Reflections on mimesis have tended to be restricted to aesthetic fictions in the past century; yet the proliferation of new digital technologies in the present century is currently generating virtual simulations that increasingly blur the line between aesthetic representations and embodied realities. Building on a recent mimetic turn, or re-turn of mimesis in critical theory, this paper focuses on the British science fiction television series, Black Mirror to reflect critically on the hypermimetic impact of new digital technologies on the formation (...) and transformation of subjectivity. (shrink)

This article revisits the case of Woody Allen’s mockumentary Zelig via Friedrich Nietzsche’s diagnostic of mimicry in The Gay Science. It argues that the case of the “human chameleon” remains contemporary for both philosophical and political reasons. On the philosophical side, I argue that the case of Zelig challenges an autonomous conception of the subject based on rational self-sufficiency by proposing a relational conception of the subject open to mimetic influences that will have to await the discovery of mirror neurons (...) in the 1990s in order to find an empirical confirmation. On the political side, I say that Zelig foregrounds the power of authoritarian leaders in the 1930s to cast a spell on both imitative crowds and publics in terms that provide a mimetic supplement to Hannah Arendt’s account of the “banality of evil”. The philosophical purchase of Zelig’s cinematic dramatization of a mimetic subject is that it reveals how the “inability to think” characteristic of the case of Eichmann rests on unnoticed affective principles constitutive of the all-too-human penchant for “mimicry” the film dramatises. Thus reframed, the human chameleon reflects the dangers of mimetic dispossessions that reached massive proportions in the past century and continue to cast a shadow on the present century. (shrink)

This chapter argues that the human, all too human vulnerability to mimesis (imitation) is a central and so far underdiagnosed element internal to the Covid-19 pandemic crisis. Supplementing medical accounts of viral contagion, the chapter develops a genealogy of the concept of mimesis – from antiquity to modernity to the present – that is attentive to both its pathological and therapeutic properties. If an awareness of the pathological side of mimetic contagion is constitutive of the origins of philosophy, in Plato’s (...) Republic, and crowd psychology called attention to the mirroring dynamic of affective contagion among crowds and publics in the modern period, the Covid-19 pandemic crisis highlights the pathological implications of hypermimetic conspiracies reloaded by new media, while also revealing the human ability to develop therapeutic patho-logies – that is, critical discourses (or logoi), on the contagious dynamic of mimetic pathos. Like a Janus-faced mirror, then, this genealogy of homo mimeticus calls attention to both the contemporary dangers of affective contagion and to the urgency of transformations or metamorphosis to counter future pandemic and environmental threats that loom large in the Anthropocene. (shrink)

_The Phantom of the Ego _is the first comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, Nidesh Lawtoo starts with Friedrich Nietzsche’s antimetaphysical diagnostic of the ego, his realization that mimetic reflexes—from sympathy to hypnosis, to contagion, to crowd behavior—move the soul, and his insistence that psychology informs philosophical reflection. Through a (...) transdisciplinary, comparative reading of landmark modernist authors like Nietzsche, Joseph Conrad, D. H. Lawrence, and Georges Bataille, Lawtoo shows that, before being a timely empirical discovery, the “mimetic unconscious” emerged from an untimely current in literary and philosophical modernism. This book traces the psychological, ethical, political, and cultural implications of the realization that the modern ego is born out of the spirit of imitation; it is thus, strictly speaking, not an ego, but what Nietzsche calls, “a phantom of the ego.” _The Phantom of the Ego _opens up a Nietzschean back door to the unconscious that has mimesis rather than dreams as its _via regia,_ and argues that the modernist account of the “mimetic unconscious” makes our understanding of the psyche new. (shrink)

This article examines how Georges Bataille, one of the celebrated precursors of the postmodern death of a linguistic subject, is also a Nietzschean, pre-Freudian thinker who offers us an account of the birth of an affective subject. If critics still tend to recuperate Bataille within a “metaphysics of the subject,” the present article shows that the central concept of his thought needs to be reconsidered in the light of his debt to Pierre Janet’s “psychology of the socius,” an interpersonal psychology (...) that transgresses precisely this metaphysics. In line with contemporary theoretical developments, Bataille’s account of the birth of the subject out of the laughter of the socius offers us a theoretical model to rethink the foundations of subjectivity in relational, mimetic terms. (shrink)

In this article, Adriana Cavarero and Nidesh Lawtoo resume a dialogue on mimetic inclinations in view of furthering a relational, embodied and affective conception of subjectivity that challenges homo erectus from the immanent perspective of homo mimeticus. If a dominant philosophical tradition tends to restrict mimesis to an illusory representation of reality, Plato was the first to know that mimesis also operates as an affective force, or pathos, that dispossesses the subject. While Plato tended to emphasize the pathological (...) implications of mimesis, Cavarero and Lawtoo agree that both mimesis and inclinations go beyond good and evil and can be put to both pathological and democratic use. Picking up a dialogue started during a walk in New York City, Cavarero and Lawtoo, take their shared interests in Joseph Conrad's relating narratives as an occasion to discuss good and bad mimetic inclinations in contemporary politics and ethics. Joined in conclusion by the Gendered Mimesis team (Willow Verkerk, Isabelle Dahms and Giulia Rignano), topics addressed include new fascism, surging democracy, ethical responsibility for vulnerable others, hypermaternity and public happiness in a precarious world. (shrink)

At first glance, it may appear perplexing to join the ancient concept of “mimesis” with the contemporary concept of “inclinations” via the title of “mimetic inclinations” – and for more than one re...

‘Definition of Heterology’ illuminates sacred, heterogeneous experiences Bataille never stopped interrogating, in their throbbing movement of emergence. Furthering orthodox disciplines in the sciences of man, Bataille accounts for the ambivalent feelings of ‘attraction and repulsion’ at the heart of inner experiences that constitute the heart of his thought. In this paper, I further a mimetic line of inquiry in Bataille studies and argue that the laws of attraction and repulsion that animate heterology find their polarized foundations in the laws of (...) the socius, which are also the laws of imitation understood in its heterogeneous – anthropological, ontological and psychological – manifestations. Paradoxically, heterology, while being the ‘science’ of the ‘totally other’, may point toward an abyssal experience of a communicative homology that has the power to transform impure matters into pure spirits, angelic souls into material bodies. (shrink)

A philosopher who is warlike also challenges problems to a duel.There!—there! Don’t be so quick in flourishing the sword. It doesn’t pay in the long run.René Girard’s Achever Clausewitz is his latest, most incisive and penetrating account of the contagious dynamic of mimetic violence.1 It is also a bold attempt to finish Carl von Clausewitz’s classic Vom Kriege in a sense that is at least double.2 On the one hand, Girard sets out to finish Clausewitz’s insights into the dynamic of (...) war understood as a duel by foregrounding mimetic principles the latter had intuited but not fully taken hold of. On the other hand, Girard engages in a theoretical confrontation with the Prussian officer with the aim not only to finish... (shrink)

It might be left to the specialist philosophers to act as spokesmen and mediators in this matter, once they have largely succeeded in reshaping the original relationship of mutual aloofness and suspicion which obtains between the disciplines of philosophy, physiology, and medicine into the most amicable and fruitful exchange.What is the relation between violence and the unconscious in a world increasingly dominated by representations that are fictional yet might turn out to have effects that are all too real? Does an (...) affective participation in a violent spectacle—say, a theater play, a movie, or a computer game—serve as a cathartic therapy that purges the subject of pathological affects? Or do such images... (shrink)

To Bill Johnsen, mimetic theorist and innovative editor.Have you not observed that imitations, if continued from youth far into life, settle down into habits and second nature in the body, the speech and the thought?Yes, we have observed the powers of mimesis. And if we reload Socrates's untimely observation for our contemporary, hypermimetic times, we cannot help but wonder yet again: What is the relation between violence, imitation, and the unconscious in a world increasingly dominated by virtual representations of violence, (...) which, we are beginning to realize, may have contagious rather than cathartic effects? In Part One of this twofold argument, I traced a genealogy of the "cathartic hypothesis" via exemplary... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Mimetic SacredGirard and Bataille Transcending DesireJeffery D. McNeil (bio)René Girard's (1923–2015) mimetic theory and Georges Bataille's (1897–1962) theory of the sacred both describe an unwitting pull to violence fueled by an aspect of desire. This violence cannot be denied but may be channeled through ritual, resulting in social cohesion or utter catastrophe. Their theories also illustrate the contagious flow of affective violence between individuals, quickly infecting the whole. (...) Girard describes a violent contagion that threatens physical annihilation, while Bataille's more vital contagion illustrates the dissolution of self into other. Both come to the same result—collective cohesion. However, for all the similarities, the essential mechanisms "end up with profoundly different visions of the dynamics sustaining the social bond and, indeed, of society's whole affective economy."1 For Girard, the operative community requires distinct individuals specific in their identities. A lack of distinctions between individuals—a state he calls undifferentiation—leads to a struggle for identity, conflict, and violence. Unity comes from the catharsis of collectively thwarting violence before conflict can destroy the community. For Bataille, unity comes from collectively communicating through ritual. A [End Page 103] primal urge to slip out of the hierarchical mastery of discontinuous being and join with the other in a step closer to continuous being unites through mutual affect generated through shared experience. Girard asserts that cohesion occurs by maintaining separation, while Bataille describes cohesion generated in its destruction.Despite their similar concerns and many agreements, Girard and Bataille have rarely been compared. Among those few studies, Tiina Arppe argues that the divergence in both thinkers' theories can be found in their sources, namely, Emile Durkheim's theory of the sacred and Alexandre Kojève's reading of Hegel.2 Antony D. Traylor argues in answering the question of the purpose of sacrifice that Bataille's understanding may add to or replace Girard's scapegoat mechanism.3 Traylor dissects both theories focusing on Girard's critique of metaphysical desire and Bataille's notion of sovereignty. Nidesh Lawtoo mobilizes both thinkers and others to unmask the mimetic forces entwined in ego creation.4 First, similar to Arppe, I argue that apparent contradictions between Girard and Bataille arise from critical influences of each thinker and offer an analysis paving the way, like Traylor, toward compatibility. However, I focus on the influence (or denial) of Sigmund Freud and Marcel Mauss—whom I argue are the most crucial influences for untangling these theories. By examining Girard's interpretation of Freud's theory of cultural origin and Bataille's use of Mauss's notion of the gift and potlatch, I trace a short anthropological genealogy of the sacred that proves critical to both theories.5 In that regard, I eschew wrestling with metaphysical concerns and instead take an anthropological approach to the sacred that moves beyond compatibility. Second, we perform a synthetization, illuminating a shared mimetic force lurking within both theories and how Bataille offers an expansion to Girard's already acute observations—for which Lawtoo's notions of the mimetic unconscious and mimetic communication are essential.My primary source for Girard's theory is Violence and the Sacred, with secondary support from The Scapegoat and Things Hidden since the Foundation of the World. For Bataille, I consult Erotism: Death and Sensuality and two essays: "The Notion of Expenditure" (and its later development in The Accursed Share) and "Definition of Heterology." I also use a small but significant excerpt from Theory of Religion concerning sacrifice and the festival. Secondary literature is introduced as needed. [End Page 104]PSYCHOANALYTIC ANTHROPOLOGYGirard and Bataille found varying degrees of influence in Freud. A short detour through the relationship between subject and desire and the violent origins of the sacred will set the stage for a deeper comparison. While Girard does not explicitly admit using the father of psychoanalysis as a starting point,6 he acknowledges the influence and relegates it under his own, claiming that Freud's theory "has been replaced by another explanation, at once very close to and very far removed from the Freudian viewpoint."7 Lawtoo illustrates essential similarities to be "Girard's emphasis on desire as the essence of... (shrink)

This paper examines how Adriana Cavarero extends and offers an alternative to Hannah Arendt's understanding of speech and its relationship to politics and violence through a re-reading of Herman Melville’s, Billy Budd, Sailor (1891). The novella was examined by Arendt in On Revolution (1963) where she considers the apolitical character of the French Revolutionary Terror and establishes a link between violence, mimetic contagion, and the failure of articulate speech. I suggest that whereas Arendt’s reading only offers two possible responses to (...) violence—forgiveness or punishment (perpetuating violence)—a reading of the novella inspired by Cavarero’s work shows a third alternative, the prevention of violence, while equally revealing the blind spot of Arendt’s argument. The blind spot is Arendt's privileging of articulate speech and her failure to consider the embodied character of human expression. Cavarero’s ethics of inclination, however, allows for a response to, and responsibility for, the uniqueness of the human voice, and for the intention to convey meaning. To mediate between Arendt and Cavarero, the paper also reconsiders Nidesh Lawtoo’s understanding of mimesis, evokes Eve Sedgwick’s paradigm-setting queer reading of Billy Budd, and engages with Walter Benjamin’s and Giorgio Agamben’s contrary takes on the relationship between violence and language. (shrink)

In this article I further Adriana Cavarero and Nidesh Lawtoo’s discussion of “mimetic inclination” to consider the way a person can be known in their uniqueness. Cavarero says that we receive a sense of the uniqueness of another by relating their narrative. I suggest that this also reveals a sense of the uniqueness of the one narrating, and that this can be understood as a practice of care. This narration is, as a consequence, distinct from representation (which itself (...) is distinct from mimesis) and is better described as apprehension. By drawing on Toni Morrison’s Beloved and Christina Sharpe’s In the Wake: On Blackness and Being, I detail a primary form of care connected to apprehension that is engendered by what Sharpe calls “the weather of antiblackness”. Morrison both details this form of care in Beloved and practises it herself in her storytelling. This expands feminist analyses of vulnerability, providing critical resources for rethinking existence apart from its colonial and patriarchal articulation. (shrink)

Introduction -- Media and representation. On the one medium / Eric Gans -- The scapegoat mechanism and the media: beyond the folk devil paradigm / John O'Carroll -- The apocalypse will not be televised / Chris Fleming -- Film. Mirrors of nature: artificial agents in real life and virtual worlds / Paul Dumouchel -- Superheroes, scapegoats, and saviors: the problem of evil and the need for redemption / Joel Hodge -- Sanctified victimage on page and screen: The hunger games as (...) prophetic media / Debra E. Macdonald -- The mimetic e-motion: from The matrix to Avatar / Nidesh Lawtoo -- Apocalypse of the therapeutic: The cabin in the woods and the death of mimetic desire / Peter Y. Paik -- Eyes wide shut: mimesis and historical memory in Stanley Kubrick's The shining / David Humbert -- Against romantic love: mimeticism and satire in Woody Allen's Vicky, Cristina, Barcelona; you will meet a tall dark stranger; and To Rome with love / Scott Cowdell -- A beautiful crisis: Ang Lee's film adaptation of The ice storm / Carly Osborn -- Cowboy metaphysics, the virtuous-enough cowboy, and mimetic desire in Stephen Fears' The hi-lo country / Thomas Ryba -- Television. The self in crisis: watching Mad men and Homeland with Girard and Hegel / Paolo Diego Bubbio -- Media, murder, and memoir: Girardian baroque in Robert Drewe's The shark net / Rosamund Dalziell -- Conversion in Dexter / Matthew John Paul Tan and Joel Hodge. (shrink)

The processes of globalization, embraced with such eagerness in the 1990s, started being reviewed a decade later, having revealed a vicious underside. Behind the diverse masks of globalization hide murderous identities that promise different types of violence. During Brexit, the referendum in June 2016 that was to decide whether the United Kingdom left the European Union or stayed in it, Britain rejected what the EU represents—a common identity—to pursue a road on its own—a separate identity.1 Significantly, one of the elements (...) that analysts regarded as central to Brexit was immigration. According to a recent book by Nidesh Lawtoo, immigration is one of the main rhetorical tropes of the new political... (shrink)