Environmental Ethics and Behavioural Change takes a practical approach to environmental ethics with a focus on its transformative potential for students, professionals, policy makers, activists, and concerned citizens. Proposed solutions to issues such as climate change, resource depletion and accelerating extinctions have included technological fixes, national and international regulation and social marketing. This volume examines the ethical features of a range of communication strategies and technological, political and economic methods for promoting ecologically responsible practice in the face of these crises. (...) The central concern of the book is environmental behaviour change: inspiring, informing and catalysing reflective change in the reader, and in their ability to influence others. By making clear the forms of environmental ethics that exist, and what each implies in terms of individual and social change, the reader will be better able to formulate, commit to, articulate and promote a coherent position on how to understand and engage with environmental issues. (shrink)

_Critical Thinking: The Basics_ is an accessible and engaging introduction to the field of critical thinking, drawing on philosophy, communication and psychology. Emphasising its relevance to decision making, academic literacy and personal development, this book supports the reader in understanding and developing the knowledge and skills needed to avoid poor reasoning, reconstruct and evaluate arguments, and engage constructively in dialogues. Topics covered include: the relationship between critical thinking, emotions and the psychology of persuasion the role of character dispositions such as (...) open-mindedness, courage and perseverance argument identification and reconstruction fallacies and argument evaluation. With discussion questions/exercises and suggestions for further reading at the end of each main chapter, this book is an essential read for students approaching the field of critical thinking for the first time, and for the general reader wanting to improving their thinking skills and decision making abilities. (shrink)

This article describes and defends the interdisciplinary model of the Liberal Arts degree,1 set up at the Crichton Campus of the University of Glasgow in 1998.2 It describes the structure of this Scottish undergraduate MA, placing it within the wider context of contemporary debates concerning education, but does so in order to clarify and promote a particular view of interdisciplinarity: namely integrated interdisciplinarity.3 In doing so this paper aims to show both the role of philosophy in constituting a significant element (...) of the content of the courses and, more importantly, its role in framing the structure that allows fruitful interaction between the disciplines. Overtly philosophical issues provide a set of themes and questions by which to structure potentially disparate courses from separate disciplines and assist them in interacting. Philosophy thus plays a vital role in integrating interdisciplinary study, especially within a contemporary liberal arts degree, yet this is a function that is often overlooked when documenting the merits of this academic specialism. (shrink)

It is common for stand-up comedians to tell stories as well as, or instead of, jokes. Stories bring something extra to the performance, and when presented as true add a further layer of appeal. However, most stories told as if true by comedians are not true. A categorizing of forms of comedic story is presented involving the dimensions of grammatical person and truthfulness. Some advantages of comedians’ employing true first-person stories are discussed, and these considerations are then explored through the (...) role of autobiography in the work of Doug Stanhope. Many aspects of Stanhope’s life find their way into his shows, and true stories and his personality more broadly are folded into other elements of his act. Links are made with Søren Kierkegaard’s notion of “inwardness,” and it’s argued that authenticity is a prerequisite for the quality of self-disclosure that is basic to Stanhope’s excellence. (shrink)

In the film and play Twelve Angry Men, Juror 8 confronts the prejudices and poor reasoning of his fellow jurors, exhibiting an unwavering capacity not just to formulate and challenge arguments, but to be open-minded, stay calm, tolerate uncertainty, and negotiate in the face of considerable group pressures. In a perceptive and detailed portrayal of a group deliberation a ‘wheel of virtue’ is presented by the characters of Twelve Angry Men that allows for critical thinking virtues and vices to be (...) analysed in context. This article makes the case for the film being an exceptional teaching resource, and, drawing primarily on the ideas of Martha Nussbaum concerning contextualised detail, emotional engagement, and aesthetic distance, its educational value being intimately related to its being a work of fiction. (shrink)