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  1. Fits and Startles: Cognitivism Revisited.Jinhee Choi - 2003 - Journal of Aesthetics and Art Criticism 61 (2):149–157.
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  2.  67
    Leaving It Up to the Imagination: POV Shots and Imagining From the Inside.Jinhee Choi - 2005 - Journal of Aesthetics and Art Criticism 63 (1):17–25.
  3. Philosophy of Film and Motion Pictures: An Anthology.Jinhee Choi (ed.) - 2005 - Wiley.
     
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  4. Philosophy of Film and Motion Pictures: An Anthology.NoË Carroll, L. & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
     
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  5. Philosophy of Film and Motion Pictures: An Anthology.Noël Carroll & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear (...)
     
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  6.  72
    All the Right Responses: Fiction Films and Warranted Emotions.Jinhee Choi - 2003 - British Journal of Aesthetics 43 (3):308-321.
    Cognitive theories of emotions have provided us with explanations of how we emotionally engage with fiction, when we are aware that what is depicted is fictional. However, these theories left an important question unanswered: namely, what kinds of emotional responses to fiction are warranted responses. The main focus of this paper is how our emotional responses to fiction can be aesthetically warranted—that is, how emotions directed to fiction can be warranted given the fact that its object is an artwork. I (...)
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  7.  21
    A Reply to Gregory Currie on Documentaries.Jinhee Choi - 2001 - Journal of Aesthetics and Art Criticism 59 (3):317–318.
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  8.  37
    A Philosophy of Cinematic Art by Gaut, Berys.Jinhee Choi - 2011 - Journal of Aesthetics and Art Criticism 69 (2):235-237.
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  9.  22
    Apperception on Display: Structural Films and Philosophy.Jinhee Choi - 2006 - Journal of Aesthetics and Art Criticism 64 (1):165–172.
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  10.  4
    Bergson: Before the Deleuze.Jinhee Choi - 2001 - Film-Philosophy 5 (2).
    _The New Bergson_ Edited by John Mullarkey Manchester and New York: Manchester University Press, 1999 ISBN 0719053803 hb; 0719055539 pb 235 pp.
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  11. Art and Truth a Critical Analysis of Gadamer's Approach to Visual Art.Jinhee Choi - 1999
     
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  12. Emotion, Fiction, and Rationality: Cognitivism Vs. Non-Cognitivism.Jinhee Choi - 1999 - Dissertation, The University of Wisconsin - Madison
    The focus of this dissertation is on the rationality of emotion directed toward fiction. The launch of the cognitive theory of emotion in philosophy of mind and in psychology provides us with a way to show how emotion is not, by nature, opposed to reason and rationality. However, problems still remain with respect to emotion directed toward fiction, because we are emotionally involved with a story about people that do not exist and events that did not happen. This is called (...)
     
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  13. Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Eileen John, Dominic McIver Lopes, Noël Carroll & Jinhee Choi (eds.) - 2008 - Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: _ _ Philosophy of Literature_: Contemporary and Classic Readings_ _Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 _ Philosophy of Film and Motion Pictures_: An Anthology _Edited by No ë l Carroll and Jinhee Choi ISBN: 9781405120272.
     
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  14. Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Dominic Mciver Lopes, No?L. Carroll & Jinhee Choi - 2008 - Wiley.
     
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  15. Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Dominic Mciver Lopes, NoëL Carroll & Jinhee Choi - 2008 - Wiley.
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