During the past few decades, everyday aesthetics has established itself as a new branch of philosophical aesthetics alongside the more traditional philosophy of art. The Paths from Philosophy of Art to Everyday Aesthetics explores the intimate relations between these two branches of contemporary aesthetics. The essays collected in this volume discuss a wide range of topics from aesthetic intimacy to the nature of modernity and the essence of everydayness, which play important roles both in the philosophy of art and everyday (...) aesthetics. With these essays, the writers and editors of this volume wish to commemorate professor Arto Haapala on his 60th birthday. -/- This collection of articles is intended for scholars and students working in the fields of aesthetics, philosophy, and art studies. (shrink)

Little is known about when corporate social responsibility (CSR) leads to a sustainability case (i.e., to improvements in environmental and social performance). Building on various forms of decoupling, we develop a theoretical framework for examining pathways from institutional pressures through CSR management to sustainability performance. To empirically identify such pathways, we apply fuzzy-set qualitative comparative analysis (fsQCA) to an extensive dataset from 19 large companies. We discover that different pathways are associated with environmental and social performance (non)improvements, and that pathways (...) to success and failure are for the most part not symmetrical. We identify two pathways to improved environmental performance: an exogenous and an endogenous one. We find two pathways to improved social performance that both involve integrating social responsibility into the core business. Pathways to nonimprovements are multiple, suggesting that failure can occur in a number of ways, while there are only a few pathways to sustainability performance improvements. (shrink)

In this book, fourteen international authors across various fields analyze the concept of chiasm and its role in human perception and experience, discussing the work of major philosophers like Merleau-Ponty, Levinas, Derrida, and Deleuze, and adapting their ideas to cultural analysis.

A way is found to add axioms to sequent calculi that maintains the eliminability of cut, through the representation of axioms as rules of inference of a suitable form. By this method, the structural analysis of proofs is extended from pure logic to free-variable theories, covering all classical theories, and a wide class of constructive theories. All results are proved for systems in which also the rules of weakening and contraction can be eliminated. Applications include a system of predicate logic (...) with equality in which also cuts on the equality axioms are eliminated. (shrink)

It is difficult to write clearly about any aspect of Plotinus’ thought. There are many reasons for this. One reason is that he is a very systematic thinker. So, for example, to treat his aesthetics one must also discuss his metaphysics, psychology, and his ethics. Anther reason is his well-known subtlety and obscurity of expression. Kuisma’s book on Plotinus’ aesthetics, however, shows that it is possible to write clearly, accurately, and succinctly about Plotinus. This book is a pleasure to (...) read. Kuisma argues against a modern, widely held interpretation of Plotinus’s aesthetics which claims that “Plotinus, in contrast to Plato, accepted the possibility of the artistic imitation of intelligible Forms,” thus giving “a new direction to Platonic art theory”. His thesis is, instead, that “the objects of artistic imitation are limited to the sphere of perceptions,” although this limitation can be overcome to some extent by “the use of symbols and symbolic conventions”, inasmuch as symbolic representations do not convey on the basis of sameness of form. He calls the common view “strong mimesis,” and his own view, “weak mimesis”. Clearly, Kuisma’s view shows Plotinus to be a traditional Platonist. Indeed, it would be odd if Plotinus, of all people, should discount Plato’s doubts about the ability of sensibles to represent eternal form. (shrink)