The notion of épochè, ‘suspension’, as developed by the Greek Skeptics, refers to the suspension of judgment that makes one neither affirm nor deny anything. In The Neutral, Roland Barthes takes this suspension as an ethical principle. Whereas discursive logic fosters the making of clear choices between alternative positions on something formulated as an issue, Barthes' suspension of judgment counteracts this push toward taking up positions. Barthes' term for this refusal to judge is ‘the Neutral’, which manifests itself in an (...) array of techniques and attitudes that defer, frustrate, or subtilize judgment and thus create room for drifting, relaxation, nuance, and tact. Barthes comes to think of the Neutral as a matter of intensity, of gradient degrees, rather than of the ‘zero degree’. Such gradients allow one to minimize one's interface with the world's arrogance. Barthes' ideas, for his time as much as ours, form a utopian desideratum: that of waylaying the assertiveness that language perversely encourages in its users. (shrink)

This essay analyzes the formation of sect Shinto in the second half of the nineteenth century. It is pointed out that the Shinto sects that constituted sect Shinto were constructed on the basis of preexisting infrastructures, which had developed in response to the profound social changes accompa- nying the modernization process of the Bakumatsu and Meiji periods. Sect Shinto took shape in a cross3re between the impact of modernization from below, and the vicissitudes of Meiji religious policy from above. The (...) essay further proposes to distinguish between two types of Shinto religious move- ments: Shinto sects, characterized by a typical “dish-structure,” and Shinto- derived New Religions, displaying a “tree-structure.” Of these two types, groups of the 3rst type were shaped more directly by Meiji religious policy than the latter, which 3rst arose as “founded religions” and adapted to Meiji policy only later, in the course of their institutionalization. (shrink)