The Buddhist philosopher Dignaga (around 500 CE) centers his philosophy of language on the theorem of verbal meaning as "exclusion of other referents" (anyapoha). This is the topic of the fifth chapter in his summarizing last work, the Pramanasamuccayavrtti. Since a word tells its hearer something about the object to which it refers in the same way that a logical reason tells its observer something about the object of which it is a property, Dignaga's apoha thesis is a crucial complement (...) to his theory of inference. The original Sanskrit text of this work is no longer extant. Except for a few Sanskrit fragments and two highly problematic Tibetan translations it is only the since recently available unique Sanskrit manuscript of the mid-8th century CE commentary, the Pramanasamuccayatika, by Jinendrabuddhi that allows for a faithful English translation. Jinendrabuddhi's text has been used throughout and, in parts, critically edited for the first time. On the basis of these sources it was possible to provide the translation with a restoration as far as possible of the original Sanskrit text of Dignaga's work. In his introduction, Pind surveys his methodology, discusses the sources, the context and historical position, and the character of this chapter, and he also deals with Jinendrabuddhi's commentary, his sources and its restoration. Moreover, he presents the essential features of the apoha thesis in detail. The translation of this rather difficult text is richly annotated and provides all philological information in support of the text's restoration as well as extensive explanations and discussions of the content. It is in the notes that Pind provides the background of Indian grammatical analysis and theory (Bhartrhari and others) and documents the context of the rival philosophical traditions such as those of the Nyaya and Mimasa. Pind is also particularly aware of the influences on Jinendrabuddhi's interpretation that derive from Dharmakirti's interpretation of Dignaga's tenets and consistently analyses the differences occurring. Several appendices conclude this study by presenting a number of notes separated because of their size. After Richard Hayes' study and translation of the first part of this chapter (1988), this is the first comprehensive presentation of Dignaga's philosophy of language. (shrink)

Neurobiologically inspired theories of speech perception such as that proposed by Sussman et al. are useful to the extent that they are able to constrain such theories. If they are simply intended as suggestive analogies, their usefulness is questionable. In such cases it is better to stick with the Gibsonian approach of attempting to isolate invariants in speech and to demonstrate their role for the perceiver in perceptual experiments.

The fragment 140 a S.-M. = G 8 Ruth. is likely to deal with two different feats of Herakles. The lines b 21–b 33 seem to concern Cycnus, an impious hero killed by Herakles by order of Apollo. The rest of the fragment seems to concern the beginning of Herakles’ expedition against Laomedon. I think Pindarus presupposes a legend according to which Herakles spent the most part of his life in Thebes; such an interpretation might explain both the obscure expression (...) πέραν ἰσϑμὸν διαβαίς and other details. The opinion the fragment belonged to the Paianes is in my view right. (shrink)

This article argues that in Pindar's epinicians first-person statements may occasionally be made in the persona of the chorus and the athletic victor. The speaking persona behind Pindar's first-person statements varies quite widely: from generic, rhetorical poses—a laudator, an aoidos in the rhapsodic tradition (the “bardic first person”), an Everyman (the “first person indefinite”)—to strongly individualized figures: the Theban poet Pindar, the chorus, the victor. The arguable changes in the speaker's persona are not explicitly signalled in the text. This can (...) lead to significant ambiguities concerning the identity of the speaker (“blurred quotation,” “indeterminate speech boundaries”). The lack of a concern always to distinguish clearly the primary from the secondary narrators relates to a desire to confuse diegetic and mimetic forms; the practice of the fifth-century choral lyric poets in this regard is compared to that of other ancient Greek writers. The main challenge is to indicate how it is possible, in theory and in practice, for the athletic victor to be identified as the speaker when this is not explicitly signalled in the text; and, if this is possible, to suggest how it is possible for an audience to recognize when the speaking persona subsequently reverts to laudator or poet. An attempt is made to consider whether any formal, structural, or thematic tendencies can be observed in those passages in choral lyric where the chorus or the victor are tacitly introduced as speaking personae: such effects, it is argued, occur especially when links of ritual or genealogy enable the ode to “zoom” from the mythical past to the present occasion of the performance. The main passages discussed in the article are Pind. P.8.56–60, P.9.89–92, N.7.85, Pae. 2.73–79, and Bacch. 3.84–85. But the phenomena discussed are related broadly to other phenomena in Greek literature, in Latin poetry, and, especially, in Cicero's forensic oratory. (shrink)

This paper argues that: (a) the transmitted text of Pind. Nem. 3.35–6 ποντίαν Θέτιν κατέμαρψεν | ἐγκονητί (‘[Peleus] caught the sea-nymph Thetis quickly’) is not the original text of Pindar; (b) ἐγκονητί does not fit the context, is not an attested Greek word and should be eliminated from dictionaries of ancient Greek; (c) Byzantine etymological works, followed by many modern scholars, base their explanations on the late antique form ἀκονητί, which should be eliminated from classical, Hellenistic and imperial texts; (...) (d) the tradition of the Etymologicum Magnum knows the variant ἐγκονιτί (conjectured for Pindar by Bergk) ‘with dust’ (‘with effort’), which seems presupposed by the scholia on Pindar; (e) the form ἐγκονιτί (created on the pattern of ἀκονιτί) is to be preferred in Pindar for reasons of language and content and should be added to the dictionaries of ancient Greek. (shrink)

The relevance of this topic is due to the fact that new processes of informatization of society are unfolding in the conditions of new technological breakthroughs, which requires the formation of the concept of digital economy and digital management as components of the creation of an ecologically balanced and socially oriented economy, which aims at increasing the well-being of the population and improving the ecology of the population. The purpose of the study is to conceptualize the digital economy and digital (...) management in the face of new technological breakthroughs as a factor in the emergence of an environmentally balanced and socially-oriented economy, as one of the biggest challenges facing developed countries is sustainable unemployment, growing property inequality, rapid climate change and stochasticity of information. An analysis of the latest research and publications that address this issue. In the works of Maxton Graham and Randers Joergen “In search of prosperity. Managing Economic Development for Reducing Unemployment and Climate Change ”. In the second half of the twentieth century evidence has emerged of the exhaustion of global natural resources and the limited assimilation capabilities of the planetary ecosystem. The revolutionary work of the new vision was the first report by the Roman Club "Limits of Growth" by Donnelly and Dennis Meadows and Jorgen Randers, which forced them to reflect on the physical limits of human growth. “The limits of growth. 30 Years Later ”is an updated study based on new data on trends in the development of human civilization, improvements in the model and methodology of system dynamics and modern computer capabilities. Scientific novelty of the research is the identification of problems of interaction of the person, society, information in the conditions of new technological breakthroughs and conditions of overcoming the problems of stochastic information that contribute to the formation of a new concept of digital economy and digital management. Research results. The conditions of formation of the concept of digital economy and digital management in the conditions of new technological breakthroughs, on the basis of which the creation of a digital society is revealed. A new mission of digital economy and digital management is revealed, which should change the dominant essence of social philosophy, which underlies the great role of scientific and technological achievements that transform our reality. Conclusion - The formation of the concept of digital economy and digital management challenges many economic and managerial notions of new technological breakthroughs that underpin the "boundaries of growth" and the formation of digital society. (shrink)

Two well-known ancient witnesses report that Aristophanes of Byzantium was responsible for the arrangement of Pindar's poems into seventeen book-rolls according to lyric genres. These witnesses form fr. 381 in the edition of Aristophanes’ fragments by W.J. Slater : Vit. Pind. P.Oxy. 2438.35–9 δ]ιῄρητα̣ι̣ δὲ α̣ὐ̣τ̣[ο]ῦ̣ τ̣[ὰ ποιήματα ὑπ’ Ἀριστοφάν]ους εἰς βιβλία ιζˊ· διθ̣[υ]ρά̣[μ]βων βˊ [προσοδίω]ν̣ βˊ παιάνων αˊ πα[ρ]θεν[εί]ων γ̣ˊ [ἐπινικίω]ν̣ δˊ ἐγκωμίων αˊ ἐν [ᾧ] κα̣ὶ [σκ]όλ̣[ια ±4 ὕμ]ν̣ων αˊ ὑ[π]ορχημάτων αˊ θρ̣[ήνων.| nisi aliter ind., omnia suppl. (...) Lobel | 2 Ἀριστοφάν]ους Lobel e Vit. Pind. Vat. | 3 ἐν [ᾧ] κα̣ὶ [σκ]όλ̣[ια …. de Kreij : ἐν [ᾧ] κ[αὶ σκόλιά τινα vel ἐν [ᾧ] κ[αὶ σκόλιά ἐστι Gallo : ἐν [ᾧ] καὶ [παροίνια D'Alessio | 4 αˊ post θρ̣[ήνων coni. edd., fort. recte; an θρ̣[- βˊ?Vit. Pind. Vat. page 7.14–17 Dr. ὁ δὲ ἐπινίκιος οὗ ἡ ἀρχὴ “Ἄριστον μὲν ὕδωρ” προτέτακται ὑπὸ Ἀριστοφάνους τοῦ συντάξαντος τὰ Πινδαρικὰ διὰ τὸ περιέχειν τοῦ ἀγῶνος ἐγκώμιον καὶ τὰ περὶ τοῦ Πέλοπος, ὃς πρῶτος ἐν ῎Ηλιδι ἠγωνίσατο.A much-debated question is whether the order of the poems attested by the papyrus can be credited to Aristophanes, since an ordering principle is apparently not to be found in the list transmitted by it. Moreover, there are some disagreements with the list of Pindar's works transmitted by the Vita Ambrosiana, which is generally deemed the most authoritative catalogue of the poet's corpus, on account of its well-recognized criterion of classification: the poems are divided between those for gods and those for men, and both of these categories of songs are arranged from the most general to the most specific. This catalogue has been thought to reproduce the order established by Aristophanes in his edition of Pindar. (shrink)

Clytaemnestra describes her anxious presentiment of coming evil, but ό π ροστατν Χρθνος bears no obvious meaning. The schol.'s πιενόμεος —corrected to πιινπιγ by Papageorgios from Suidas—is meant to interpret the phrase as merely a periphrasis for the future. So the schol. on Pind. ol. X. 9 glosses πιγν πιγ with ιγενόμε&ngr;ος. Jebb practically agrees, but thinks that strictly ό πρ. Χρόνος is ‘the time which stands in front .’ Kaibel, rightly in my opinion, regards έμο as the necessary (...) complement of προστάτης, but understands the latter as Time personified leading the queen by the hand continuously forward. She does not know her goal, but fears it is death. None of these views is convincing; and if we would seize the metaphor which the words are intended to convey, we shall do better to follow the indication afforded by Aesch. Ag. 976 τιπτε μο τς μπςως |δείμαπ ροατατατηριον| καρδιας τερασκόπον ποτται where the speaker is labouring under the burden of apprehension, whose image hovers over his heart. The future casts its shadow beforehand as a danger to be encountered. So here Clytaemnestra cannot rest for the persistent image which ever obtrudes itself upon her mental vision . Meineke preferred προσ-στατν just as Blaydes conjectured προσ-στατ ριον in the Agamemnon. (shrink)

In 1998, I suggested a new text for a notably corrupt passage in Pindar's Isthmian 5. This article is in effect a sequel to that earlier discussion. In the 1998 article, I proposed, inter alia, that the modern vulgate text of I. 5.58, ἐλπίδων ἔκνισ’ ὄπιν, is indefensible and the product of scribal corruption in antiquity, and that chief among the indefensible products of corruption there is the supposed secular use of ὄπις, as if used to mean something like ‘zeal’. (...) This is a sense for which there is no good evidence in classical Greek, where ὄπις always has a delimited religious denotation, meaning either ‘gods’ response’, ‘divine retribution’, or else ‘religious awe’ or ‘reverence’ towards the gods, through fear of that response or that retribution. If we discount I. 5.58 itself, all the pre-Hellenistic attestations can be straightforwardly listed under these headings: Il. 16.388 θεῶν ὄπιν οὐκ ἀλέγοντες, Od. 14.88 ὄπιδος κρατερὸν δέος, Hes. Theog. 221–2 θεαὶ... |... ἀπὸ τῷ δώωσι κακὴν ὄπιν, Pind. P. 8.71–2 θεῶν δ’ ὄπιν | ἄφθονον αἰτέω, sim. Od. 20.215, 21.28, Hes. Op. 187, 251, 706, along with, seemingly, a fragmentary fifth-century Thessalian verse inscription, CEG 1.120.1 Hansen; Hdt. 9.76.2 θεῶν ὄπιν ἔχοντας, 8.143.2. In addition, one other instance can be interpreted as either or, or in effect both: Od. 14.82 οὐκ ὄπιδα φρονέοντες... οὐδ’ ἐλεητύν. In all cases, though, ‘gods’ are specified, usually as a dependent genitive with ὄπις, or else separately but in the near context. Hellenistic and later occurrences of the word are few, and hints there of a secular reading can actually be taken to reflect misunderstandings based on, precisely, the early corruption in I. 5. (shrink)

It will be seen that has twofold prosodic value: in passage it equals but in the others It is usual to connect the word with Alc, Pind. i.e. Lejeune, Traité de phon. grecque, p. 155note), thus following a lead given by Hesychius This is indeed the only suggestion advanced in the respective etymological dictionaries of Boisacq, Hofmann, and Frisk, and by Seiler ; though all but Seiler express more or less of doubt, particularly on the ground of meaning.

Dikaiopolis, having borrowed a beggar's disguise from Euripides, is about to return to the place where he has set the butcher's block over which he will make his defence of his private peace-treaty. He finds, however, that his is reluctant to take the plunge. ‘Forward now, my soul,’ he says to it, ‘here's [or ‘there's’] the . What does mean here? Plainly we are meant to think of a foot-race; but is the ‘line’ in question the starting line or the (...) finishing line? The question has implications for production. If it is the starting line, Dikaiopolis must point to an imaginary line on the ground just in front of him; if the finishing line, he must point to the block. The scholia take ypanfiri to mean ‘starting line’ here; but this sense has no fifth-century support. At this date ypanfiri in connection with races meant always ‘finishing line’ (Pind. Pytb. 9. (shrink)

This note argues that Ps.-Lyc. 874-6 alludes to Pind. Pyth. 6.7-14 and may, in turn, be pertinent as one of the intertexts of Hor. Carm. 3.30.1-5.

This note questions the transmitted word order at Pind. Ol. 2.100 and proposes a transposition to remove short open vowel at verse end.

This article contributes to a discussion raised more than forty years ago in this journal by Richard Stoneman on how to interpret the unexpected image of an eagle at Pind. Nem. 3.80. Without excluding the possibility of a reference to the poet himself, this article argues, mainly based on a survey on the traditional elements used in that passage, that the eagle also refers—at least partially—to the victorious athlete Aristocleides. This is demonstrated by an internal investigation of the structure (...) of the ode and the use of signal words. Moreover, the image of the eagle stands in a series of other ancient and traditional motifs, such as the ‘song of milk and honey’ and ‘shining fame’, which can be also found in the Rigveda and therefore can be regarded as an inheritance of the Indo-European poetic tradition. Parallels from the Rigveda can be found for the avian imagery too, in which the eagle is compared to someone striving for fame in an athletic contest; this suggests that the image of the eagle is another traditional motif from IE times in Pindar, who uses it as a device to transition from a poetological to a laudatory part of the epinician, perhaps deliberately playing with the ambiguity of the image. (shrink)

IPV is the intuitionistic theory axiomatized by Cook's equational theory PV plus PIND on NP-formulas. Two extensions of IPV were introduced by Buss and by Cook and Urquhart by adding PIND for formulas of the form A ∨ B, respectively ¬¬A, where A is NP and x is not free in B. Cook and Urquhart posed the question of whether these extensions are proper. We show that in each of the two cases the extension is proper unless the (...) polynomial hierarchy collapses. (shrink)

It is shown that the feasibly constructive arithmetic theory IPV does not prove LMIN, unless the polynomial hierarchy CPV-provably collapses. It is proved that PV plus LMIN intuitionistically proves PIND. It is observed that PV + PIND does not intuitionistically prove NPB, a scheme which states that the extended Frege systems are not polynomially bounded.