richard J. Arneson (1978). Benthamite Utilitarianism and Hard Times. Philosophy and Literature 2 (1):60-75.
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  27. Astro, Alan & Ed (1995). Book Review: Discourses of Jewish Identity in Twentieth-Century France. [REVIEW] Philosophy and Literature 19 (2).
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  28. G. Douglas Atkins (1988). Radical Hermeneutics: Repetition, Deconstruction, and the Hermeneutic Project (Review). Philosophy and Literature 12 (2):313-314.
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  29. Derek Attridge (2010). The Singular Events of Literature. British Journal of Aesthetics 50 (1):81-84.
    The Philosophy of Literature offers an opportunity to consider the gap between the analytic and the continental traditions of aesthetics. In particular, Lamarque's survey fails to take account of the possibility that literature is an institution and a practice that challenges the conventions of instrumental rationality, a position held by a number of continental philosophers who have written on art. It also pays little attention to the reader's experience of the inventiveness of the literary work, preferring to represent the reading (...)
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  30. Antony Aumann (forthcoming). Kierkegaard, Paraphrase, and the Unity of Form and Content. Philosophy Today.
    On one standard view, paraphrasing Kierkegaard requires no special literary talent. It demands no particular flair for the poetic. However, Kierkegaard himself rejects this view. He says we cannot paraphrase in a straightforward fashion some of the ideas he expresses in a literary format. To use the words of Johannes Climacus, these ideas defy direct communication. In this paper, I piece together and defend the justification Kierkegaard offers for this position. I trace its origins to concerns raised by Lessing and (...)
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  31. Antony Aumann (2010). Kierkegaard on Indirect Communication, the Crowd, and a Monstrous Illusion. In Robert L. Perkins (ed.), International Kierkegaard Commentary: Point of View. Mercer University Press.
    Following the pattern set by the early German Romantics, Kierkegaard conveys many of his insights through literature rather than academic prose. What makes him a valuable member of this tradition is the theory he develops to support it, his so-called “theory of indirect communication.” The most exciting aspect of this theory concerns the alleged importance of indirect communication: Kierkegaard claims that there are some projects only it can accomplish. This paper provides a critical account of two arguments Kierkegaard offers in (...)
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  32. Antony Aumann (2008). Kierkegaard on the Need for Indirect Communication. Dissertation, Indiana University
    This dissertation concerns Kierkegaard’s theory of indirect communication. A central aspect of this theory is what I call the “indispensability thesis”: there are some projects only indirect communication can accomplish. The purpose of the dissertation is to disclose and assess the rationale behind the indispensability thesis. -/- A pair of questions guides the project. First, to what does ‘indirect communication’ refer? Two acceptable responses exist: (1) Kierkegaard’s version of Socrates’ midwifery method and (2) Kierkegaard’s use of artful literary devices. Second, (...)
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  33. Michael Austin (2009). Strange Concepts and the Stories They Make Possible (Review). Philosophy and Literature 33 (1):pp. 227-230.
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  34. Elie Ayache (2006). L'écriture Postérieure. Complicités.
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  35. José Ramón Ayllón (2009). Tal Vez Soñar: Filosofía En la Gran Literatura. Editorial Ariel.
    Literatura y filosofía son dos viajes hacia la verdadera dimensión del ser humano. Por eso -de Homero a Borges-, constatamos que todos los grandes de la literatura han abordado las grandes cuestiones sobre la condición humana. Sin ser filósofos, han entrando de lleno en el campo de la filosofía para iluminarla con la belleza de su estilo. En su compañía, este libro es un atractivo paseo por esos temas siempre vivos. Para lograr un texto asequible, hemos seleccionado los referentes más (...)
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  36. Christopher M. Bache (1980). Towards a Unified Theory of Metaphor. Journal of Aesthetics and Art Criticism 39 (2):185-193.
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  37. Harold D. Baker (1996). Book Review: Osip Mandelstam and the Modernist Creation of Tradition. [REVIEW] Philosophy and Literature 20 (1):257-259.
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  38. Fāṭimah al-Hāshimī Bakkūsh (2004). .
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  39. Florence Balique (2009). De la Séduction Littéraire. Presses Universitaires de France.
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  40. Edward G. Ballard (1950). Book Review:Philosophy of Literature. Gustav Mueller. [REVIEW] Ethics 60 (3):222-.
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  41. Johannes Balthasar (1980). Nietzsche and German Literature. Philosophy and History 13 (2):150-152.
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  42. Tibor Bárány & András Rónai (eds.) (2008). Filozófia És Irodalom. L'harmattan.
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  43. Fernando Bárcena (2011). El Aprendizaje de Un Hombre de Letras : La Educación Como Gesto Literario. In Joaquín Esteban Ortega & Rafael Argullol (eds.), Palabra y Ficción: Literatura y Pensamiento En Tiempo de Crisis Cultural. Universidad Europea Miguel de Cervantes.
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  44. Laura Inez Deavenport Barge (2009). Exploring Worldviews in Literature: From William Wordsworth to Edward Albee. Abilene Christian University Press.
    Numinous spaces in British literature from William Wordsworth to Samuel Beckett -- Jesus figures in American literature from Ralph Waldo Emerson to Edward Albee -- Using Bakhtin's definitions to discover ethical voices in Solzhenitsyn and Tolstoy -- René Girard's categories of scapegoats in literature of the American South -- Hopkins's metaphysics of nature as sacred disclosure -- The book of job as mirrored in Hopkins's metaphysics -- Beckett's mythos of the absence of God.
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  45. Andrewed Barker & ed Warner, Martin (1996). Book Review: The Language of the Cave. [REVIEW] Philosophy and Literature 20 (1).
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  46. Hazel E. Barnes (1985). Beauvoir and Sartre: The Forms of Farewell. Philosophy and Literature 9 (1):21-40.
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  47. Hazel Estella Barnes (1959). The Literature of Possibility. Lincoln, University of Nebraska Press.
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  48. Wesley Barnes (1968). The Philosophy and Literature of Existentialism. Woodbury, N.Y.,Barron's Educational Series, Inc..
    A synthesis of the historical, philosophical, and literary aspects of Existentialism.
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  49. Christine Baron (2007). La Pensée du Dehors: Littérature, Philosophie, Épistémologie. Harmattan.
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  50. Ismay Barwell (1995). Who's Telling This Story, Anyway? Or, How to Tell the Gender of a Storyteller. Australasian Journal of Philosophy 73 (2):227 – 238.
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  51. Stanley Bates (1980). The Claim of Reason: Wittgenstein, Skepticism, Morality, and Tragedy (Review). Philosophy and Literature 4 (2):266-273.
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  52. D. Battogtokh (2008). 100 Khėlt͡s Ėkh, Khėlt͡s Dasgal, Khėlt͡s Sorilgo: Ebs-Iĭn Mongol Khėlniĭ Bagsh, Suragchdad Zoriulav. Bolovsrol, Soël, Shinzhlėkh Ukhaany I͡aam, Bolovsrolyn Khu̇rėėlėn.
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  53. Mark Bauerlein (2004). Bad Writing's Back. Philosophy and Literature 28 (1):180-191.
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  54. Mark Bauerlein (2002). The Humanities in Love with Themselves. Philosophy and Literature 26 (2):415-431.
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  55. Mark Bauerlein (2001). How to Defend Humane Ideals: Substitutes for Objectivity (Review). Philosophy and Literature 25 (1):177-180.
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  56. Mark Bauerlein (1999). The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture (Review). Philosophy and Literature 23 (2):424-428.
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  57. Bruce Baugh (1989). Heidegger's Language and Thinking (Review). Philosophy and Literature 13 (2):416-417.
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  58. Fred Baumann (2000). Metaphysics in Ordinary Language (Review). Philosophy and Literature 24 (1):245-248.
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  59. Cathleen M. Bauschatz (1995). Book Review: The Reader's Eye: Visual Imaging as Reader Response. [REVIEW] Philosophy and Literature 19 (2):363-364.
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  60. Brian Baxter (1984). Literature and Convention: A Naturalist View. British Journal of Aesthetics 24 (3):217-230.
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  61. Fernando Bayón (2011). La Profundidad En la Superficie : Espectros Del Tiempo En la Viena Literaria de 1900 (Hofmannsthal, Schnitzler, Kraus). In Joaquín Esteban Ortega & Rafael Argullol (eds.), Palabra y Ficción: Literatura y Pensamiento En Tiempo de Crisis Cultural. Universidad Europea Miguel de Cervantes.
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  62. M. Bazarragchaa (2005). Ėrtniĭ Mongol Khėlniĭ U̇giĭn Bu̇tėt͡s, Tu̇u̇niĭ Zarim Ont͡slog. Muis Khėvlėv.
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  63. Kevin Bazzana (1997). Hot with Chutzpah. Philosophy and Literature 21 (2):381-391.
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  64. Monroe C. Beardsley, Lars Aagaard-Mogensen & Luk de Vos (eds.) (1986). Text, Literature, and Aesthetics: In Honor of Monroe C. Beardsley. Rodopi.
    Foreword Large parts of Monroe Beardsley's production in the field of aesthetics treat literature, the theory of meaning, and the philosophy of language. ...
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  65. Monroe C. Beardsley & John Fisher (eds.) (1983). Essays on Aesthetics: Perspectives on the Work of Monroe C. Beardsley. Temple University Press.
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  66. Gorman Beauchamp (2007). Imperfect Men in Perfect Societies: Human Nature in Utopia. Philosophy and Literature 31 (2):280-293.
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  67. Gorman Beauchamp (1998). Changing Times in Utopia. Philosophy and Literature 22 (1):219-230.
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  68. Donald Beecher (2007). Suspense. Philosophy and Literature 31 (2):255-279.
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  69. Donald Beecher (2006). Mind, Theaters, and the Anatomy of Consciousness. Philosophy and Literature 30 (1):1-16.
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  70. Donald Beggs (2003). A Small Treatise on the Great Virtues: The Uses of Philosophy in Everyday Life (Review). Philosophy and Literature 27 (2):475-477.
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  71. Kathy Behrendt (2010). Scraping Down the Past: Memory and Amnesia in W. G. Sebald's Anti-Narrative. Philosophy and Literature 34 (2):394-408.
    Vanguard anti-narrativist Galen Strawson declares personal memory unimportant for self-constitution. But what if lapses of personal memory are sustained by a morally reprehensible amnesia about historical events, as happens in the work of W.G. Sebald? The importance of memory cannot be downplayed in such cases. Nevertheless, contrary to expectations, a concern for memory needn’t ally one with the narrativist position. Recovery of historical and personal memory results in self-dissolution and not self-unity or understanding in Sebald’s characters. In the end, Sebald (...)
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  72. James Bell (2006). Philosophy of Literature. Teaching Philosophy 29 (3):264-266.
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  73. C. Belsey (2013). Why Literary Studies? Raisons d'Etre of a Discipline. British Journal of Aesthetics 53 (1):129-131.
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  74. Ron Ben-Tovim (2008). Robinson Crusoe, Wittgenstein, and the Return to Society. Philosophy and Literature 32 (2):pp. 278-292.
    From the island of certainty that is the Tractatus Logico Philosophicus to the everyday ethics of the mainland in the Investigations , Ludwig Wittgenstein's philosophy traces a journey similar to the one etched into Robinson Crusoe's deserted beaches. In this essay I map out points contact between Wittgenstein's philosophy and Defoe's novel, thus providing a fresh glimpse at the philosophical underpinnings of the adventures depicted in Robinson Crusoe , as well as to Wittgenstein's philosophical motivations.
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  75. Ermanno Bencivenga (2006). The Causes of War and Peace. Philosophy and Literature 30 (2):484-495.
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  76. Ermanno Bencivenga (1996). Kant's Sadism. Philosophy and Literature 20 (1):39-46.
  77. E. E. Benitez (2004). On Literal Translation: Robert Browning and The. Philosophy and Literature 28 (2).
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  78. E. E. Benitez (2004). On Literal Translation: Robert Browning and the Agamemnon. Philosophy and Literature 28 (2):259-268.
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  79. Andrew Benjamin (2006). Literary Potential: The Release of Criticism. In David Rudrum (ed.), Literature and Philosophy: A Guide to Contemporary Debates. Palgrave Macmillan.
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  80. Guy Bennett-Hunter (2013). Natural Theology and Literature. In Russell Re Manning John Hedley Brooke & Fraser Watts (eds.), The Oxford Handbook of Natural Theology. Oxford University Press.
  81. Geoffrey Bennington (1994). Legislations: The Politics of Deconstruction. Verso.
    Introduction Someone comes and says something. Without really needing to think, I understand what is said, refer it without difficulty to familiar codes, ...
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  82. John F. Benton (1980). Appendix: Descartes's Olympica. Philosophy and Literature 4 (2):162-166.
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  83. Joseph C. Bereudzen (2001). What is Political Writing?: Sartre and Merleau-Ponty on Literature and the Expression of Meaning. Sartre Studies International 7 (2):44-57.
    Merleau-Ponty's essay "Indirect Language and the Voices of Silence" is not thoroughly political in its content, nor is it solely addressed to Sartre. It is dedicated to Sartre, however, and the ideas it contains pose a definite challenge to Sartre's views in What is Literature? Merleau-Ponty rejected Sartre's view of communication arising from the direct transmission of meaning through prose. Instead, he stressed that real political significance is implicated in artistic expression, even if it is in some ways ambiguous. Although (...)
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  84. Roger Berkowitz (2009). Approaching Infinity: Dignity in Arthur Koestler's Darkness at Noon. Philosophy and Literature 33 (2):pp. 296-314.
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  85. Arnold Berleant (1973). The Verbal Presence: An Aesthetics of Literary Performance. Journal of Aesthetics and Art Criticism 31 (3):339-346.
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  86. Ralph M. Berry (1997). In Which Henry James Strikes Bedrock. Philosophy and Literature 21 (1):61-76.
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  87. Daniel Berthold (2006). Live or Tell. Philosophy and Literature 30 (2):361-377.
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  88. Homi K. Bhabha (1995). Book Review: The Location of Culture. [REVIEW] Philosophy and Literature 19 (1).
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  89. al-Tawātī Bin al-Tawātī (2008). .
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  90. Sven Birkerts (1996). Reading and Depth of Field. Philosophy and Literature 20 (1):122-129.
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  91. Simon Blackburn (2010). Some Remarks About Value as a Work of Literature. British Journal of Aesthetics 50 (1):85-88.
    Peter Lamarque's splendid and informative book, The Philosphy of Literature , deserves a much fuller response than I can give in this brief note. It is brimful with insights into the nature of literature, and into the debates between philosophers interested in literature, and I cannot imagine anyone failing to learn from it. The question I propose to take up is by no means the most important that Lamarque raises, nor am I even certain that I can add anything useful (...)
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  92. Alcuin Blamires (2006/2008). Chaucer, Ethics, and Gender. Oxford University Press.
    This book makes a vigorous reassessment of the moral dimension in Chaucer's writings. For the Middle Ages, the study of human behavior generally signified the study of the morality of attitudes, choices, and actions. Moreover, moral analysis was not gender neutral: it presupposed that certain virtues and certain failings were largely gender-specific. Alcuin Blamires, mainly concentrating on The Canterbury Tales, discloses how Chaucer adapts the composite inherited traditions of moral literature to shape the significance and the gender implications of his (...)
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  93. Ruby Blondell (2002). The Play of Character in Plato's Dialogues. Cambridge University Press.
    This book attempts to bridge the gulf that still exists between 'literary' and 'philosophical' interpreters of Plato by looking at his use of characterization. Characterization is intrinsic to dramatic form, and a concern with human character in an ethical sense pervades the dialogues on the discursive level. Form and content are further reciprocally related through Plato's discursive preoccupation with literary characterization. Two opening chapters examine the methodological issues involved in reading Plato 'as drama' and a set of questions surrounding Greek (...)
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  94. Harold Bloom (2011). The Anatomy of Influence: Literature as a Way of Life. Yale University Press.
    Bloom leads readers through the labyrinthine paths which link the writers and critics who have informed and inspired him for so many years.
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  95. Hans Blumenberg & tr Adams, David (1998). Does It Matter When? On Time Indifference. Philosophy and Literature 22 (1).
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  96. Ronald Bogue (2003). Deleuze on Literature. Routledge.
    This is the first comprehensive introduction to Deleuze's work on literature. It provides thorough treatments of Deleuze's early book on Proust and his seminal volume on Kafka and minor literature. Deleuze on Literature situates those studies and many other scattered writings within a general project that extends throughout Deleuze's career-that of conceiving of literature as a form of health and the writer as a cultural physician.
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  97. Georges Bohas (1990). The Arabic Linguistic Tradition. Routledge.
    GENERAL INTRODUCTION THE GROWTH OF THE ARABIC LINGUISTIC TRADITION: A HISTORICAL SURVEY Early grammatical thinking to the end of the second/eighth century ...
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  98. Christian Bök (2002). 'Pataphysics: The Poetics of an Imaginary Science. Northwestern University Press.
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  99. Wayne C. Booth (1998). Introducing Professor Mearsheimer to His Own University. Philosophy and Literature 22 (1):174-178.
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  100. Wayne C. Booth (1995). Our Best Rhetorologist. Philosophy and Literature 19 (1):116-126.
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