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Tomasz Szubart
Jagiellonian University
  1.  32
    Explanation and Reduction in the Cognitive Neuroscience Approach to the Musical Meaning Problem.Tomasz Szubart - 2019 - In Andrej Démuth (ed.), The Cognitive Aspects of Aesthetic Experience – Selected Problems. Berlin: Peter Lang. pp. 39-50.
    The aim of this paper is to refer basic philosophical approaches to the problem of musical meaning and, on the other hand, to describe some examples of the research on musical meaning found in the field of cognitive neuroscience. By looking at those two approaches together it can be seen that there is still no agreement on how musical meaning should be understood, often due to several methodological problems of which the most important seem to be the possibility of inter-theoretical (...)
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  2.  11
    Reprezentacja muzyczna a filozofia umysłu (Musical Representation and Philosophy of Mind).Tomasz Szubart - 2019 - Filozofia Nauki 27 (2):141-151.
    Representation is one of the key concepts in cognitive science and philosophy of mind. The philosophical problem of musical meaning, or rather its naturalistic reformulation, has only recently become the topic of empirical investigation. It might seem obvious that an explication of the concept of meaning would appeal to the concept of representation. It is not a popular approach in the philosophy of the cognitive science of music, however. The aim of this paper is to provide an overview of possible (...)
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  3.  14
    O typach kawy. Kontekstualizm DeRose’a jako strategia antysceptycka (On types of coffee. DeRose's contextualism as an anti-sceptical strategy).Tomasz Szubart - 2018 - Analiza I Egzystencja 4 (44):61-81.
    Semantic contextualism is often used in order to offer solutions for problems in other branches of philosophy, including epistemology. One of such attempts is epistemic contextualism, according to which the semantic value of the word “knows” changes with the context of its utterance. The aim of this paper is to critically investigate Keith DeRose’s contextualism to see up to what extent does it provide a valid anti-sceptical strategy. I argue that while it can be seen as a good rival for (...)
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  4.  18
    Why Foot-Tapping Is Important but Not Enough? Some Methodological Problems in the Embodied Approach to Musical Meaning.Tomasz Szubart - 2017 - Avant: Trends in Interdisciplinary Studies 8 (1):101-106.
    In this short paper I critically analyze Marc Leman’s embodied approach to musical meaning and representation, suggesting that its explanatory value is not sufficient in order to be a good alternative for theories encompassing the concept of representation.
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  5.  21
    Johna L. Austina krytyka fundamentalizmu w świetle eksternalizmu epistemologicznego (John L. Austin's criticism of foundationalism in the light of epistemic externalism).Tomasz Szubart - 2011 - Principia 54:107-132.
    W epistemologii aż do XX wieku, najbardziej rozpowszechniony pogląd dotyczący wiedzy głosił, że musi ona posiadać niepodważalne podstawy, w przeciwnym wypadku w jej uzasadnianiu popadlibyśmy w regres w nieskończoność. Takie stanowisko zostało nazwane fundamentalizmem i spotkało się z szeroką krytyką. W latach siedemdziesiątych w teorii poznania powstał nowy kierunek – eksternalizm. Jego twórcy odeszli od tradycyjnego rozumienia wiedzy i odrzucili podstawowe założenia przyjmowane przez fundamentalistów jak i niektórych z ich krytyków. Ciekawą krytykę fundamentalizmu zaprezentował John Langshaw Austin, który dominował na (...)
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  6.  41
    Review:" Przewodnik Po Filozofii Umysłu (Companion to the Philosophy of Mind)," by Marcin Miłkowski and Robert Poczobut. [REVIEW]Tomasz Szubart - 2012 - Forum Philosophicum: International Journal for Philosophy 17 (1):113-115.
    This article reviews Marcin Miłkowski and Robert Poczobut, Przewodnik po filozofii umysłu [Companion to the Philosophy of Mind].
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