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  1.  11
    »Die Kunst Rembrandts, nicht die eines beliebigen Stümpers« Georg Simmel als Philosoph der repräsentativen Kultur.Clemens Albrecht - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):23-40.
    It seems misleading to regard Georg Simmel as one of the founders of modern cultural studies. Instead, it is argued that Simmel's cultural sociology remained oriented to 19th century's culture. In this sense the article reconstructs his theory of individual and collective cultivation as standing in contrast to currently dominating cultural concepts based on egalitarianism.
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  2.  14
    Kulturphilosophie als Kosmologie: Das Beispiel Georg Simmels.Matthieu Amat - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):257-269.
    The quasi-interchangeability of the words »culture« and »world« in German philosophy of culture at the beginning of the 20th century has frequently been stressed. Can we infer from that the idea that this philosophy of culture could be described as a type of cosmology? This article argues for such an interpretation, reflecting on Georg Simmel's work, particularly his little known concept of »ideal world«. Following this path, Simmel's relation to Kant and the Southwest School of Neo-Kantianism is analyzed.
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  3.  10
    vergleichen, tauschen, erlösen Simmels Verben.Hannes Böhringer - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):271-276.
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  4.  13
    Simmels Philosophie der Mode: Altmodisch oder aktuell?Hubertus Busche - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):223-239.
    The following reconstruction and critical evaluation of Georg Simmel's »Philosophy of Fashion« intends to show that until today this theory offers one of the clearest and most fruitful explanations of the modern periodical change of fashion. The close meshed knitted web of psychological, social, historical und economic factors of explanation used by Simmel allows – regardless of some lacking elements – a very instructive answer to the question, as to why fashion forms such a popular cosmos, and can easily be (...)
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  5.  10
    Ökonomik als Kulturwissenschaft: Ökonomischer Fundamentalismus vs. Simmels Relativismus.Raimund Dietz - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):171-178.
    It seems evident that only »civil« culture is able to release the promethean powers of mankind. This process, going on for 200 years, is closely related to money as a socio-cultural device. Simmel is the first theoretician who revealed the indissoluble relationship between money and modern culture. In contrast, economics abstracts from culture in order to comply with the norms of »natural« sciences, therefore failing to integrate the essential category of economics – money – in its theory. Simmel's approach could (...)
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  6.  13
    Die Normativität des Kapitals: Zur politischen Aktualität von Georg Simmels Philosophie des Geldes.Christian J. Emden - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):179-205.
    This paper argues that Georg Simmel's Philosophy of Money is best understood as a political theory that focuses on the normativity of finance capitalism and the latter's effects on modern societies. Simmel shares some common ground with recent critiques of capitalism, such as the work of Thomas Piketty and Joseph Vogl, but he also presents a more comprehensive philosophical framework for understanding the dynamics of capitalism and financialization.
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  7.  17
    Das Ende der Kultur: Wie Georg Simmel den Begriff der Kultur Soziologisch Dekonstruiert.Ferdinand Fellmann - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):79-94.
    In this paper I claim that the metaphysical concept of culture has come to an end. Among the European authors Georg Simmel is the foremost who has deconstructed the myth of culture as a substantial totality beyond relations or prior to them. Two tenets of research have prepared the end of all-inclusive culture: First, Simmel's formal access that considers society as the modality of interactions and relations between individuals, thus overcoming the social evolutionism of Auguste Comte; second, his critical exegesis (...)
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  8.  12
    Zum Anfassen: Phänomenologische Überlegungen im Anschluss an Georg Simmel.Günter Figal - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):11-22.
    Starting from the observation that there are two different kinds of experiencing a thing – grasping and using it or keeping distance and contemplating it – this essay inquires into the enablement of this difference in experience. Referring to Georg Simmel's essay »Der Henkel« the special character of the handle of a vessel is examined in order to clarify the nature of the difference between things to grasp and things to contemplate. The argument is that this difference in experiencing a (...)
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  9.  18
    Plurale Subjekte: Ein Simmelscher Ansatz.Margaret Gilbert - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):121-142.
    This paper discusses certain desiderata for an acceptable »Simmelian« account of social groups, and explains why my own account of social groups as plural subjects is preferable to the accounts considered. With regard to the »we«-intentionality of plural subjects, this theory of social groups should be taken to demand only that some rough general type of shared action or shared cognition must be understood to be in question of all sides. It is hoped, then, that this theory of plural subjects (...)
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  10.  11
    »Schöpferische Zerstörung« Über ein Philosophem deutscher Intellektueller im Kulturkrieg.Michael Großheim - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):57-77.
    Georg Simmel is among the intellectuals taking part in the German side of the »Culture War«, parallel to the war 1914–1918. This article discusses three different meanings of »Culture War«: 1. »Culture War« as war about culture, 2. »Culture War« as war by means of culture, 3. »Culture War« as aggravated proceeding of criticism of culture. Among the motives of the »Culture War« is the reproach of »barbarism« made by Henri Bergson against the German side originating from a public debate (...)
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  11.  11
    Monetäre »Grundformen des ’Verstehens‘ der Welt«? Von Simmels Substanzwert zu Cassirers Darstellungsfunktion.Timo Klattenhoff - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):159-169.
    Among many things, Simmel in his Philosophy of Money works out a cultural perspective on money. In reference to socio-historical examples, Simmel differentiates between the »Substanzwert« of those objects, which serve monetary purposes: Whereas the former quality stands for the equalization of material attributes and value, the later describes money's capability for universal exchange. With Ernst Cassirer's Philosophy of Symbolic Forms, we can argue that this a »revolution of the way of thinking«: Drawing a parallel between Simmel's »Sustains-« and »Funktionswert« (...)
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  12.  10
    Georg Simmels Metaphysik als Ironie des Lebens.Ernst Wolfgang Orth - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):241-256.
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  13.  11
    Ausdruck und die Pathologien des Sozialen.Gérard Raulet - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):95-106.
    What is the nature of the relation between self-presentation and political representation? Drawing on Simmel and Plessner this article tries to define the constitutive function of the role and the danger of self-expression as well as of a total transparency. Both of them are inhabited by a pathological excess of representation which undermines what it pretends to aim at: democracy.
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  14.  17
    Nicht so tragisch...: Simmels Begriff, Theorie und Problem der Kultur in der Kontroverse.Birgit Recki - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):41-55.
    In his essay »Der Begriff und die Tragödie der Kultur« [»The concept and the tragedy of culture«] Georg Simmel has argued that modern culture in the overwhelming acceleration of its productivity had risen into a sphere no longer disposable to human actors: What he in an Hegelian approach calls »objective culture«, signifying the sphere of human artefacts, in a kind-of self-sufficient and autonomous development moves out of reach for their former producers, thus no longer serving as fruitful elements of their (...)
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  15.  14
    Der Eros des Wissens: das Wissen des Eros: Platon und die Lust der Theorie.Claus-Artur Scheier - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):277-287.
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  16.  12
    Simmels Philosophie des Geldes und die Folgen.Annika Schlitte - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):143-157.
    The paper aims at highlighting the importance of Simmel's Philosophy of Money for his philosophical approach. First, the text discusses how money is not only explicitly under-stood as a cultural phenomenon but even serves as the prototype of cultural symbols. Second, the paper examins how Simmel develops a »symbolic« method from his analysis of money, which he uses for a new understanding of philosophy as philosophy of culture.
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  17.  13
    Der Grand Couturier kokettiert als Künstler: Zu Georg Simmels Modekritik im Kontext seiner Kunstphilosophie.Barbara Schmelzer-Ziringer - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):207-221.
    Georg Simmel is regarded as a co-founder of fashion theory. In his treatises of vestmental culture of the fin de siècle developed in his main work on the philosophy of money, he emphasizes imitation as a social force of changes in fashion. The then active makers of clothes and couturiers such as Charles Frederick Worth were not given any attention, Simmel instead developed his basic theorems of art referring to the work of painters and sculptors including Rembrandt and Auguste Rodin. (...)
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  18.  10
    Montaigne und die literarische Formung der Philosophie.Ludger Schwarte - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):289-309.
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  19.  12
    Vom Gegenstand zur Gegenständlichkeit des Sozialen Georg Simmels »Soziologie der Sinne« und das Hören im Zeitalter der technischen Reproduzierbarkeit von Musik.Uwe C. Steiner - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):107-119.
    Simmel's Sociology explores elementary processes of socialization or collectivization. Thus, the sociology of the senses examines how sight, hearing, feeling, smelling and tasting contributes to constituting societies. Though Simmel observes that modern refined civilization diminishes the depths of the senses but increases its emphasis or enhancement with lust or aversion, the conclusion cannot be avoided that the artifacts and technologies of hearing have to be examined. Accordingly, this article can be regarded as a case study in the wake of Simmel: (...)
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  20.  22
    Kunst und Katastrophe: Der Untergang der Medusa und die Idee von der besten aller möglichen Welten.Udo Tietz - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):311-325.
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  21.  16
    Gespräch mit Wolfgang Welsch.Zhuofei Wang - 2015 - Zeitschrift für Kulturphilosophie 2015 (1-2):327-334.
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