In recent years, philosophical ideas developed during the Wei-Jin period, broadly referred to as xuanxue in Chinese and ‘Neo-Daoism’ or ‘Dark Learning’ in English, have been accorded increasing attention in academia. This article provides an introduction to some major thinkers of the Wei-Jin period, addressing both their original writings and recent scholarly interpretations. The article aims to demonstrate that many Wei-Jin period intellectuals formed their theories through reinterpreting the relationship between texts associated with Daoism and Confucianism. Thinkers (...) of this period often attempted to show how these defining ‘schools’ of pre-Qin Chinese thought did not propose theories that were fundamentally inconsistent, and that their ideas could be woven together as elements of a coherent view. This intellectual movement can thus be, and often has been, viewed as an attempt to integrate Daoism and Confucianism. However, a more nuanced reading demonstrates that these thinkers were reworking the relationship between what were seen as predominately Daoist or Confucian themes from their very foundation. Accordingly, the common description of Wei-Jin thinkers as ‘Daoist’ is decidedly incongruous. (shrink)

The Dao Companion to Xuanxue (Neo-Daoism), edited by David Chai, is a wideranging volume. Covering both historical backgrounds and philosophical intricacies of the xuanxue 玄學 period in Chinese intellectual history, this volume provides the reader with a well-rounded understanding of one of the most fertile “schools” of Chinese thought, known as the xuanxue or Neo-Daoism. Chai has done an admirable job of bringing together a wide variety of scholars well-versed in one or more aspects of (...) this important period in Chinese philosophy, and the volume even branches out into the historical periods before and after, to provide us with an understanding not only of xuanxue thought, but also of its origins, its place in Chinese intellectual history, and its lasting infuences. (shrink)

This chapter offers a brief introduction to Xuanxue Wei Jin Dynasty philosophy.

Sengzhao (c.374–414) was a Chinese Neo-Daoist who converted to Mahāyāna Buddhism, and few people doubt his influence on Chinese Buddhist philosophy. In this article, provided his Neo-Daoism (xuanxue) and Madhyamaka Buddhism, I will present how Sengzhao featured a symbolic meaning of ‘void’ (śūnya) as rooted originally in Daoism. The Daoist contradictions, in particular between ‘being’ (you) and ‘nothing [non-being]’ (wu), are essential to the development of his doctrine of ‘no ultimate void’ (不真空論, Buzhenkonglun). To understand what Sengzhao (...) meant by ‘void’, which is in denial about the ultimate reality, I broach a notion of nihil (‘nothing’ but also ‘no value’) that bears on his discursive practice. In this light, I formulate a Daoist argument for contradictions and ECN (ex contradictione nihil—nothing follows from contradictions) from Laozi’s Daodejing. Furthermore, I elaborate on Sengzhao’s defence of ECN in his Buzhenkonglun. Reconstructing his negative approach to contradictions within the scope of the four-valued expressions (catuṣkoṭi) in the Madhyamaka tradition from Nāgārjuna, I consider a likely objection that a fifth value such as the ineffable may be inferred as void. Instead of subsuming the ineffable value under his discourse, I finally endorse Sengzhao’s purpose of linguistic and conventional approximation to the ultimate reality as silence. As such, I conclude the significance of void in Sengzhao’s denials via contradictions (ECN), i.e. an early philosophical peak of Chinese Buddhism from Daoism. (shrink)

Despite the wide use of "Neo-Daoism" to refer to Wei-Jin Xuanxue 玄學, scholars who research this philosophy often describe the movement as generally being much more than a "continuation of Daoism."1 Feng Youlan 馮友蘭, who introduced the term "Neo-Daoism," gives the second section of his chapter on "Neo-Taoism: The Rationalists" the title "A Reinterpretation of Confucius". Feng explains that "some of the important Confucian Classics were accepted by the Neo-Taoists, though in the process they were reinterpreted (...) according to the spirit of Lao Tzu and Chuang Tzu". Similarly, Wing-tsit Chan notes of Xuanxue thinkers that, "[w]hile they are Taoistic in their... (shrink)

This is the first English-language book on the philosophy of Ji Kang. Moreover, it offers the first systematic treatment of his philosophy, thus filling a significant gap in English-language scholarship on early medieval Chinese literature and philosophy. David Chai brings to light Ji Kang's Neo-Daoist heritage and explores the themes in his writings that were derived from classical Daoism, most notably the need for humanity to return to a more harmonious co-existence with Nature to further our own self-understanding. His (...) analysis is unique in that it balances translation and annotation with expositing the creative philosophizing of Neo-Daoism. Chai analyzes the entirety of Ji Kang's essays, exploring his philosophical reflections on music, aesthetics, ethics, self-cultivation, and fate. Reading Ji Kang/s Essays will be of interest to scholars and students of Chinese philosophy and literature. It offers the first comprehensive philosophical examination of a heretofore neglected figure in Neo-Daoism. (shrink)

Ji Kang’s “An Essay on Nourishing Life” has, for much of its history, been overshadowed by his more famous work “Sound is without Grief or Joy.” Be that as it may, “An Essay on Nourishing Life” is also an important text in that it delves into the interdependence of the heart-mind, spirit, and vital breath, and into how harmony between them is the key to ensuring physical longevity. In addition to investigating this aspect of his thought, this paper will also (...) discuss Ji Kang’s attention to the vicissitudes of knowledge and desire and to the need to temper them with tranquility and stillness. “An Essay on Nourishing Life” can thus be read as an extension of classical Daoist theories of self-cultivation while at the same time elaborating upon them by bringing together their disparate components into a coherently unified doctrine. (shrink)

Wei-Jin period is characterized by neo-Daoism ( xuanxue 玄學), and J I Kang lived in the midst of this philosophical exploration. Adopting the naturalism of the Zhuangzi , J i Kang expressed his socio-political concerns through the medium of music, which was previously regarded as having moral bearing and rectitude. Denying such rectitude became central for J i Kang, who claimed that music was incapable of possessing human emotion, releasing it from the chains of Confucian ritualism. His investigation (...) into the name and reality of musical expression gave music an “aesthetic turn” lacking in Qin and early Han thought, and by making use of concepts such as natural harmony and spontaneity, J i Kang was able to turn away from the negative aesthetics of earlier thinkers such as H e Yan and W ang Bi to one cherishing the naturalism espoused by Zhuangzi. (shrink)

ABSTRACTThe perspective on zhi 知 is often identified as a key distinction between the Zhuangzi 莊子 and its most famous commentator, Guo Xiang 郭象. Many scholars who recognize this distinction observe that zhi almost always has negative connotations in Guo Xiang’s writing, whereas certain types of knowledge can be positive in the Zhuangzi In this way, Guo Xiang’s comments on zhi seem to stray from the ‘original meaning’ of the Zhuangzi, and are often dismissed as inaccurate mis-readings, imbued with mysticism (...) and relativism. However, by taking into consideration some aspects of Guo Xiang’s socio-historical context, and the larger structure of his complex philosophical system, we find a project quite distinct from that of the Zhuangzi. Like many other Wei-Jin period thinkers, Guo aims bridging some of the gaps the Daoist classic creates between itself and the Confucian tradition. This exposes Guo Xiang’s first goal, which,... (shrink)

This chapter explores the question of Confucius as a sage of “profound greatness” who embodies the fullness of Dao in his being (xuansheng 玄聖). It also discusses briefly the development of Lunyu learning in early medieval China. Xuanxue is often translated as “neo‐Daoism”. The merit of this translation is that it points to a new hermeneutical engagement with tradition, with a sharp focus on the concept of Dao. The idea of Confucius as a sage of profound greatness, wonders, (...) and mystery opens up a rich space for intellectual development. Whereas suwang may be of particular value to understanding the Confucius of history, xuansheng brings the sage into the present, into the thick of philosophical debate about the source, direction, and end of human existence. Different views on whether the sage experiences emotions can be found already in the Zhuangzi. The Zhuangzi argues that all phenomena ultimately rest on stillness and quiescence. (shrink)

This paper examines the debate surrounding He Shao’s account that ‘He Yan thinks the sage is without pleasure, anger, sorrow and grief.’ The point of controversy surrounds squaring a perspective on the sage as emotionless with a thinker who otherwise largely expounds values and political views found in the Lunyu and the Laozi. Since proper management of emotions is important in both texts, it is difficult to imagine how He Yan could hold such a radical view. Dealing with this difficulty (...) scholars have either simply found He Yan ‘unreasonable’ and ‘contradictory’ or otherwise sought to explain away his emotionless sage through complex ontological or political arguments. When He Yan’s work is contextualized in terms of philosophical religious views at the time, we find additional problems with how He Yan’s work has been interpreted. This paper considers a new way to view He Yan, one that respects his multifarious views. (shrink)