Just like the self, sensations and emotions expressed in literature are elusive issues. Necessarily separated from living reality and yet, in a sense, a mirror of it, linguistic coding of bodily feeling and emotional feeling became subject of avid interest among scholars of historical emotion research and the history of mentality in intra- and intercultural perspectives. This volume combines eleven essays with critical discussions concerning the bidirectional network of sense perception and emotion. Exploring the theme from different angles - psychological, (...) medical, and literary - From Skin to Heart highlights the intimate interrelationship between bodily sensations, states of mind, and the emotions from pain, illness, and self-destruction to love-sickness and self-sacrifice in early Chinese poetry and ethics and late imperial lyrics and narrative. The partly descriptive, partly analytical essays are contributions of a new wave of Continental and American sinology that, inspired by cultural studies, discourse analysis, and rhetorical analysis, offers fresh views on body and psyche as locked into and emerging from Chinese primary sources. An appendix provides additional examples of the rich linguistic material referring to phenomena of sense perception and the affective sphere and their interdependence. (shrink)

This study questions the common premise that individualism was lacking in premodern China and contends that not only was the concept of the individual important in traditional China, but that it existed in interesting ways that are different from modes of individualism in the West. Key terms such as xing ("human nature"), xin ("heart-mind"), and ji ("self") are used to analyze various texts. In addition to weaving together ideas from history, philosophy, art, and literature, especially the literary dimensions of late (...) imperial history (both classical and vernacular), this study also incorporates Western intellectual tradition, including the ideas of thinkers such as Immanuel Kant, David Hume, John Stuart Mill, and the Romantics. This inquiry into the moral philosophy and ethics of the self-seen in both its public and private dimensions in late imperial China is an important resource for scholars and students in many subfields of Chinese studies, such as history, intellectual history, art history, history of literature, and history of religion. (shrink)

The volume is a collections of essays aiming to reconstruct the basic elements that compose the multifaceted discourse on emotions in traditional China. A number of well-known specialists reflect on some fundamental philosophical and linguistic concepts.