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John Osborne [10]John W. Osborne [4]
  1.  13
    A Phenomenological Investigation of the Musical Representation of Extra-Musical Ideas.John W. Osborne - 1989 - Journal of Phenomenological Psychology 20 (2):151-175.
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  2. Brill Online Books and Journals.Robert A. Carrere, Theresa S. Smith, Bernd Jager, John W. Osborne, Ken Shapiro, Douglas M. Snyder & Larry Davidson - 1989 - Journal of Phenomenological Psychology 20 (2).
     
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  3.  7
    An Empirical Validation of Schopenhauer's Theory of Music Through Analysis of Listeners' Experiences of Mahler's Ninth Symphony.Lillian Kennedy & John W. Osborne - 1985 - Journal of Phenomenological Psychology 16 (1):13-38.
    In the end, even the creative achievements of Shakespeare and Bach must be eradicated by death and nothingness, when the earth is burnt up in the sun. But the temporality of human existence and meaning does not invalidate the quest for meaning-for even that future universe, as dead as it must be will have some meaning, in that it contains the artifacts, even in ashes, of the sometime existence of human life and consciousness. We HAVE BEEN. It was towards this (...)
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  4. Approaches to consciousness in north american academic psychology.John Osborne - 1981 - Journal of Mind and Behavior 2 (3):271-292.
  5.  12
    Early medieval wall-painting in the church of San clemente, Rome: The libertinus cycle and its date.John Osborne - 1982 - Journal of the Warburg and Courtauld Institutes 45 (1):182-185.
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  6.  6
    Interaction of arousal and number of learning trials in paired-associate learning.John W. Osborne - 1972 - Journal of Experimental Psychology 95 (1):135.
  7.  3
    Proclamations of power and presence: The setting and function of two eleventh-century murals in the lower church of San Clemente, Rome.John Osborne - 1997 - Mediaeval Studies 59 (1):155-172.
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  8.  2
    Slavery and its Terminology in Eighth-Century Rome.John Osborne - 2021 - Frühmittelalterliche Studien 55 (1):47-59.
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  9.  3
    The Picture of Dorian Gray, a Moral Entertainment: Adapted from the Novel by Oscar Wilde.John Osborne & Oscar Wilde - 1973 - Samuel French.
    The author of Look Back in Anger, Inadmissible Evidence, and The Entertainer has created a brilliant dramatization of this classic about a man who retains his youth while the decay of advancing years and moral corruption appears on a portrait painted by one of his lovers.
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  10. The painting of the Anastasis in the lower church of San Clemente, Rome: a reexamination of the evidence for the location of the tomb of St Cyril,”.John Osborne - 1981 - Byzantion 51 (1):255-87.
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