The association of emotions as kinds of affections is not unusual. This essay, however, considers whether the tight association between affections and emotions is conceptually satisfactory and advantageous. Does an emphasis on the boundedness of affections and emotions inadvertently mask their distinctive natures? In turning to Gustafson, Aquinas, and, ultimately, Edwards, I propose that, while affections are not emotionless, noticing their differences can reveal the limitations of the emotions for moral deliberation and draw greater attention to the moral significance of (...) the affections. (shrink)

This essay provides a brief history of how Asian American Christian ethics came to be and sketches the main themes and questions with which this new theological-ethical discipline has grappled since its inception. It then provides an account of two interrelated issues that continue to shape the development of Asian American Christian ethics: whether there is a distinctive Asian American perspective and how the racial marginalization of Asian Americans in Christian ethics and society as a whole might inform this perspective. (...) This essay proposes that as long as Asian Americans continue to be made invisible as model minorities, the goal of racial and social justice will fall short. (shrink)

This book reconsiders the relationship between aesthetics and theological ethics. The primary question it seeks to answer is whether artistic creativity is a morally relevant activity. Drawing on the work of Jonathan Edwards and Thomas Aquinas, Choi argues that the arts are the cultural medium through which we can better understand what is morally possible, and that aesthetic objects can serve as snapshots of a particular community's perspectives on the good life. Art, in other words, offers glimpses not only into (...) competing moral visions within society but also the extent to which these contested moral views are understood. The arts, in Choi's view, provide a way of assessing the limits and possibilities of moral reasoning, the contextuality of moral discernment, and the need for moral thinking that is dialogical and dialectical. (shrink)

This essay focuses on the growing disconnect between the diversity, equity, and inclusion (DEI) commitments of universities and their enrollment practices and considers the economic concerns buttressing this divergence. In response, this essay encourages universities—both administration and faculty—to reexamine the kinds of sacrifices necessary to recruit and support a student body that aligns with their DEI commitments.

Sustained reflection on multiple expressions of Asian American experience directs us to the coercive logic of racial identities. Noticing this logic is critical to identifying the limitations of several strategies to resist and transcend racial injustice, including the demand for racial recognition. Rereading the Parable of the Good Samaritan as one about the perils of racial identity and then taking cues from the nonviolent practice of truth force provide a blueprint that reimagines the liberative role racial identities can play.

This volume honors Lisa Cahill's 45 years of teaching Christian ethics at Boston College. With contributions from most of the doctoral students she directed during her career, it provides an interpretive overview of Cahill's specific contributions to Christian ethics.

THIS ESSAY CONSIDERS THE COLOR-BLIND MORALITY OF POSTRACIAL discourse, whether racial identity is to be considered suspect or simply "forgotten," or whether it can play a constructive role in public life. I pursue this question by turning to two accounts of racial identity, a liberal-multicultural conception and a social perspective conception of racial identity. The latter, I argue, better meets the primary objections to the former and offers an advantageous framework within which to evaluate postracial assumptions. Racial difference does not (...) need to be considered a threat to political community but can be envisioned in a way that supports the kind of political and moral deliberation necessary to support and advance a society committed to justice. (shrink)

THIS ESSAY PROPOSES A CONCEPTION OF THE RELATIONSHIP BETWEEN art and ethics that moves away from popular causative understandings. Turning to select themes treated in the work of the literary theorist Elaine Scarry, the moral and aesthetical theology of Jonathan Edwards, and finally the philosophical reflections of Marcia Muelder Eaton, a more positive theoretical account of the moral relevance of art and various aesthetic experiences emerge. Central to this account is the observation that art objects, specifically those objects that can (...) be judged as beautiful, provoke a number of deliberative practices. These practices range from the solitary to the relational. Special emphasis on the latter practices provide the conceptual space to reflect more imaginatively about the significance of art for the building of political community and the task of Christian ethics more generally. (shrink)

This essay provides an interpretation of Jonathan Edwards's moral thought that calls attention to the motif of perception in his conception of true virtue. The aim is to illumine the extent to which Edwards's virtue ethics can be included in and contribute to prevailing approaches to virtue in contemporary theological ethics. To advance this proposal, this essay attends to the question of moral agency that Edwards's reflections on charity, the new spiritual sense, and religious affections raise. This procedure offers an (...) acute sense of the significance of perception for Edwards's virtue ethics, which in turn allows for a constructive Edwardsean entry into current theological discussions on the narrative character of virtue. (shrink)