Why Trompe l'oeils Deceive Our Visual Experience

Journal of Aesthetics and Art Criticism 78 (1):33-42 (2020)
  Copy   BIBTEX

Abstract

Philosophers suggested that usual picture perception requires the simultaneous occurrence of the perception of the surface and of the depicted object. However, there are special cases of picture perception, such as trompe l'oeil perception, in which, unlike in usual picture perception, the object looks like a real, present object we can interact with, of the kind we are usually acquainted with in face‐to‐face perception. While philosophers suggested that usual picture perception and trompe l'oeil perception must differ with respect to the perception of the surface, nobody has ever proposed a final explanatory account for such a difference. Here, I propose such an account. I consider the two possible options as candidates for the explanation of the illusory power of trompe l'oeil perception. The first is that, with trompe l'oeils, we perceive the surface unconsciously. The second is that, with trompe l'oeils, we cannot perceive the surface at all, that is, we cannot perceive it either consciously or unconsciously. I show that the second option is the unique plausible option, as it is in line with vision science, and with our received view about the nature of usual picture perception.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,829

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Seeing-in and seeming to see.R. Hopkins - 2012 - Analysis 72 (4):650-659.
Panoramic trompe-l'oeil : C'est tout une vie.François Bon & Catherine Parayre - 2009 - In Leslie Anne Boldt-Irons, Corrado Federici & Ernesto Virgulti (eds.), Disguise, Deception, Trompe-L'oeil: Interdisciplinary Perspectives. Peter Lang. pp. 99--99.
Modernity Again: The Museum as Trompe L'Oeil.Donald Preziosi - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the visual arts: art, media, architecture. New York, NY, USA: Cambridge University Press. pp. 141--150.
Why, as responsible for figurativity, seeing-in can only be inflected seeing-in.Alberto Voltolini - 2015 - Phenomenology and the Cognitive Sciences 14 (3):651-667.
Sensorimotor expectations and the visual field.Dan Cavedon-Taylor - 2018 - Synthese 198 (Suppl 17):3991-4006.
Visual Experience: A Semantic Approach.Wylie Breckenridge - 2018 - New York, NY: Oxford University Press.
The admissible contents of visual experience.Michael Tye - 2009 - Philosophical Quarterly 59 (236):541-562.
Get thee to a laboratory.David Dunning - 2011 - Behavioral and Brain Sciences 34 (1):18-19.

Analytics

Added to PP
2020-02-05

Downloads
33 (#483,942)

6 months
13 (#194,369)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Gabriele Ferretti
Ruhr University Bochum

Citations of this work

On the content of Peripersonal visual experience.Gabriele Ferretti - 2022 - Phenomenology and the Cognitive Sciences 21 (3):487-513.
Do Trompe l'oeils Look Right When Viewed from the Wrong Place?Gabriele Ferretti - 2020 - Journal of Aesthetics and Art Criticism 78 (3):319-330.
Why the Pictorial Needs the Motoric.Gabriele Ferretti - 2021 - Erkenntnis 88 (2):771-805.

View all 6 citations / Add more citations

References found in this work

Threefoldness.Bence Nanay - 2018 - Philosophical Studies 175 (1):163-182.
Perceiving pictures.Bence Nanay - 2011 - Phenomenology and the Cognitive Sciences 10 (4):461-480.
Visual Feeling of Presence.Gabriele Ferretti - 2018 - Pacific Philosophical Quarterly 99 (S1):112-136.
Trompe l’oeil and the Dorsal/Ventral Account of Picture Perception.Bence Nanay - 2015 - Review of Philosophy and Psychology 6 (1):181-197.
On pictorial representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.

View all 19 references / Add more references