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Lisa Broussois
Université paris 1
  1. Anatomie du sens moral : Hume et Hutcheson.Lisa Broussois - 2012/2013 - Philonsorbonne 7:169.
    Le présent article a pour objectif de mettre en évidence un aspect de l’influence de Francis Hutcheson sur la troisième partie du Traité de la Nature Humaine de David Hume, consacrée à la morale : Hume écrit, en effet, que l’être humain est doté d’un sens moral. Cependant, la distinction qu’il opère entre la philosophie de l’anatomiste et celle du peintre, dans cette œuvre, montre qu’il se refuse à suivre totalement l’exemple de Hutcheson. Hume compte bien, au contraire, approfondir et (...)
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    The Most Good We Can Do or the Best Person We Can Be?Michel Bourban & Lisa Broussois - forthcoming - Ethics, Policy and Environment:1-21.
    We challenge effective altruism (EA) on the basis that it should be more inclusive regarding the demands of altruism. EA should consider carefully agents’ intentions and the role those intentions can play in agents’ moral lives. Although we argue that good intentions play an instrumental role and can lead to better results, by adopting a Hutchesonian perspective, we show that intentions should, first and foremost, be considered for their intrinsic value. We examine offsetting and geoengineering, two so-called solutions to climate (...)
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    Francis Hutcheson on Luxury and Intemperance: The Mandeville Threat.Lisa Broussois - 2015 - History of European Ideas 41 (8):1093-1106.
    This paper looks at two figures in the modern, European, eighteenth-century debate on luxury. It claims to better understand the differences between Francis Hutcheson and Bernard Mandeville by exploring how Hutcheson treated the topic of luxury as a distinction between two desires, thus differing from Mandeville's concept of luxury, and a concept of temperance based on moral sense. It explores why Hutcheson believed that luxury was a moral, social and political issue and particularly why he considered Mandeville the embodiment of (...)
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  4.  44
    Francis Hutcheson, da beleza à perspectiva do desígnio.Lisa Broussois - 2014 - Discurso 44:97-126.
    O que é “a outra perspectiva nas obras da natureza”, de que fala Hutcheson? De que forma a beleza provê acesso a ela? O presente artigo discute o lugar dessa “outra perspectiva” na teoria estética de Francis Hutcheson. Trata-se de compreender por que o desígnio (design) surge do belo através de uma reflexão sobre a beleza em sua Investigação sobre a origem de nossas ideias da beleza e da virtude, de 1725. Buscaremos determinar se essa teoria estética estaria subordinada aos (...)
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